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Balzac, de, Honoré --- Characters and characteristics in literature. --- Character sketches --- Characterization (Literature) --- Literary characters --- Literary portraits --- Portraits, Literary --- History and criticism --- Balzac, Honore de --- -Balzac, Honore de --- -Characters --- Stories, plots, etc --- Characters and characteristics in literature --- Balzac, Honoré de, --- Characters. --- Stories, plots, etc. --- de Balzac, Honoré --- de Balzac, H. --- Balzac, Honoré de --- Ba'erzhake, --- Balzac, H. de --- Balzac, Honorato, --- Balzak, --- Balʹzak, Onore, --- Balzaḳ, Onoreh deh, --- Balzāk, Ūnūrīh dī, --- Banzăc, Hônôrê đơ, --- Baruzakku, --- de Balzac, Honorato, --- Jeune célibataire, --- Pa-erh-cha-kʻo, --- Бальзак, Оноре де, --- באלזאק, אנארע דע, --- באלזאק, אונורה דה, --- באלזאק, האָנאָרע דע, --- בלזק, אונורה דה, --- בלזק, הונורה דה-, --- דע־באלזאק, האָנאָרע, --- بالزاك، انوره دو --- バルザック, --- 巴爾札克, --- 巴爾扎克, --- R'Hoone, --- Saint-Aubin, Horace de, --- Cloteaux, Aurore --- Balzac, honoré de (1799-1850) --- Personnages littéraires
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1 PASCAL, BLAISE --- Apologetics --- -Apologetics --- Apologetics, Missionary --- Christian evidences --- Christianity --- Evidences, Christian --- Evidences of Christianity --- Fundamental theology --- Polemics (Theology) --- Theology, Fundamental --- Religious thought --- Theology --- Filosofie. Psychologie--PASCAL, BLAISE --- History --- -Evidences --- Pascal, Blaise --- Montalte, Louis de, --- Pasukaru, Burēzu, --- Paskalʹ, Blėz, --- Pascal, Biagio, --- Pʻa-ssu-kʻa-erh, Pu-lai-tzu, --- Pa-ssu-ka, Pa-ssu-chia-erh, --- Pa-ssu-chʻieh-erh, Pa-ssu-chʻia, --- Ppasŭkkal, --- Montaltius, Ludovicus, --- פסקל, בלז --- פסקל, ב., --- Catholic Church --- -Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Doctrines --- -Filosofie. Psychologie--PASCAL, BLAISE --- -Pascal, Blaise --- -Doctrines --- 1 PASCAL, BLAISE Filosofie. Psychologie--PASCAL, BLAISE --- Montaltius, Ludovicus --- de Montalte, Louis --- Pascal, Blaise, --- Doctrines. --- Pascal (Blaise). Pensées. --- Church of Rome
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For forty years, scholars have had access to a vast array of documents that reveal the stages by which a few modest episodes grew into the vast and complex structure the world reveres as Marcel Proust's unique novel, A la recherche du temps perdu. Although many soundings have been made in this corpus, which comprises manuscript pages, exercise books, typescripts, and publisher's proofs, Anthony Pugh's study is the first attempt to provide a comprehensive view of the story that the documents reveal, at least in the years before the outbreak of war in 1914.A crucial feature of the research is the rigorous establishment of the chronological sequence of the documents, a task complicated by Proust's habit of returning to sketches already written, amplifying them with extensive additions in the margins and on the facing pages, often reorganizing them, and finally reworking them in another form, sometimes physically intercalating pages of the first version into the new one. Anthony Pugh analyses with scrupulous care every document, facing all the multi-faceted problems they present, and showing why many solutions, some of them widely accepted by Proust scholars, have to be questioned.It emerges from this investigation that however unsystematic Proust was in his method of composing, there is an inner logic in the way he oscillates between writing new incidents and editing texts already extant. Now, for the first time, the whole story of the way in which A la recherche du temps perdu grew during the first six years of its gestation is told in full, both in its general thrust and in its fine details.
Proust, Marcel, --- Criticism and interpretation --- Manuscripts --- Authors, French. --- LITERARY CRITICISM / European / French. --- French authors --- Proust, Marcel --- Prust, Marselʹ, --- Proust, Valentin Louis Georges Eugène Marcel, --- Pʻŭrusŭtʻŭ, Marŭsel, --- Pʻu-lu-ssu-tʻe, --- Пруст, Марсель, --- פרוסט, מארסל --- פרוסט, מרסל --- ,פרוסט, מרסל --- بروست، مارسيل،, --- Criticism, Textual.
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There has never been an accurate, comprehensive account of the origin, development, and significance of Balzac's use of recurring characters in the many volumes of the Comedie humaine, although the device is well recognized and such a study has long been deemed essential by Balzac scholars. One cannot read far in the Comedie without encountering characters whom one has met in other novels. Balzac did not introduce recurring characters until after he had written thirty of forty stories, but he kept revising his work from one printing or edition to the next so that earlier stories have as many of the recurring characters as the later ones. Professor Pugh traces the use of the device and unravels its complexities over the whole of Balzac's career by providing a year-by-year account of the author's struggles between 1829 and 1847 to unify his fictional world of some 3,000 characters. This study illuminates the genesis of several novels and sheds totally new light on the validity of the device, by enabling us for the first time to distinguish between examples which belong to the original creative urge, and those introduced during later revisions. The book takes into account the most recent studies of individual Balzac novels, and is unique in the range and thoroughness of its investigation. All serious students of Balzac will need to consult this reference work.
Characters and characteristics in literature. --- Balzac, Honoré de, --- Characters.
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