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Poetry --- Fiction --- Old English literature --- Sir Gawain and the Carl of Carlisle --- anno 1300-1399 --- Beschaving [Middeleeuwse ] in de literatuur --- Chevaliers et chevalerie dans la littérature --- Civilisation médiévale dans la littérature --- Civilization [Medieval ] in literature --- Dichters in de literatuur --- Knights and knighthood in literature --- Medieval civilization in literature --- Middeleeuwse beschaving in de literatuur --- Poets in literature --- Poètes dans la littérature --- Ridders en ridderschap in de literatuur --- Gawain and the Grene Knight --- English poetry --- Middle English, 1100-1500 --- History and criticism --- Christian poetry [English ] (Middle) --- Arthurian romances --- Manuscripts [English ] (Middle) --- England --- West Midlands --- Manuscripts, English (Middle) - England - West Midlands.
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This is an innovative and original exploration of the connections between Sir Gawain and the Green Knight , one of the most well-known works of medieval English literature, and the tradition of French Arthurian romance, best-known through the works of Chretien de Troyes two centuries earlier. The book compares Gawain with a wide range of French Arthurian romances, exploring their recurrent structural patterns ad motifs, their ethical orientation and the social context in which they were produced. It presents a wealth of new sources and analogues, which provide illuminating points of comparison for analysis of the self-consciousness with which the Gawain -poet handled the staple ingredients of Arthurian romance. Throughout, Ad Putter plays close attention to the ways in which the modes of representation of Arthurian romance are related to social and historical context. By revealing in the course of their romances the importance of conscience, courtliness, and self-restraint, literati such as the Gawain -poet and Chretien de Troyes helped a feudal society with an obsolete chivalric ideology adapt to the changing times.
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For more than a thousand years, the adventures of King Arthur and his Knights of the Round Table have been retold across Europe. They have inspired some of the most important works of European literature, particularly in the medieval period: the romances of Chrétien de Troyes, Wolfram von Eschenbach's Parzival, Sir Gawain and the Green Knight and Malory's Le Morte d'Arthur. In the nineteenth century, interest in the Arthurian legend revived with Tennyson, Wagner and Twain. This Companion outlines the evolution of the legend from the earliest documentary sources to Spamalot, and analyses how some of the major motifs of the legend have been passed down in both medieval and modern texts. With a map of Arthur's Britain, a chronology of key texts and a guide to further reading, this volume itself will contribute to the continuing fascination with the King and his many legends.
Old English literature --- Arthur [King] --- Roman courtois anglais --- Arthurian romances --- English literature --- Romances, English --- History and criticism. --- Cycle d'Arthur --- Littérature anglaise --- Histoire et critique --- King Arthur [Fictitious character] --- English --- English Literature --- Languages & Literatures --- History and criticism
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Uncovers the remarkable lives and writings of these tradesmen, showing how they adapted to their new environment and responded to the challenges they faced.
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LITTERATURE ANGLAISE --- ROMAN COURTOIS ANGLAIS --- LITTERATURE POPULAIRE ANGLAISE --- CULTURE POPULAIRE --- CONTES MEDIEVAUX --- 1100-1500 (MOYEN-ANGLAIS) --- HISTOIRE ET CRITIQUE --- ANGLETERRE --- JUSQUE 1500
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English literature --- English literature --- Popular culture --- Popular culture. --- Popular literature --- Popular literature. --- Romances, English --- Romances, English. --- Tales, Medieval --- Tales, Medieval. --- History and criticism --- Middle English. --- History --- History and criticism --- History and criticism. --- History and criticism. --- To 1500. --- England.
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History of the United Kingdom and Ireland --- History of the Low Countries --- anno 1400-1499 --- anno 1500-1599 --- London
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Romances were immensely popular with medieval readers, as evidenced by their ubiquity in manuscripts and early print. The essays collected here deal with the textual transmission of medieval romances in England and Scotland, combining this with investigations into their metre and form; this comparison of the romances in both their material form and their verse form sheds new light on their cultural and social contexts. Topics addressed include the singing of Middle English romance; the printed transmission of romance from Caxton to Wynkyn de Worde; and the representation of the Otherworld in manuscript miscellanies.
Old English literature --- book history --- Book history --- Sociology of literature --- English literature --- Mittelenglisch. --- Romance. --- Romances, English --- Romances, English. --- Transmission of texts --- History and criticism --- Middle English. --- History --- 1100-1500.
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This book is devoted to the study of multilingual Britain in the later medieval period, from the Norman Conquest to John Skelton. It brings together experts from different disciplines — history, linguistics, and literature - in a joint effort to recover the complexities of spoken and written communication in the Middle Ages. Each author focuses on one specific text or text type, and demonstrates by example what careful analysis can reveal about the nature of medieval multilingualism and about medieval attitudes to the different living languages of later medieval Britain. There are chapters on charters, sermons, religious prose, glossaries, manorial records, biblical translations, chronicles, and the macaronic poetry of William Langland and John Skelton. By addressing the full range of languages spoken and written in later medieval Britain (Latin, French, Old Norse, Welsh, Cornish, English, Dutch, and Hebrew), this collection reveals the linguistic situation of the period in its true diversity and shows the resourcefulness of medieval people when faced with the need to communicate. For medieval writers and readers, the ability to move between languages opened up a wealth of possibilities: possibilities for subtle changes of register, for counterpoint, for linguistic playfulness, and, perhaps most importantly, for texts which extend a particular challenge to the reader to engage with them.
Old English literature --- Historical linguistics --- English language --- anno 1200-1499 --- anno 1100-1199 --- Languages in contact --- Multilingualism --- Manuscripts, Medieval --- Multilinguisme --- --Grande-Bretagne --- --Moyen âge, --- 1066-1520 --- --Colloque --- --2008 --- --Bristol --- --actes --- --Foreign elements --- History --- Foreign elements --- Great Britain --- Languages --- Multilingualism and literature --- Macaronic literature --- Sermons, Medieval --- Sources. --- Foreign elements. --- Variation. --- History and criticism. --- Texts --- To 1500 --- Sources --- Middle English, 1100-1500 --- Variation --- History and criticism --- Sermons [Medieval ] --- English language - Middle English, 1100-1500 - Foreign elements --- Languages in contact - Great Britain - History - To 1500 --- Multilingualism - Great Britain - History - To 1500 --- English language - Great Britain - Foreign elements --- Manuscripts, Medieval - Great Britain --- Moyen âge, 476-1492 --- Colloque --- Grande-Bretagne --- Bristol --- Great Britain - Languages --- Germanic languages
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