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Striking Power - the very first exhibition and publication to explore the history of iconoclasm in ancient Egyptian art - is an in-depth examination of the widespread campaigns of targeted image destruction that periodically swept through ancient Egypt, driven by political and religious motivations. Focusing on the legacies of pharaohs Hatshepsut (reigned c. 1478-58 BCE) and Akhenaten (reigned c. 1353-36 BCE), as well as the destruction of objects in Late Antiquity, the book pairs damaged works, from fragmented heads to altered inscriptions, with undamaged examples. In ancient Egypt, the deliberate destruction of objects - a nearly universal practice that continues in our own day - derived from the perception of images not only as representations but also as containers of powerful spiritual energy. Considering this historical phenomenon, 'Striking Power' raises timely questions about the power of images and the ways in which we try to contain them. Exhibition: Pulitzer Foundation for the Arts, St. Louis, USA (22.03.-11.08.2019).
Iconoclasm --- Iconoclasm in art --- Idols and images --- History --- Worship --- Egypt --- Antiquities --- Sculpture égyptienne --- Art --- Iconoclasme --- Antiquities. --- Iconoclasm. --- Iconoclasm in art. --- Mutilation --- Egypt.
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"One of the foremost artists to emerge in the 1960s, Hannah Wilke (1940-1993) stands as a pivotal figure in late twentieth-century American art for her role in challenging dialogues around art and feminism. Since its inception, her distinctive and original work has provocatively pushed against prevailing narratives of women's bodies and their representation. The artist's signature folded and layered forms synthesize a variety of influences, including Abstract Expressionism, Minimalism, and Conceptualism, while also formulating a uniquely feminist iconography. Examining Wilke's prolific career from the 1960s up to her untimely death in 1993, this publication will bring together works on paper, photography, and video, as well as examples of Wilke's various sculptures in clay, bronze, latex, and other non-traditional materials. This selection of iconic and rarely seen work will highlight her daring practice and iconographic innovations. Through a loosely chronological presentation that represents themes, motifs, and materials across Wilke's over three-decade long career, the book will offer new perspectives on this critical and influential artist"--
7.07 --- Wilke, Hannah --- Kunst en feminisme --- Vrouwelijke kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- Art --- drawings [visual works] --- photographs --- terracottas [sculptural works] --- body art [visual works, performance] --- video art --- performance art --- studio ceramics --- kneadable erasers --- gender [sociological concept] --- sexuality --- feminism
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Art --- sculpture [visual works] --- bronzes [visual works] --- fiber art --- monuments --- wool [textile] --- assemblages [archaeological artifacts] --- charcoal drawings --- Chase-Riboud, Barbara
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