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"Most histories of Soviet cinema portray the 1970s as a period of stagnation and the gradual decline of the film industry. This book, however, examines Soviet film and television of the era as mature industries articulating diverse cultural values via new genre models. During the 1970s, Soviet cinema and television developed a parallel system of genres where television texts celebrated conservative consensus while films manifested symptoms of ideological and social crises. The book examines police film, melodrama, comedy, children's film, variety show film, art cinema, and epic film, and outlines how television gradually emerged as the major form of Russo-Soviet popular culture. Through close analysis of well-known film classics of the period as well as less familiar films and television series, this groundbreaking work helps to deconstruct the myth of this era as a time of social stability and also helps us to understand the persistence of this myth in the contemporary Russian collective memory. "-- "A brilliant overview of the film and television of the Soviet Union in the Stagnation period, shedding new light on the culture of the era"--
Motion pictures --- Cinéma --- Film genres --- Television series --- Séries télévisées --- Television program genres --- Télévision --- Emissions
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Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume's contributors-the new generation of US scholars studying Russian cinema-examine four issues of Russia's transition: (1) its imperial legacy, (2) the emergence of a film market and its new genres, (3) Russia's uneven integration into European values and hierarchies, (4) the renegotiation of state power vis-à-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context.
Film. --- Filmgenre. --- Motion picture industry --- Motion picture industry. --- Motion pictures --- Motion pictures. --- Politischer Wandel. --- History and criticism --- Russia (Federation). --- Russland. --- 20th century film. --- 21st century film. --- Aleksandr Kott. --- Another Sky. --- Bekmambetov. --- Cinema. --- Dmitrii Mamuliia. --- Elki. --- Eurasian. --- Film Symposium. --- KinoKultura. --- Kinotavr. --- Mikhalkov. --- Russia. --- The Test. --- art. --- arthouse films. --- cinematography. --- comedy. --- contemporary. --- criticism. --- culture. --- documentary. --- film festival. --- film production. --- film. --- genre. --- horror. --- independent films. --- movies. --- political commentary. --- post-Soviet. --- violence in film.
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"Russian TV Series in the Era of Transition examines contemporary Russian television genres in the age of transition from broadcast to post-broadcast television. Focusing on critical debates and the most significant TV series of the past two decades, the volume's contributors-the leading US and European scholars studying Russian television, as well as the leading Russian TV producers and directors-focus on three major issues: Russian television's transition to digital post-broadcast economy, which redefined the media environment; Russian television's integration into global television markets and their genre systems; and major changes in the representation of gender and sexuality on Russian television"--
Television broadcasting --- Television series --- History --- History and criticism
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Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume's contributors-the new generation of US scholars studying Russian cinema-examine four issues of Russia's transition: (1) its imperial legacy, (2) the emergence of a film market and its new genres, (3) Russia's uneven integration into European values and hierarchies, (4) the renegotiation of state power vis-à-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context.
Motion picture industry --- 20th century film. --- 21st century film. --- Aleksandr Kott. --- Another Sky. --- Bekmambetov. --- Cinema. --- Dmitrii Mamuliia. --- Elki. --- Eurasian. --- Film Symposium. --- KinoKultura. --- Kinotavr. --- Mikhalkov. --- Russia. --- The Test. --- art. --- arthouse films. --- cinematography. --- comedy. --- contemporary. --- criticism. --- culture. --- documentary. --- film festival. --- film production. --- film. --- genre. --- horror. --- independent films. --- movies. --- political commentary. --- post-Soviet. --- violence in film.
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This book examines major Russian TV series focusing on three major issues: Russian television's transition to digital post-broadcast visual economy, Russian television's integration into global television markets and their genre systems, and major shifts in representation of gender and sexuality on television.
Television broadcasting --- Television series --- History. --- History and criticism. --- Russia. --- SVoD. --- art. --- cable networks. --- contemporary. --- culture. --- entertainment. --- family. --- film. --- gender. --- genre. --- kultura. --- media. --- nationalism. --- patriarchy. --- post-Soviet. --- post-broadcast. --- quality drama. --- queer studies. --- streaming. --- television. --- writing. --- History --- History and criticism
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Discursive practices during war polarize and politicize gender: they normally require men to fulfill a single, overriding task—destroy the enemy—but impose a series of often contradictory expectations on women. The essays in the book establish links between political ideology, history, psychology, cultural studies, cinema, literature, and gender studies and addresses questions such as— what is the role of women in war or military conflicts beyond the well-studied victimization? Can the often contradictory expectations of women and their traditional roles be (re)thought and (re)constructed? How do cultural representations of women during war times reveal conflicting desires and poke holes in the ideological apparatus of the state and society?
War in mass media. --- Women in mass media. --- Women and war --- History --- Technology & engineering --- Social science --- Women and war. --- Slavic countries. --- Military --- Other. --- Military science. --- Gender studies. --- Balkan Peninsula. --- Europe --- War and women --- War --- Women and the military --- Mass media --- Mass media and war --- Women in mass media --- War in mass media --- E-books --- Film, Gender studies, Literature, Media, Political violence, Women, Women and war, World War II.
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