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This volume of essays, written by scholars from a wide range of critical and theoretical viewpoints, presents a fresh approach to the study of nineteenth-century French poetry. Each of the eleven essays, on different poets from Lamartine to Mallarmé and Laforgue, focuses on the detailed organisation of a single poem. The method of close reading has been adopted in order to effect an introduction to the analysis of the 'basics' of poetic language (sound, metre, syntax, etc.), and in order to explore and illustrate some of the claims and arguments about poetry arising from developments in the prevailing literary theory. Theoretical positions are posed and tested in the terms of practical analysis and interpretation. Christopher Prendergast's introduction to the volume situates the essays in a series of general perspectives and contexts, and Clive Scott has provided an appendix on French versification.
Poetry --- French literature --- anno 1800-1899 --- French poetry --- Poésie française --- History and criticism --- Histoire et critique --- --XIXe s., --- mélanges --- --History and criticism --- -French literature --- -History and criticism --- Poésie française --- Arts and Humanities --- Literature --- French poetry - 19th century - History and criticism --- XIXe s., 1801-1900 --- History and criticism.
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Napoleon I Bonaparte [Emperor of the French] --- Gros, Antoine Jean --- Apotheosis in art --- Batailles dans l'art --- Battles in art --- Geschiedenis in de kunst --- Histoire dans l'art --- Historical painting --- Historieschilderkunst --- History in art --- History painting --- Peinture d'histoire --- Veldslagen in de kunst --- Historical art --- Art and history --- Gros, Antoine-Jean baron --- -Napoleon I, Emperor of the French --- -Criticism and interpretation --- Portraits --- Napoleon --- Gros, Antoine-Jean, --- Bonapart, Napoleon, --- Bonāpārṭa, Nepoliyana, --- Bonaparte, Napoleão, --- Bonaparte, Napoleon, --- Bonaparte, Napoleone, --- Bonaparṭeh, Napolyon, --- Buonaparte, Napoleon, --- Na-pʻo-lun, --- Nābuliyūn, --- Napoleone --- Napʻolleong, --- Napolun, --- נפוליאון --- נפוליאון, --- نابليون --- بونابرت، نابليون، --- Būnābart, Nābuliyūn, --- Portraits. --- Criticism and interpretation. --- Gros, Antoine --- Napoleon I --- Criticism and interpretation --- Battle of Eylau --- Napoléon --- Bonaparte, Napoléon --- Bonāpārṭa, Nepoliyana --- Bonaparte, Napoleão --- Bonaparte, Napoleon --- Bonaparte, Napoleone --- Buonaparte, Napoleon --- Na-pʻo-lun --- Napolun
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Criticism --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Technique --- Evaluation --- Sainte-Beuve, Charles Augustin, --- Delorme, Joseph --- Sainte-Beuve, Charles-Augustin --- Sainte-Beuve, C.-A.
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CDL --- 7.046 --- Parijs in de literatuur --- Paris (France) in literature --- Paris dans la littérature --- Stadsleven in de literatuur --- Vie urbaine dans la littérature --- Paris (France) dans la littérature --- Vie urbaine dans la littérature --- Paris (France) dans la littérature --- Arts, French --- City and town life in literature. --- French literature --- History and criticism. --- Nineteenth century --- Arts français --- Littérature française --- Dix-neuvième siècle --- Histoire et critique --- Paris (France) --- In literature. --- Civilization --- Civilisation --- 19th century --- History and criticism --- City and town life in literature --- Arts [Modern ] --- France --- Arts [French ] --- Paris (France) - Civilization - 19th century. --- Arts, Modern - 19th century - France - Paris. --- Paris (France) in literature. --- Arts, French - France - Paris.
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Moving deftly among literary and visual arts, as well as the modern critical canon, Christopher Prendergast's book explores the meaning and value of representation as both a philosophical challenge (What does it mean to create an image that ""stands for"" something absent?) and a political issue (Who has the right to represent whom?).The Triangle of Representation raises a range of theoretical, historical, and aesthetic questions, and offers subtle readings of such cultural critics as Raymond Williams, Paul de Man, Edward Said, Walter Benjamin, and Hélène Cixous, in addition to pe
Culture. --- Representation (Philosophy) --- Representation (Philosophy). --- 7.01 --- CDL --- Culture --- Representationalism (Philosophy) --- Representationism (Philosophy) --- Philosophy --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Philosophy & Religion
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Mimésis dans la littérature --- Nerval, Gérard de, --- -Mimesis in literature --- Representation (Literature) --- -Flaubert, Gustave --- -Nerval, Gerard de --- -Stendhal --- -Beyle, Henri --- Beyle, Marie-Henri --- M. B. A. A. --- Stendhal --- Mimésis dans la littérature --- Nerval, Gérard de, --- French literature --- History and criticism --- Balzac, Honore de --- Criticism and interpretation --- Mimesis in literature --- Imitation in literature --- Realism in literature --- Balzac, Honoré de, --- Flaubert, Gustave, --- Stendhal, --- Brulard, Henry, --- Beyle, Henri, --- Stendalʹ, --- Beĭlʹ, Anri, --- Beĭlʹ, Mari-Anri, --- Beyle, Marie Henri, --- Bombet, L. A. C., --- Sŭtʻangdal, --- Ssu-tʻang-ta, --- Sutandāru, --- Beyle, Arrigo, --- Стендаль, --- סטנדאל --- סטנדל --- סטנדל, --- スタンダール, --- Stendalis, --- Beyle de Stendahl, Henri, --- Stendahl, Henri de, --- Stendahl, M. de, --- Beyle, Enrico, --- Bayle, Enrico Maria, --- Bombet, Louis-Alexandre-André-César, --- Stendals, --- Stantal, --- Gérard de Nerval, Gérard Labrunie, --- Labrunie, Gérard, --- Cadet-Roussel, --- Gérard, --- Gérard L., --- Beuglant, --- Puycousin, Édouard de, --- Nerŭbal, --- نرفال، جيراردي، --- De Nerval, Gérard, --- Criticism and interpretation. --- anno 1800-1899 --- de Balzac, Honoré --- Flaubert, Gustave --- Balzac, Honoré de, --- Littérature française --- Histoire et critique --- Critique et interprétation --- Istāndāl, --- استاندال --- de Balzac, H. --- Balzac, Honoré de --- de Nerval, Gérard --- Nervacl, Gérard de, --- Gérard (de Nerval) --- Gérard, M. --- Labrunie, Gérard --- Flaubert, Gustaw, --- Flober, Gi︠u︡stav, --- Fu-lou-pai, --- Fu, Lou-pai, --- Fu-lou-pai, Chü-ssu-tʻa fu, --- Fuloubai, --- Phlōmper, Gkystav, --- Phlōmper, Goustauos, --- Флобер, Гюстав, --- פלאבער, ג. --- פלאבער, גוסטאוו, --- פלובר, גוסטאב --- 福樓拜, --- Flūbir, Gūstāv, --- Flūbir, Gūstāw, --- فلوبر، گوستاو --- Ba'erzhake, --- Balzac, H. de --- Balzac, Honorato, --- Balzak, --- Balʹzak, Onore, --- Balzaḳ, Onoreh deh, --- Balzāk, Ūnūrīh dī, --- Banzăc, Hônôrê đơ, --- Baruzakku, --- de Balzac, Honorato, --- Jeune célibataire, --- Pa-erh-cha-kʻo, --- Бальзак, Оноре де, --- באלזאק, אנארע דע, --- באלזאק, אונורה דה, --- באלזאק, האָנאָרע דע, --- בלזק, אונורה דה, --- בלזק, הונורה דה-, --- דע־באלזאק, האָנאָרע, --- بالزاك، انوره دو --- バルザック, --- 巴爾札克, --- 巴爾扎克, --- R'Hoone, --- Saint-Aubin, Horace de, --- Cloteaux, Aurore --- スタンダール --- French literature - 19th century - History and criticism --- Balzac, Honoré de, - 1799-1850 - Criticism and interpretation --- Stendhal, - 1783-1842 - Criticism and interpretation --- Nerval, Gérard de, - 1808-1855 - Criticism and interpretation --- Flaubert, Gustave, - 1821-1880 - Criticism and interpretation --- Balzac, honore de (1799-1850) --- Flaubert (gustave), ecrivain francais, 1821-1880 --- Nerval (gerard labrunie, dit gerard de), ecrivain francais, 1808-1855 --- Stendhal (henri beyle, dit), 1783-1842 --- BALZAC, HONORE DE (1799-1850) --- STENDHAL (HENRI BEYLE, DIT), 1783-1842 --- NERVAL (GERARD LABRUNIE, DIT GERARD DE), ECRIVAIN FRANCAIS, 1808-1855 --- FLAUBERT (GUSTAVE), ECRIVAIN FRANCAIS, 1821-1880 --- ROMAN FRANCAIS --- CRITIQUE ET INTERPRETATION --- 19E SIECLE --- Balzac, Honoré de, - 1799-1850 --- Stendhal, - 1783-1842 --- Nerval, Gérard de, - 1808-1855 --- Flaubert, Gustave, - 1821-1880
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Social evolution --- Culture --- Williams, Raymond --- Political and social views --- Williams, Raymond - Political and social views. --- Culture. --- Social evolution.
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