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This major new exhibition brings together, for the first time, the works of four of the most celebrated figures in art photography, Lewis Carroll (1832-98), Julia Margaret Cameron (1815-79), Oscar Rejlander (1813-75) and Clementina Hawarden (1822-65). These four artists would come to embody the very best in photography of the Victorian era. Their experimental approach to picture-making and radical attitudes towards photography have informed artistic practice ever since. Featuring striking portaits of sitters such as Charles Darwin, Alice Liddell, Dante Gabriel Rossetti, Thomas Carlyle, George Frederick Watts, Ellen Terry and Alfred, Lord Tennyson.

Photography, Artistic --- 77.036 --- Fotografie ; 19de eeuw --- Thema's in de fotografie ; portretten --- Artistieke fotografie --- Cameron, Julia Margaret 1815-1879 (°Calcutta, Indië) --- Carroll, Lewis (pseudoniem Dodgson, Charles Lutwidge) 1832-1898 (°Daresbury, Engeland) --- Hawarden, Clementina 1822-1865 (°Dunbartonshire, Schotland) --- Rejlander, Oscar Gustaf 1813-1875 (°Stockholm, Zweden) --- Tentoonstellingscatalogi ; Londen ; National Portrait Gallery --- Fotografie ; 19e eeuw --- Cameron, Julia Margaret, --- Carroll, Lewis, --- Hawarden, Clementina, --- Rejlander, O. G. --- Fleeming, Clementina Elphinstone, --- Hawarden, --- Maude, Clementina Elphinstone Fleeming, --- Karol, Luis, --- Керол, Люис, --- Kerol, Li︠u︡is, --- Кэрролл, Льюис, --- Kėrroll, Lʹi︠u︡is, --- Karrolʹ, L., --- Oxford chiel, --- Кэрролл, Л. --- Kėrroll, L. --- Caroll, Lewis, --- Kerōl, Lūyī, --- Karōl, Lūyi, --- Kāral, Lūyis, --- קרול, לואיס --- קרול, לואיס, --- קרול, ל. --- Kerol, Luis, --- Keroli, Luis, --- Kerols, Luiss, --- Carroll, Ludovici, --- Luyishi Kaluo, --- 路易士·卡洛, --- Dodgson, Charles Lutwidge, --- Cameron, Julia M. --- Cameron, Julia Margaret Pattle, --- Rejlander, Oscar Gustav, --- Rejlander, Oscar Gustave, --- Exhibitions --- Photography --- photography [process] --- Victorian --- fotografie --- Hawarden, Clementina [Lady] --- Rejlander, Oscar --- Carroll, Lewis --- Cameron, Julia Margaret --- anno 1800-1899 --- Dodgson, Charles Lutwidge --- Victoriaans tijdperk --- briefwisseling --- Carroll, Louisa --- Hawarden, Clementina --- Herschel, John --- Rejlander, Oscar Gustaf --- 19de eeuw --- Groot-Brittannië --- キャロル ルイス --- briefwisseling. --- Victoriaans tijdperk. --- Cameron, Julia Margaret. --- Carroll, Lewis. --- Hawarden, Clementina. --- Rejlander, Oscar Gustaf. --- Herschel, John. --- Carroll, Louisa. --- 19de eeuw. --- Groot-Brittannië.

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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Muybridge is best known for the photographs of horses and other animals in motion, which he made in the 1870s and 80s. The first person to use photography to freeze rapid action for analysis and study, he devised a method for photographing episodes of behaviour using a series of cameras, producing some of the most famous sequential photographs ever made. These pictures, the first successful photographs of rapidly moving subjects, revolutionized expectations of what photography could reveal about the natural world. 
Time Stands Still is the catalogue to accompany a major exhibition celebrating the work of Eadweard Muybridge, one of the most influential photographers of the 19th century. The exhibition, opening Spring 2003 and touring through 2004, will combine an examination of the artists' career in motion photograph with a survey of early attempts to photograph moving subjects. The catalogue is primarily written by guest curator Phillip Prodger, but includes an additional essay on the earliest experiments in cinema by Tom Gunning, an expert on early film at the University of Chicago. 
The exhibition will display Muybridge's zoopraxiscope and other equipment, drawings, ephemera, and photographs made from the invention of photography in the 1830s to the end of Muybridge's career, which culminated with the publication of his encyclopaedic work, Animal Locomotion, in 1887. The photographs and objects are drawn largely from the collection of the Cantor Center and supplemented with a selection of stop-action photographs from other private and public collections. Represented will be the work of, among others, Talbot, Rejlander, Maray, Eakins, Edison, and the Lumiere Frères

fotografie --- photography [process] --- Photography --- Muybridge, Eadweard --- beweging --- 19de eeuw --- chronophotography --- motion --- stop-motion photography --- beweging. --- Muybridge, Eadweard. --- 19de eeuw.

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Published on the occasion of the art exhibition Screen Time: Photography and Video Art in the Internet Age, this catalog features a selection of leading international artists who engage with and critique the role of media in contemporary society. Their work demonstrates what has become known as post-internet artistic practices—art that may or may not be made for the internet but nevertheless acknowledges online culture as an omnipresent influence, inseparable from contemporary social conditions. They ask what it means to be a photographer when everyone is an Instagram influencer; what it means to make video art when everyone is a TikTok video star; and how to deliver meaningful social commentary in the age of the meme. The exhibition and accompanying catalog showcase artwork by N. Dash, Nathalie Djurberg, Marcel Dzama, Peter Funch, Cyrus Kabiru, William Kentridge, Christian Marclay, Marilyn Minter, Vik Muniz, Otobong Nkanga, Erwin Olaf, Robin Rhode, Vee Speers, Mary Sue, Puck Verkade, Huang Yan. Published by Bucknell University Press for the Samek Art Museum. Distributed worldwide by Rutgers University Press.

Photography, Artistic --- Exhibition catalogs. --- Video art --- post-internet art, art exhibition, N. Dash, art, photography, video art, meme, internet, new media art, Nathalie Djurberg, Marcel Dzama, Peter Funch, Huang Yan, Cyrus Kabiru, William Kentridge, Christian Marclay, Marilyn Minter, Vik Muniz, Erwin Olaf, Otobong Nkanga, Robin Rhode, Vee Speers, Mary Sue, Puck Verkade.

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By turns witty, surprising, and ingenious, Martin Parr's photographs reveal the eccentricities of modern life with affection and insight. This book - published to coincide both with Parr's 2019 exhibition at London's National Portrait Gallery and also the date the UK will leave the EU - examines what it means to be human at a time of both change and retrospection. Bringing together new work from the last decade, 'Only Human' explores the concepts of Britishness and national identity through the rituals and habits of everyday life. Exhibition: National Portrait Gallery, London, UK (07.03-27.05.2019).

Photography, Artistic --- Portrait photography --- Parr, Martin,

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Darwin's Camera tells the extraordinary story of how Charles Darwin changed the way pictures are seen and made. In his illustrated masterpiece, Expression of the Emotions in Man and Animals (1871), Darwin introduced the idea of using photographs to illustrate a scientific theory--his was the first photographically illustrated science book ever published. Using photographs to depict fleeting expressions of emotion--laughter, crying, anger, and so on--as they flit across a person's face, he managed to produce dramatic images at a time when photography was famously slow and awkward. The book desc

Darwin, Charles, --- Darwin, Charles, Robert --- Art collections. --- 575.8 --- 77 --- 77 Fotografie --- Fotografie --- 575.8 Evolution. Origin of species. Phylogeny --- Evolution. Origin of species. Phylogeny --- Darwin, Charles --- Illustrations. --- Photographie scientifique --- Darwinisme --- Photographies --- Collections de photographies. --- Et la photographie.