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091 <41 SYON>
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094.1 <41 SYON>
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091-055.2
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091:271.4*91
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094:271.4*91
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Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Birgittinessen
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091:271.4*91 Handschriftenkunde. Handschriftencatalogi-:-Birgittinessen
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Handschriftenkunde. Handschriftencatalogi-:-Birgittinessen
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091-055.2 Handschriftenkunde. Handschriftencatalogi--Vrouwen
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Handschriftenkunde. Handschriftencatalogi--Vrouwen
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Oude drukken: bibliografie--
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The history of the book is now recognized as a field of central importance for understanding the cultural changes that swept through Tudor England. This companion aims to provide a comprehensive guide to the issues relevant to theearly printed book, covering the significant cultural, social and technological developments from 1476 (the introduction of printing to England) to 1558 (the death of Mary Tudor). Divided into thematic sections (the printed booktrade; the book as artefact; patrons, purchasers and producers; and the cultural capital of print), it considers the social, historical, and cultural context of the rise of print, with the problems as well as advantages of the transmission from manuscript to print. the printers of the period; the significant Latin trade and its effect on the English market; paper, types, bindings, and woodcuts and other decorative features which create the packaged book; and the main sponsors and consumers of the printed book: merchants, the lay clientele, secular and religious clergy, and the two Universities, as well as secular colleges and chantries. Further topics addressed include humanism, women translators, and the role of censorship and the continuity of Catholic publishing from that time. The book is completed with a chronology and detailed indices. Vincent Gillespie is J.R.R. Tolkien Professor of English Literature and Language at the University of Oxford; Susan Powell held a Chair in Medieval Texts and Culture at the University of Salford, and is currently affiliated to the Universities of London and York. Contributors: Tamara Atkin, Alan Coates, Thomas Betteridge, Julia Boffey, James Clark, A.S.G. Edwards, Martha W. Driver, Mary Erler, Alexandra Gilespie, Vincent Gillespie, Andrew Hope, Brenda Hosington, Susan Powerll, Pamela Robinson, AnneF. Sutton, Daniel Wakelin, James Willoughby, Lucy Wooding
Book history
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anno 1400-1499
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anno 1500-1599
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Great Britain
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Incunabula
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Early printed books
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Books
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History
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094.1 <41>
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094 "14/15"
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Oude drukken: bibliografie--
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Old English literature --- anno 1200-1499 --- Manuscripts, English (Middle) --- English prose literature --- Catalogs, Union --- Union lists. --- Manuscripts --- 091 =20 --- 091 <41> --- -English prose literature --- -Manuscripts, English (Middle) --- -English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- English literature --- Bibliography --- Library catalogs --- Union lists --- Handschriftenkunde. Handschriftencatalogi--Engels --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Congresses --- Union catalogs --- -Handschriftenkunde. Handschriftencatalogi--Engels --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 091 =20 Handschriftenkunde. Handschriftencatalogi--Engels --- English manuscripts (Middle) --- Manuscripts, English (Middle) - England - Yorkshire - Union lists. --- English prose literature - Middle English, 1100-1500 - Manuscripts - Union lists. --- Catalogs, Union - England - Yorkshire. --- Mss Yorkshire --- Mss littérature anglaise Moyen Age
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Angleterre --- Saints --- Christian saints --- Christian saints --- Christian saints in art --- Christian shrines --- England
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This collaborative collection considers the packaging, presentation and consumption of medieval manuscripts and early printed books in Europe 1350–1550. It showcases innovative research on the history of the book from a range of established and younger scholars from the US and Europe in the fields of English and French Studies, History, Music, and Art History. The collection falls naturally into three sections: • Packaging and Presentation: The physical context of the manuscript and printed book including its binding, visual presentation and internal organization • Consumers: Producers, Owners, and Readers • Consuming the Text: The experience of the audience(s) for books These three strands are interdependent, and highlight the materiality of the manuscript or printed book as a consumable, focusing on its ‘consumability’ in the sense of its packaging and presentation, its consumers, and on the act of consumption in the sense of reading and reception or literal decay. Emma Cayley is Senior Lecturer in French and Head of Modern Languages at the University of Exeter. Susan Powell holds a Chair in Medieval Texts and Culture in the School of Languages and Social Sciences at the University of Salford.
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Sermons, Medieval --- Sermons, English (Middle) --- Mirk, John, --- British Library. --- Catholic Church --- Sermons, English (Middle). --- Sermons, Medieval - England --- Mirk, John, - fl. 1403? - Festial
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