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Bauhaus Goes West' is a story of cultural exchange - between the Bauhaus emigres in the years following the school's closure in 1933 and the countries to which they moved, focusing in particular on Britain. Taking as its starting point the cultural connections between the UK and Germany in the early part of the 20th century, the book offers a timely re-evaluation of the school's influence on and relationship with modern art and design in Britain, concluding with the school's American legacy. 0Following the closure of the Bauhaus in 1933, teachers and students found new opportunities in Britain and the United States. Among them were Walter Gropius, Marcel Breuer and Laszlo Moholy-Nagy, who simultaneously spent time in London before moving to America, an episode often overlooked but freshly explored here in the context of the interaction between German Modernism and British-based design reform from 1900. Other Bauhaus-trained artists - women as well as men - stayed in the UK and made important contributions into the 1960s. In America, Mies van der Rohe and Josef and Anni Albers had significant late careers, but, over time, the Bauhaus became a shorthand for Modernism's failure. Now, the centenary of the school's founding provides a key opportunity to reconsider how its values emerged and were contested both during its lifetime and beyond.
Art, British --- Art, American --- 7.037 --- Bauhaus ; Groot-Brittannië ; Amerika ; 1933-1960 --- Beeldende kunst ; architectuur ; design ; de erfenis van Bauhaus --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- German influences --- Kunstgeschiedenis ; 1900 - 1950 --- Bauhaus --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- Influence. --- History. --- German influences.
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Book covers --- Book jackets --- 754.45 --- boeken --- boekomslagen --- geschiedenis --- grafische vormgeving --- 655.262 --- 655.41 <41> --- 655.534 --- Dust jackets --- Jackets, Book --- Jackets, Dust --- Covers, Book --- Bookbinding --- Decoration and ornament --- History --- grafische vormgeving, volgens thema, tijdschriften/boeken --- Boekdesign--algemeen --- Uitgeverij--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Stofomslag. Cover. Boekomslag --- Book history --- Graphic arts
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Book covers --- Book jackets --- Illustrated children's books --- 655.534 --- 76:655.5 <41> --- 820-93 <03> --- 76:655.5 <41> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 820-93 <03> Engelse literatuur: kinderliteratuur; jeugdliteratuur--Naslagwerken. Referentiewerken --- Engelse literatuur: kinderliteratuur; jeugdliteratuur--Naslagwerken. Referentiewerken --- Children's illustrated books --- Illustrated books, Children's --- Children's books --- Illustrated books --- Dust jackets --- Jackets, Book --- Jackets, Dust --- Covers, Book --- Bookbinding --- Decoration and ornament --- History --- Stofomslag. Cover. Boekomslag --- Book history --- Graphic arts
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De natuur is een bron van inspiratie voor ontwerpers. Natuur is de basis van alle systemen van decoratie. De auteur onderzoekt hoe designers de natuur in de loop van de tijd als inspiratiebron gebruikt hebben.
Decoration and ornament --- Design --- Nature (Aesthetics) --- 772.9 --- architectuur --- decoratieve voorwerpen --- inspiratie --- natuur --- productdesign --- Art and nature --- Nature and art --- Aesthetics --- Creation (Literary, artistic, etc.) --- Plant forms in decoration and ornament --- Flowers in art --- Plants in art --- Plant forms --- productdesign, afzonderlijke voorwerpen --- Aesthetics of art --- Architecture
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Architects --- Architects --- Architects --- Architecture --- History --- Chermayeff, Serge,
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