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"Falling After 9/11 provides close readings of post 9/11 figures of falling in such exemplary American texts as DeLillo's novel, Falling Man, Diane Seuss's poem, "Falling Man," Jonathan Safran Foer's Extremely Loud and Incredibly Close, and Richard Drew's famous photograph of the man falling from the World Trade Center. Considered from the perspective of trauma theory, Falling After 9/11 argues that the apparent failure of these texts to register fully the trauma of the day in fact points to a larger problem in the national tradition: the problem of reference--of how to refer to falling--in the 21st century and beyond"--
Attaques terroristes du 11 septembre, 2001, dans l'art --- Attaques terroristes du 11 septembre, 2001, dans la littérature --- Loss (Psychology) in literature --- Loss(psychology) in art --- Perte (Psychologie) dans la littérature --- Psychic trauma in art --- Psychic trauma in literature --- Psychisch trauma in de kunst --- Psychisch trauma in de literatuur --- September 11 terrorist attacks, 2001, in art --- September 11 terrorist attacks, 2001, in literature --- Terroristische aanslagen, 11 september 2001, in de kunst --- Terroristische aanslagen, 11 september 2001, in de literatuur --- Tragic [The ] in art --- Tragic [The ] in literature --- Tragique [Le ] dans l'art --- Tragique [Le ] dans la litterature --- Tragische [Het ] in de kunst --- Tragische [Het ] in de literatuur --- Trauma psychique dans l'art --- Trauma psychique dans la littérature --- Verlies (Psychologie) in de literatuur --- American literature --- September 11 Terrorist Attacks, 2001, in literature. --- September 11 Terrorist Attacks, 2001, in art. --- Psychic trauma in literature. --- Psychic trauma in art. --- Loss (Psychology) in literature. --- Loss (Psychology) in art. --- Tragic, The, in literature. --- Tragic, The, in art. --- September 11 Terrorist Attacks, 2001 --- 11 septembre 2001, Attentats du (États-Unis) --- Traumatisme psychique --- Deuil (psychanalyse) --- Tragique (littérature) --- Tragique (philosophie) --- History and criticism. --- Psychological aspects. --- Dans la littérature --- Dans l'art --- Aspect psychologique --- 21st century --- History and criticism --- September 11 terrorist attacks, 2001 --- Psychological aspects --- Dans l'art. --- Dans la littérature. --- Aspect psychologique. --- 11 septembre 2001, Attentats du (États-Unis) --- Tragique (littérature) --- Dans la littérature --- Dans la littérature.
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Roth and Celebrity is composed of 10 original essays that consider the vexed and ambivalent relationship between Philip Roth and his own celebrity as revealed both in personal interviews as well as in the fiction that spans his publishing history.
Authors and readers --- Popular culture --- Celebrities --- Readers and authors --- Authorship --- History --- Roth, Philip --- Roth, Philip Milton --- Criticism and interpretation. --- Rʺut, Bhilip --- Рот, Филип --- Rot, Filip --- רות, פיליפ --- ロス, フィリップ
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Roth and Trauma: The Problem of History in the Later Works (1995-2010) moves beyond a critical reception of Philip Roth's recent fiction that has focused primarily on an interest in post WWII America. By contrast, Aimee Pozorski argues that these novels grapple more comprehensively with US history in their fascination with America's "traumatic beginnings" and the legacy of the American Revolution. Drawing on close readings and trauma theory, Roth and Trauma reveals the problem of history in Roth's later works to be the unexpected and repeated appearance of historical trauma that links the still-unfinished American dream with the nightmarish quality of our recent history
Psychic trauma in literature. --- Roth, Philip --- Roth, Philip Milton --- Criticism and interpretation. --- Rʺut, Bhilip --- Рот, Филип --- Rot, Filip --- רות, פיליפ --- ロス, フィリップ
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"Falling After 9/11 provides close readings of post 9/11 figures of falling in such exemplary American texts as DeLillo's novel, Falling Man, Diane Seuss's poem, "Falling Man," Jonathan Safran Foer's Extremely Loud and Incredibly Close, and Richard Drew's famous photograph of the man falling from the World Trade Center. Considered from the perspective of trauma theory, Falling After 9/11 argues that the apparent failure of these texts to register fully the trauma of the day in fact points to a larger problem in the national tradition: the problem of reference--of how to refer to falling--in the 21st century and beyond"--
American literature --- American literature. --- Elfter September --- Kunst. --- Literatur. --- Loss (Psychology) in art. --- Loss (Psychology) in art. --- Loss (Psychology) in literature. --- Loss (Psychology) in literature. --- Psychic trauma in art. --- Psychic trauma in art. --- Psychic trauma in literature. --- Psychic trauma in literature. --- Psychisches Trauma --- Psychological aspects. --- September 11 Terrorist Attacks (2001) in art. --- September 11 Terrorist Attacks (2001) in literature. --- September 11 Terrorist Attacks, 2001 --- September 11 Terrorist Attacks, 2001, in art. --- September 11 Terrorist Attacks, 2001, in literature. --- Tragic, The, in art. --- Tragic, The, in art. --- Tragic, The, in literature. --- Tragic, The, in literature. --- Verlust --- History and criticism. --- Psychological aspects. --- September 11 Terrorist Attacks (2001). --- 2000-2099. --- USA.
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Roth and Trauma: The Problem of History in the Later Works (1995-2010) moves beyond a critical reception of Philip Roth's recent fiction that has focused primarily on an interest in post WWII America. By contrast, Aimee Pozorski argues that these novels grapple more comprehensively with US history in their fascination with America's "traumatic beginnings" and the legacy of the American Revolution. Drawing on close readings and trauma theory, Roth and Trauma reveals the problem of history in Roth's later works to be the unexpected and repeated appearance of historical trauma that links the still-unfinished American dream with the nightmarish quality of our recent history.
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"Philip Roth's many honors testify to his importance. He won awards for many of his individual novels, including two National Book Awards (for 1959's Goodbye, Columbus and 1995's Sabbath's Theater), two National Book Critics Circle Awards (for The Counterlife, and 1991's Patrimony), three PEN/Faulkner awards (for 1993's Operation Shylock, The Human Stain, and 2006's Everyman), and a Pulitzer Prize (for American Pastoral). He also won awards for the body of his work, including an award for Jewish Cultural Achievement in the Arts (1993), the gold medal for fiction from the American Academy of Arts and Letters (2001), the National Book Foundation award for distinguished contribution to American letters (2002), the PEN/Nabokov award for lifetime achievement (2006), and the PEN/Bellow award for Achievement in American Fiction (2007). In 2005, he became the third living author to have his works included in the Library of America. Edited by Aimee Pozorski, Associate Professor of English at Central Connecticut State University and President of the Philip Roth Society, this volume in the Critical Insights series presents a variety of new essays on the Jewish-American writer, who stunned the literary world by announcing his retirement in November of 2012. For readers who are studying Roth for the first time, a biographical sketch relates the details of his life and four essays survey the critical reception of Roth's work, explore its cultural and historical contexts, situate Roth among his contemporaries, and review key themes in his work. Readers seeking a deeper understanding of the writer can then move on to other original essays that explore a bevy of topics, such as major thematic trajectories in Roth's work, the author's use of autobiographical gestures, the mechanics of history in his works, and the author's style in his later writings and books. Works discussed include The Professor of Desire, The Plot Against America, The Ghost Writer, the Nemesis tetralogy, and Roth's American trilogy (American Pastoral, I Married a Communist, and The Human Stain). Among the contributors are Victoria Aarons, Naomi Desrochers, Derek Parker Royal, and Debra Shostak. Rounding out the volume are a chronology of Roth's life and a list of his principal publications as well as a bibliography for readers seeking to study this fascinating author in greater depth. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources: A chronology of the author's life ; A complete list of the author's works and their original dates of publication ; A general bibliography ; A detailed paragraph on the volume's editor ; Notes on the individual chapter authors ; A subject index."--Publisher's website.
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Philip Roth's many honors testify to his importance. He won awards for many of his individual novels, including two National Book Awards (for 1959's Goodbye, Columbus and 1995's Sabbath's Theater), two National Book Critics Circle Awards (for The Counterlife, and 1991's Patrimony), three PEN/Faulkner awards (for 1993's Operation Shylock, The Human Stain, and 2006's Everyman), and a Pulitzer Prize (for American Pastoral). He also won awards for the body of his work, including an award for Jewish Cultural Achievement in the Arts (1993), the gold medal for fiction from the American Academy of Arts and Letters (2001), the National Book Foundation award for distinguished contribution to American letters (2002), the PEN/Nabokov award for lifetime achievement (2006), and the PEN/Bellow award for Achievement in American Fiction (2007). In 2005, he became the third living author to have his works included in the Library of America. Edited by Aimee Pozorski, Associate Professor of English at Central Connecticut State University and President of the Philip Roth Society, this volume in the Critical Insights series presents a variety of new essays on the Jewish-American writer, who stunned the literary world by announcing his retirement in November of 2012. For readers who are studying Roth for the first time, a biographical sketch relates the details of his life and four essays survey the critical reception of Roth's work, explore its cultural and historical contexts, situate Roth among his contemporaries, and review key themes in his work. Readers seeking a deeper understanding of the writer can then move on to other original essays that explore a bevy of topics, such as major thematic trajectories in Roth's work, the author's use of autobiographical gestures, the mechanics of history in his works, and the author's style in his later writings and books. Works discussed include The Professor of Desire, The Plot Against America, The Ghost Writer, the Nemesis tetralogy, and Roth's American trilogy (American Pastoral, I Married a Communist, and The Human Stain). Among the contributors are Victoria Aarons, Naomi Desrochers, Derek Parker Royal, and Debra Shostak. Rounding out the volume are a chronology of Roth's life and a list of his principal publications as well as a bibliography for readers seeking to study this fascinating author in greater depth. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources: A chronology of the author's life ; A complete list of the author's works and their original dates of publication ; A general bibliography ; A detailed paragraph on the volume's editor ; Notes on the individual chapter authors ; A subject index.
Roth, Philip --- Roth, Philip. --- Criticism and interpretation.
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Roth after Eighty offers a retrospective reading of the career and works of American author, Philip Roth. Drawing on eleven original essays from experts in the field of Roth studies from several national perspectives, this collection argues for a consideration of Roth's "retirement" as another phase of his career.
American literature --- History and criticism. --- Roth, Philip --- Roth, Philip. --- Criticism and interpretation. --- Influence. --- Rot, Filip --- Roth, Philip Milton --- Rʺut, Bhilip --- Рот, Филип --- רות, פיליפ --- ロス, フィリップ
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