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Caravaggio, Michelangelo Mersi da --- Caravaggio --- kunst --- schilderkunst --- zestiende eeuw --- zeventiende eeuw --- Italië --- Caravaggio Michelangelo da --- Merisi Michelangelo --- clair-obscur --- renaissance --- barok --- 75.071 CARAVAGGIO --- CDL --- Painters --- Biography. --- Caravaggio, Michelangelo Merisi da, --- Biography --- Karavadzho, Mikelʹandzhelo da, --- Merizi, Mikelʹandzhelo, --- Merisi, Michelangelo, --- Amerighi, Michelangelo, --- Caravaggio, --- Merisio, Michelangelo, --- Da Caravaggio, Michelangelo Merisi, --- Merisi da Caravaggio, Michelangelo, --- Caravage, --- Merisi, Michelange, --- Caravage, Michelange de, --- Caravaggi, M. de --- קרוואג׳יו --- Caravaggio. --- Peintres --- Caravage (michelangelo merisi, dit caravaggio), 1573-1610 --- Italie --- Biographie
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chiaroscuro --- kleurgebruik --- Reni, Guido
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Painters --- Painting, Late Renaissance --- Peintres --- Peinture de la Renaissance --- Biography --- Biographies --- Renaissance tardive --- Caravaggio, Michelangelo Merisi da,
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Iconography --- Jesus Christ --- Christian art and symbolism --- Art et symbolisme chrétiens --- Art --- iconography --- Art et symbolisme chrétiens --- Art. --- Christian art and symbolism.
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A study of Christ as Man of Sorrows in the Venetian world from the late Medieval through the Baroque era. Art and Faith in Venice is the first study of the Man of Sorrows in the art and culture of Venice and her dominions across three centuries. A subject imbued with deep spiritual and metaphorical significance, the image pervaded late-Medieval Europe but assumed in the Venetian world an unusually rich and long life. The book presents a biography, first tracing the transmission of the image as a vertical, half-length figure devoid of narrative from the Byzantine East c. 1275 and then exploring its gradual adaptation and diffusion across the Venetian state to a wide range of media, reaching from small manuscript illuminations to panel paintings, altarpieces, tombs and liturgical furnishings. Analyzing its nomenclature, visual form and layered meanings, the study demonstrates how this universal image played a prominent role responding to public and private devotions in the spiritual and cultural life of Venice and its larger political sphere of influence. Catherine Puglisi and William Barcham have written extensively on the Man of Sorrows and co-curated an exhibition on the subject in New York in 2011. Each also publishes separately, Puglisi on Caravaggio and Bolognese art, and Barcham on Venetian 18th-century painting.
Iconography --- History of Italy --- iconology --- Passie van Christus --- Man van Smarten --- Jesus Christ --- Venice --- Symbolisme chrétien --- Art --- Art chrétien --- Jésus-Christ --- Passion --- Dans l'art. --- Man of Sorrows (Art) --- Christian art and symbolism --- Art, Medieval --- Art, Renaissance --- Art, Baroque --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Christ as the Man of Sorrows (Art) --- 7.046 --- 7 <45> --- 7.033 --- 7.033 Kunststijlen van de Middeleeuwen --- Kunststijlen van de Middeleeuwen --- 7 <45> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Italië --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Italië --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Christelijke kunst --- kunst en godsdienst
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