Listing 1 - 8 of 8 |
Sort by
|
Choose an application
How can theology think and talk about history? Building on the work of the major twentieth-century theologian Hans Urs von Balthasar as well as entering into sharp critical debate with him, this book sets out to examine the value and the potential of a 'theodramatic' conception of history. By engaging in dialogue not only with theologians and philosophers like von Balthasar, Hegel and Barth, but with poets and dramatists such as the Greek tragedians, Shakespeare and Gerard Manley Hopkins, the book makes its theological principles open and indebted to literary forms, and seeks to show how such a theology might be applied to a world intrinsically and thoroughly historical. By contrast with theologies that stand back from the contingencies of history and so fight shy of the uncertainties and openness of Christian existence, this book's theology is committed to taking seriously the God who works in time.
History --- Religion and drama --- Drama and religion --- Drama --- Annals --- Auxiliary sciences of history --- Religious aspects&delete& --- Christianity --- Balthasar, Hans Urs von, --- Religion and drama. --- History (Theology) --- Religious aspects --- Christianity. --- Arts and Humanities --- Religion
Choose an application
Choose an application
The Holy Spirit has become a greater focus for attention in Trinitarian theology and in the life of the western church since the rise of Pentecostalism at the beginning of the twentieth century. Different understandings of the Holy Spirit have impacted worship in a variety of ways. This book looks at look at surprising overlaps in the thinking about relationship between the Holy Spirit and worship between two radically different traditions of the church, represented by John Owen, from the seventeenth century in England, and John Zizioulas, from the twentieth/twenty-first century in Greece. Four threads of argument are identified, flowing from the unexpected overlap between these two thinkers, that are of value for the church today. The first is the personal and relational nature of the Triune God, drawing the human person into a deeper sense of relational identity. The second is the immediacy of the encounter with God through the Holy Spirit in worship. The third is the way in which the Holy Spirit leads people into truth. The fourth is the transformative nature of the encounter with God in worship, which draws people into sharing God's purpose for the transformation of the world. -- back cover.
Holy Spirit --- Public worship --- Worship --- Owen, John, --- Zizioulas, Jean,
Choose an application
Choose an application
William Blake famously imagined 'Jerusalem builded here' in London. But Blake was not the first or the last to visualise a shimmering new metropolis on the banks of the River Thames. For example, the Romans erected a temple to Mithras in their ancient city of Londinium; medieval Londoners created Temple Church in memory of the Holy Sepulchre in which Jesus was buried; and Christopher Wren reshaped the skyline of the entire city with his visionary dome and spires after the Great Fire of London in 1666. In the modern period, the fabric of London has been rewoven in the image of its many immigrants from the Caribbean, South Asia, Eastern Europe and elsewhere. While previous books have examined literary depictions of the city, this is the first examination of the religious imaginary of the metropolis through the prism of the visual arts. Adopting a broad multicultural and multi-faith perspective, and making space for practitioners as well as scholars, its topics range from ancient archaeological remains and Victorian murals and cemeteries to contemporary documentaries and political cartoons.
Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Blake, William, --- Wallinger, Mark, --- Ben Uri Art Gallery (London)
Choose an application
Choose an application
This book was first published in 2005. How will the study of theology and the religions in higher education be shaped in the coming century? This book offers several different perspectives on this field of study with suggestions for a future in which theology and religious studies are pursued together. There are examples of the interplay of theology and religious studies with reference to a range of topics: God, love, scripture, worship, argument, reconciliation, friendship and justice. The contributors practise different disciplines within the field, often in combination, covering theology, philosophy, history, phenomenology, literary studies, hermeneutics, politics, ethics and law. Their specialisms embrace Judaism, Christianity, Islam and Indian religions, with particular focus on the field in Europe, the US and South Africa. Recognizing the significance of the religions and of higher education, the book explores what best practice can be adopted to fulfil responsibilities towards academic disciplines, the religions and the societies of which they are part.
Religion --- Theology --- Study and teaching (Higher) --- 2:001 --- 2:001 Theologie als wetenschap. Studie en methode van de theologie --- Theologie als wetenschap. Studie en methode van de theologie --- Education, Theological --- Theological education --- Christian education --- Study and teaching --- Christian theology --- Theology, Christian --- Christianity --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Study and teaching. --- Arts and Humanities --- Religion - Study and teaching (Higher) --- Theology - Study and teaching (Higher)
Choose an application
Not only do the visual arts raise and explore some of the deepest questions of life and death, meaning and purpose, they are also the medium through which the 21st century is increasingly communicating. In the digital domain, where billions now interrelate, the visual arts have become a uniquely privileged form of exchange, particularly on a growing number of social media platforms. We are witnessing what in retrospect may look like a revolution in the use of visual imagery. Visual ‘language’ is becoming a new lingua franca that crosses geographical, historical, and cultural boundaries. Christian theology must ask how this new lingua franca can be ‘spoken’ with maximum nuance and integrity, as well as how (to quote Rowan Williams) it can be ‘interrupted and transfigured by revelation’. Theology, Modernity, and the Visual Arts brings together a group of theologians, biblical scholars, art historians, and curators to consider what questions about Christ and modernity might be posed by the visual arts, and what truths about Christ and modernity they might ask us to face. Its authors explore modern and contemporary artists from Pablo Picasso to Kent Monkman and Paul Cézanne to Cornelia Parker, addressing questions of theory, practice, and interpretation. Their contributions are orientated by an enquiring and critical focus on how modern and contemporary visual art coexists with, counters, illuminates, and serves Christianity.
Listing 1 - 8 of 8 |
Sort by
|