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Ono, Yoko ; Mendieta, Ana ; Abramovic, Marina ; Piper, Adrian ; Lacy, Suzanne ; Spero, Nancy ; Holzer, Jenny

Sex crimes in art. --- Women artists --- Art, Modern --- Women --- Political art --- Crimes against --- Princenthal, Nancy

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Iconography --- Art --- Sculpture --- Graphic arts --- Film --- art [discipline] --- feminism --- video art --- performance art --- nudes [representations] --- illness --- eroticism --- sculpting --- graphic arts --- lichaam (van de mens) --- Wilke, Hannah --- United States of America

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Hannah Wilke's artwork, like her life, frames a heroic story about formal invention and social activism, personal loyalties and individual freedom, and, above all, breathtaking risk. A defining presence in the emerging community of women artists in the 1960's and '70's, Wilke developed a unique and controversial visual language in response to her own and women's experience. An unapologetic individualist, she celebrated her relationships with men as well as women and frankly explored the pleasures of sexuality. Using a wide range of non-traditional mediums, including latex and chewing gum as well as photography and film, she irreverently paid tribute to predecessors from Marcel Duchamp to David Smith. Focusing on the body as instrument and object of visual expression, Wilke made her art an unremitting self-exploration-without false modesty (when her naked body was an uncomplicated delight to behold) or shame (when it was mercilessly blighted by cancer). Wilke's art is inseparable from Wilke the person-bold, sometimes outrageous and, ultimately, heartbreakingly courageous.

kunst --- Verenigde Staten --- twintigste eeuw --- Wilke Hannah --- feminisme --- gender studies --- fotografie --- beeldhouwkunst --- film --- installaties --- schilderkunst --- tekenkunst --- lichamelijkheid --- performances --- videokunst --- portret --- portretfotografie --- zelfportret --- 7.071 WILKE --- Feminism and art --- Art and feminism --- Art --- Wilke, Hannah. --- Wilke, Hannah

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Art --- Painting --- installations [visual works] --- painting [image-making] --- Mullican, Matt --- anno 1900-1999 --- United States of America

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sculpting --- Sculpture --- memory --- furniture making --- installations [visual works] --- art [fine art] --- costume [mode of fashion] --- Iconography --- Art --- Salcedo, Doris --- anno 1900-1999 --- anno 2000-2099 --- Colombia --- sculpture [visual work] --- Nancy Princenthal, Carlos Basualdo, Andreas Huyssen --- kunst --- Doris Salcedo (° 1958, Bogota, Colombia) --- twintigste eeuw --- Celan Paul --- Beeldhouwkunst ; installaties ; 1980-2000 ; Doris Salcedo --- Beeldhouwkunst ; Zuid-America ; 1980-1990 ; hout --- Lévinas Emmanuel --- Kunst ; van vrouwen ; 20ste eeuw --- Zuid-Amerika --- 73.07 --- 73.038 --- beeldhouwkunst --- installaties --- meubilair --- kunst en meubilair --- 7.071 SALCEDO --- Beeldhouwkunst ; beeldhouwers A - Z --- Beeldhouwkunst ; 1950 - 2000 --- sculpture [visual works] --- Salcedo, Doris, --- Criticism and interpretation. --- memory [psychological concept]