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Christian church history --- anno 1900-1909 --- anno 1910-1919 --- anno 1800-1899 --- France --- French literature --- Saints in literature. --- Littérature française --- Saints dans la littérature --- History and criticism. --- Histoire et critique --- Saints in literature --- History and criticism --- Littérature française --- Saints dans la littérature --- French literature - 19th century - History and criticism --- Saints --- 19e siècle --- Moyen Age --- 235.3 <44> --- 248.159 <44> --- 248.159 <44> Devoties:--algemeen--Frankrijk --- Devoties:--algemeen--Frankrijk --- Hagiografie--Frankrijk
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For the Middle Ages and Renaissance, meaning and power were created and propagated through public performance. Processions, coronations, speeches, trials, and executions are all types of public performance that were both acts and texts: acts that originated in the texts that gave them their ideological grounding; texts that bring to us today a trace of their actual performance. Literature, as well, was for the pre-modern public a type of performance: throughout the medieval and early modern periods we see a constant tension and negotiation between the oral/aural delivery of the literary work and the eventual silent/read reception of its written text. The current volume of essays examines the plurality of forms and meanings given to performance in the Middle Ages and Renaissance through discussion of the essential performance/text relationship. The authors of the essays represent a variety of scholarly disciplines and subject matter: from the “performed” life of the Dominican preacher, to coronation processions, to book presentations; from satirical music speeches, to the rendering of widow portraits, to the performance of romance and pious narrative. Diverse in their objects of study, the essays in this volume all examine the links between the actual events of public performance and the textual origins and subsequent representation of those performances.
Theatrical science --- Drama --- anno 500-1499 --- anno 1500-1599 --- Literature, Medieval --- Literature, Modern --- Littérature médiévale --- Littérature --- History and criticism. --- Histoire et critique
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Much of our modern understanding of medieval society and cultures comes through the stories people told and the way they told them. Storytelling was, for this period, not only entertainment; it was central to the law, religious ritual and teaching, as well as the primary mode of delivering news. The essays in this volume raise and discuss a number of questions concerning the strategies, contexts and narratalogical features of medieval storytelling. They look particularly at who tells the story; the audience; how a story is told and performed; and the manuscript and social context for such tales. Laurie Postlewate is Senior Lecturer, Department of French, Barnard College; Kathryn Duys is Associate Professor, Department of English and Foreign Languages, University of St Francis; Elizabeth Emery is Professor of French, Montclair State University.
Storytelling --- History --- Vitz, Evelyn Birge --- Criticism and interpretation. --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Performance --- Storytelling / History / To 1500. --- Middle Ages. --- Civilization, Medieval. --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- Middle Ages --- World history, Medieval --- World history --- Civilization, Medieval --- Medievalism --- Renaissance --- Medieval civilization --- Civilization --- Chivalry --- To 1500 --- Storytelling. --- book. --- cultural change. --- cultural framework. --- news delivery. --- oral performance. --- religious ritual. --- storytelling engagement. --- storytelling image. --- translation.
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The storyteller stands at the crossroads of orality and performance, surrounded by a circle of rapt listeners. Evelyn Birge Vitz has challenged a generation of scholars to join the circle, listen as they read, and exchange pen for performance. A tribute to her work, the fifteen essays in this volume attend to the qualities of voice, their registers and dynamics, whether practiced or impromptu, falsified, overlapping, interrupted or whispered. They examine how the book became a performance venue and reshaped the storyteller's image and authority, and they investigate the mutability of stories that move from book to book, place to place and among competing cultures to stimulate cultural and political change. They show storytelling as far more than entertainment, but central to law, religious ritual and teaching, as well as the primary mode of delivering news. Themes that crisscross the volume include tensions among amateurs and professionals, dominant and minority languages and cultures, women and children's engagement with storytelling, animality, religion, translation, travel, didacticism and entertainment -- Back cover.
Storytelling --- Middle Ages. --- Civilization, Medieval. --- Storytelling / History / To 1500. --- Storytelling. --- History --- Vitz, Evelyn Birge --- Criticism and interpretation. --- To 1500. --- History of civilization --- anno 500-1499
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