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Thematology --- Christine de Pizan --- Allegory. --- Authority in literature. --- Authorship --- Feminism and literature --- Women and literature --- Women in literature. --- Sex differences --- History --- Allegory --- Authority in literature --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literature --- Authoring (Authorship) --- Writing (Authorship) --- Personification in literature --- Symbolism in literature --- Women authors --- Christine, --- Literature and feminism
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Maureen Quilligan explores the remarkable presence in the Renaissance of what she calls "incest schemes" in the books of a small number of influential women who claimed an active female authority by writing in high canonical genres and who, even more transgressively for the time, sought publication in print.It is no accident for Quilligan that the first printed work of Elizabeth I was a translation done at age eleven of a poem by Marguerite de Navarre, in which the notion of "holy" incest is the prevailing trope. Nor is it coincidental that Mary Wroth, author of the first sonnet cycle and prose romance by a woman printed in English, described in these an endogamous, if not legally incestuous, illegitimate relationship with her first cousin. Sir Philip Sidney and his sister, the Countess of Pembroke, translated the psalms together, and after his death she finished his work by revising it for publication; the two were the subject of rumors of incest. Isabella Whitney cast one of her most important long poems as a fictive legacy to her brother, arguably because such a relationship resonated with the power of endogamous female agency. Elizabeth Carey's closet drama about Mariam, the wife of Herod, spends important energy on the tie between sister and brother. Quilligan also reads male-authored meditations on the relationship between incest and female agency and sees a far different Cordelia, Britomart, and Eve from what traditional scholarship has heretofore envisioned.Incest and Agency in Elizabeth's England makes a signal contribution to the conversation about female agency in the early modern period. While contemporary anthropological theory deeply informs her understanding of why some Renaissance women writers wrote as they did, Quilligan offers an important corrective to modern theorizing that is grounded in the historical texts themselves.
Incest in de literatuur --- Incest in literature --- Inceste dans la littérature --- English literature --- Feminism and literature --- Incest in literature. --- Women and literature --- History and criticism. --- History --- Early modern, 1500-1700 --- History and criticism --- England --- 16th century --- LITERARY CRITICISM --- Women Authors --- English --- Languages & Literatures --- English Literature --- Literature --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Women authors --- Literature and feminism --- Gender Studies. --- Literature. --- Medieval and Renaissance Studies. --- Women's Studies.
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"A leading Renaissance scholar shows in this revisionist history how four powerful women redefined the culture of European monarchy in the glorious sixteenth century. Library Journal "Books and Authors to Know: Titles to Watch 2021" Sixteenth-century Europe was a time of destabilization of age-old norms and the waging of religious wars-yet it also witnessed the remarkable flowering of a pacific culture cultivated by a cohort of extraordinary women rulers who sat on Europe's thrones, most notably Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de' Medici. Recasting the dramatic stories and complex political relationships among these four women rulers, Maureen Quilligan rewrites centuries of scholarship that sought to depict intense personal hatreds among them. Instead, showing how the queens engendered a culture of mutual respect, When Women Ruled the World focuses on the gift-giving by which they aimed to ensure female bonds of friendship and alliance. Detailing the artistic and political creativity that flourished in the pockets of peace created by these queens, Quilligan's lavishly illustrated work offers a new perspective on the glory of the Renaissance and the women who helped to create it"--
Queens --- Women heads of state --- Renaissance --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Revival of letters --- Heads of state --- Monarchy --- Women --- Courts and courtiers --- Empresses --- Kings and rulers --- Royalty --- Rulers --- Sovereigns --- History --- Mary --- Elizabeth --- Mary, --- Catherine de Médicis, --- Medici, Catherine de, --- De Medici, Catherine, --- De Médicis, Catherine, --- Médicis, Catherine de, --- Catharine de' Medici, --- Katharine de Médicis, --- Ekaterina Medichi, --- Medichi, Ekaterina, --- Mary Stuart, --- Marie Stuart, --- Stuart, Marie, --- Maria Stuart, --- Stuart, Maria, --- Stuart, Mary, --- Maria Stuarda, --- Stuarda, Maria, --- Marii︠a︡ Sti︠u︡art, --- Sti︠u︡art, Marii︠a︡, --- Mary Stewart, --- Stewart, Mary, --- Màiri, --- Stiùbhart, Màiri, --- Màiri Stiùbhart, --- Elisabeth --- Mary Tudor, --- Tudor, Mary, --- Maria --- Marie Tudor, --- Tudor, Marie, --- Europe --- Politics and government --- History of Europe --- anno 1500-1599
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The first professional female writer, Christine de Pizan (1363-1431) was widowed at age twenty-five and supported herself and her family by enlisting powerful patrons for her poetry. Her Livre de la Cité des Dames (1405) is the earliest European work on women's history by a woman. An allegorical poem that revises masculine traditions, it asserts and defends the authority of women in general and of its author in particular. In this generously illustrated book, Maureen Quilligan provides a persuasive and penetrating interpretation of the Cité.
Allegory. --- Women in literature. --- Authority in literature. --- Authorship --- Women and literature --- Feminism and literature --- Sex differences --- History --- Christine,
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This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan formulates a vocabulary for talking about the distinctive generic elements they share. The texts she considers range from the twelfth-century De planctu naturae to Pynchon's Gravity's Rainbow, and include such works as Le Roman de la Rose, Langland's Piers Plowman, Hawthorne's Scarlet Letter, Melville's Confidence Man, and Spenser's Faerie Queene. Whether or not readers agree with this book, they will enjoy and profit from it.
Literary form. --- American literature --- Allegory. --- English literature --- History and criticism.
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