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‘A long time in preparation but executed only recently, Peter Morrens’ (b. 1965) new suite of drawings has, in line with his practice more broadly, involved the reworking of existing images, most of which were of his own making. The original intention had been to remake a selection of his previous drawings in a new, standarized format. However, having just left his life in Lier and relocated his studio and archives to Antwerp, a much wider array of material surfaced. This material presented itself as a kind of ‘time capsule’ of past ideas, memories and experiences, now newly available for reworking. The resulting drawings, made with black charcoal and graphite on A3 paper, each translate some kind of personally resonant pre-existing image: Morrens’ own older drawings, yes, but also a variety of source images, found fragments from magazines, old installation shots, his own children’s early drawings, book illustrations, salvaged words and phrases, crude photocopies, and private photographs.'
Morrens, Peter --- Artists --- Art, Belgian --- Drawing, Belgian
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In a way, one could describe Mira Sanders (b. 1973) as a discreet yet efficient and critical explorer of the world that surrounds her, who attempts to re-look, re-see, re-discover and re-hear not only things but also beings, as well as the structures by which they are linked and in which they function or are supposed to function. She does so starting from a personal point of view, all while trying to integrate that of the object or the subject observed and analyzed, for the duration of a work or a research.This partially explains the crucial time Mira Sanders devotes to the elaboration of a project. Indeed, at each time this will be preceded by reading, research, notes, sketches, encounters and dialogues, even if the final result – which will be shown in the context of an exhibition or an intervention – often seems sober and simple. This is exactly where the possible ambiguity lies, yet at the same time the tranquil force of an approach often more complex than it seems, while remaining accessible and readable. Marie-Pascale Gildemyn
Noël, Cédric --- Sanders, Mira --- Sanders M --- Drawing, Belgian --- Photography, Artistic --- Sanders, Mira,
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drawing [image-making] --- Vanderlinden, Carole --- vtr --- Vanderlinde, Carole --- Exhibitions --- Art, Belgian --- Drawing, Belgian --- Vanderlinden, Carole,
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Een experimentele, collectie-gebonden tentoonstelling, op een papieren locatie én in het Braempaviljoen.0Henk Visch (1950, Nederland) is een van de belangrijke hedendaagse kunstenaars in de collectie van het openluchtmuseum. Posture Editions maakt een kunstenaarsboek met de kunstenaar, en dat biedt het Middelheimmuseum de gelegenheid recente en oudere werken te tonen, die niet buiten kunnen opgesteld worden. ‘Exactly how I remembered it’ is een mentale trip door het hoofd van Henk Visch.0Posture Editions selecteert in samenspraak met de kunstenaar een bepaald segment binnen zijn beeldend werk, dat wordt uitgelicht in een editie. Zo ontstaat een boek dat een nieuwe betekenis kan geven aan het werk van Henk Visch, een internationaal gerenommeerde kunstenaar die reeds vele jonge generaties kunstenaars inspireert. Visch geeft Posture Editions de volle vrijheid hun visie op zijn werk te ontwikkelen d.m.v. deze eigenzinnige publicatie.0Het boek combineert beelden uit zijn figuratieve oeuvre met de reeks ‘Exactly how I remembered it’, sculpturen bestaande uit metaaldraad, parels, haar, touw ... a.h.w. ‘getekende’ sculpturen. Door de afwisseling tussen deze ‘getekende’ en figuratieve sculpturen lijkt het alsof deze laatste nadenken over de draadsculpturen en tot de conclusie komen: ‘Exactly how I remembered it’. Een herinnering die zich voordoet als een vaag definieerbaar en absurd opgebouwd werk, waarmee ook automatisch het ‘exacte’ van de menselijke herinnering op de helling komt te staan.0Exhibition: Middelheimmuseum, Antwerp, Belgium (22.2.-23.3.2014).
sculpting --- Sculpture --- ruimtelijke kunst --- Visch, Henk --- Art, Dutch --- Visch, Henk,
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performance art --- Dorpe, Van, Stijn --- kunst --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- Van Dorpe Stijn --- 7.071 VAN DORPE --- kunstpedagodie --- Van Dorpe, Stijn --- 7.07 --- Belgische kunstenaars --- Kunstenaarsboeken --- Van Dorpe, Stijn °1970 (°Oudenaarde, België) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Art, Belgian --- Performance art --- Dorpe, Stijn van.
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Joke Van den Heuvel creates images by using existing footage that fascinate her: the shattered metacarpals of Michelangelo?s Piëta, the hand of a girl by Rodin, hands of begging Greek citizens in the middle of the Greek crisis. During her stay in Rome, Joke Van den Heuvel, discovers the image of Bernini: The abduction of Proserpina. In the meantime she reads The Book of Disquiet by Fernando Pessoa. All this inspires her, by free associations and appropriations, to craft video installations and the artist book "134340".
hedendaagse kunst --- installations [visual works] --- Contemporary [style of art] --- Heuvel, Van den, Joke --- Van den heuvel, Joke --- Artists' books --- Photography, Artistic --- Video installations (Art) --- Stills (Motion pictures) --- History --- Heuvel, Joke van den
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schilderkunst --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- België --- Gerhard Tatjana --- 75.071 GERHARD --- Exhibitions --- artists [visual artists] --- art [fine art] --- Gerhard, Tatjana --- 75.07 --- Gerhard, Tatjana °1974 (°Zurich, Zwitserland) --- Posture Editions --- Schilderkunst ; schilders --- Schilderkunst ; 1ste helft 21ste eeuw ; T. Gerhard --- Vrouwelijke kunstenaars --- Drawing, Belgian --- Gerhard, Tatjana, --- art [discipline]
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