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crucifixion --- collecting --- assemblages [sculpture] --- architecture [discipline] --- museums [institutions] --- photography [process] --- Iconography --- Museology --- Architecture --- conflict [general sense] --- museology --- Art --- exhibiting --- installations [visual works] --- communication [function] --- Bauer, Uta Meta --- Wohnseifer, Johannes --- The Art Guys --- Green, Renée --- Schelle, Susan --- Steinbach, Haim --- Lawler, Louise --- Möller, Christian --- Höfer, Candida --- Toren, Amikam --- Arman --- Gilbert and George --- Purcell, Rosamond W. --- Penalva, Joao --- Angelmaker, L.A. --- Migliora, Marzia --- Sinclair, Ross --- Ross, Richard --- Jaar, Alfredo --- Gehry, Frank --- Kinmont, Ben --- Poirier, Anne --- Kallnbach, Siglinde --- Kippenberger, Martin --- Head, Tim --- Bergman, Sky --- Turk, Gavin --- Parmigianni, Claudio --- Lanzardo, Dario --- Swinton, Tilda --- Dellbrügge & de Moll --- Boltanski, Christian --- Smith, Terry --- Finn-Kelcey, Rose --- Costa, Claudia --- Abish, Cecile --- Sugimoto, Hiroshi --- Judd, Donald --- Fontcuberta, Joan --- Buren, Daniel --- Bloom, Barbara --- Vallance, Jeffrey --- Fabre, Jan --- Beuys, Joseph --- Feldmann, Hans-Peter --- Aptekar, Ken --- Merz, Mario --- Matsui, Shiro --- Boyce, Sonia --- Manzoni, Piero --- Cummings, Neil --- Lang, Nicolaus --- Bijl, Guillaume --- Muntadas, Antonio --- Haacke, Hans --- Duchamp, Marcel --- Takeoka, Yuhi --- Calle, Sophie --- Fraser, Andrea --- Hirst, Damien --- Barth, Tom --- Geers, Kendell --- Milroy, Lisa --- Cornell, Joseph --- Paolozzi, Eduardo --- Blake, Peter Thomas --- Bott, Karsten --- Kopystiansky, Igor --- Hamilton, Ann --- Knoebel, Imi --- Byars, James L. --- Leonard, Zoe --- McCollum, Allan --- Thomas, Philippe --- Mucha, Reinhard --- Emin, Tracey --- Stiller, Wolfgang --- Kosuth, Joseph --- Sokov, Leonid --- Walker, Julian --- Gormley, Antony --- Kusakabe, Kazushi --- Broodthaers, Marcel --- Spoerri, Daniel --- Wentworth, Richard --- Locher, Thomas --- Distel, Herbert --- Borland, Christine --- Fritsch, Katharina --- Struth, Thomas --- Bradshaw, Dove --- Dion, Mark --- Otterness, Tom --- Cage, John --- Díaz, Gonzalo --- Trockel, Rosemarie --- Wilson, Fred --- Eggebert, Ann --- Penone, Giuseppe --- Parker, Cornelia --- Lucas, Sarah --- Warhol, Andy --- Lafontaine, Marie-Jo --- Kawara, On --- Oldenburg, Claes --- Schwitters, Kurt --- Hiller, Susan --- Starr, Georgina --- Pellegrin, Maurizio --- Greenaway, Peter --- Kabakov, Ilija Iosefovich --- Leirner, Jac --- Mullican, Matt --- Collin-Thiébaut, Gérard --- Lewandowska, Marysia --- Massing, Jack --- Geluwe, van, Johan --- Grünfeld, Thomas --- Håkansson, Henrik --- Norman, Nils --- Asher, Michael --- Filliou, Robert --- Wearing, Gillian --- Shaw, Jeffrey --- Goldsworthy, Andy --- Quinn, Marc --- West, Franz --- Caldas, Watercio --- Messager, Annette --- Koons, Jeff --- Installaties (Kunst) --- Installations (Art) --- Musea in de kunst --- Museums in art --- Musées dans l'art --- Artists and museums. --- Museums --- Exhibition techniques. --- Philosophy. --- #SBIB:316.7C324 --- #FARO gidsen_museale ontwikkelingen --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Museums and artists --- Art museums --- Culturele infrastructuur: musea --- Display techniques --- art collections --- Philosophy --- Exhibition techniques --- Artists and museums --- Bauer, Ute Meta --- Lang, Nikolaus --- Barth, Thom --- museumcollectie --- museumarchitectuur --- Caldas, Waltércio

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Sculpture --- museums [buildings] --- art criticism --- Contemporary [style of art] --- hedendaagse kunst --- musea --- kunstbeschouwing

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From both a philosophical and scientific perspective, this book throws light on the subject with which it is primarily concerned--human motives. The hidden impulses that so often hurry us to rash actions; the weeds in our minds that need to be uprooted lest they obtain a fatal dominance over our constructive energies; the secret sources of harmful habits--on all of these the author turns the revealing gleam of psychological analysis. Throughout, the author emphasizes the importance of studying motives with reference to the dynamic forces that underlie them, rather than with reference to their face value; and, attacking them from this better point of view, he brings to the reader a message of personal importance. (PsycINFO Database Record (c) 2004 APA, all rights reserved).

Motivation (Psychology) --- Psychology. --- Mind and body.

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Art styles --- Iconography --- Art --- Sculpture --- outdoor sculpture --- earthworks [sculpture] --- art [discipline] --- Nature --- excrement --- wool [textile] --- Ovis [genus] --- agricultural land --- public spaces --- sculpting --- biological material --- stone [worked rock] --- wood [plant material] --- landscapes [representations] --- Goldsworthy, Andy --- anno 1900-1999 --- anno 2000-2099 --- Great Britain