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Book
Literary circles in Byzantine iconoclasm : patrons, politics and saints
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ISBN: 9781108491303 1108491308 1108868126 1108865216 110887195X 9781108868129 9781108811828 1108811825 Year: 2021 Publisher: Cambridge, England : Cambridge University Press,

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Abstract

Iconoclasm was the name given to the stance of that portion of Eastern Christianity that rejected worshipping God through images (eikones) representing Christ, the Virgin or the saints and was the official doctrine of the Byzantine Empire for most of the period between 726 and 843. It was a period marked by violent passions on either side. This is the first comprehensive account of the extant contemporary texts relating to this phenomenon and their impact on society, politics and identity. By examining the literary circles emerging both during the time of persecution and immediately after the restoration of icons in 843, the volume casts new light on the striking (re)construction of Byzantine society, whose iconophile identity was biasedly redefined by the political parties led by Theodoros Stoudites, Gregorios Dekapolites and Empress Theodora or the patriarchs Methodios, Ignatios and Photios. It thereby offers an innovative paradigm for approaching Byzantine literature.


Book
Literature squared : self-reflexivity in late antique literature
Authors: ---
ISBN: 9782503586526 250358652X 9782503586533 2503586538 Year: 2020 Publisher: Turnhout : Brepols,

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Abstract

This collection of essays focuses on a crucial aspect of late antique thought and literature that has hitherto largely been neglected: its self-reflexivity, i.e. its unprecedented ability to make language and literature into its main and often its only subject matter. Adopting a variety of perspectives and methodologies, the essays included in this volume approach the notion of self-reflexivity in two main ways. On the one hand (literature as a reflection of literature), it implies a self-conscious reflection of preceding literary models, which are creatively mirrored in new but intrinsically derivative works of art, taking the form of remakes, parodies, homages, commentaries, retellings, centos, paraphrases, allegorizations, and more or less free re-enactments. On the other hand (literature as reflection on literature), the term also implies a self-questioning reflection on the literary work and the very concepts of language and literature, thus referring to its own artificiality or contrivance while opening up all sorts of theoretical discussions of the mechanisms, the conventions, and even the relevance of linguistic and literary representation.

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