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This book investigates the development of Sherlock Holmes adaptations in British theatre since the turn of the millennium. Sherlock Holmes has become a cultural phenomenon all over again in the twenty-first century, as a result of the television series Sherlock and Elementary, and films like Mr Holmes and the Guy Ritchie franchise starring Robert Downey Jr. In the light of these new interpretations, British theatre has produced timely and topical responses to developments in the screen Sherlocks’ stories. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. This study traces the recent history of Sherlock Holmes in the theatre, about which very little has been written for an academic readership. It argues that the world of Sherlock Holmes is conveyed in theatre by a variety of games that activate new modes of audience engagement.
Culture --- Theater. --- Cultural and Media Studies. --- Theatre and Performance Studies. --- Study and teaching. --- Detective and mystery plays, English --- History and criticism. --- Doyle, Arthur Conan, --- Holmes, Sherlock --- Characters --- Sherlock Holmes. --- English detective plays --- English mystery plays (Modern) --- English drama --- هولمز، شرلوك --- Hūlmz, Sharlūk --- Holms, Şerlok --- Холмс, Шэрлак --- Kholms, Shėrlak --- Холмс, Шерлок --- Kholms, Sherlok --- Χολμς, Σέρλοκ --- Cholms, Serlok --- הולמס, שרלוק --- Holms, Sherloḳ --- Holmss, Šerloks --- Holmsas, Šerlokas --- シャーロック・ホームズ --- ホームズ, シャーロック --- Hōmuzu, Shārokku --- Huolmsos, Šerluoks --- Holmsos, Šerloks --- 歇洛克·福尔摩斯 --- 福尔摩斯, 歇洛克 --- Fuermosi, Xieluoke --- Conan Doyle, Arthur, --- Conan Doyle, --- Doil, A. Ḳonan, --- Doil, Kʻonan, --- Dojl, Artur Konan, --- Dojl, Konan, --- D̲oyl, Konan, --- Doyle, A. Conan --- Doyle, Artur Conan, --- Doyle, Conan, --- Kʻonan Doil, --- Konan Dojl, --- Ta-li, Kʻo-nan, --- Ṭāyil, Ārtar Kōn̲an̲, --- Конан-Дойль, Артур, --- Дойль, Артур Конан, --- קאנאן דאיל, --- דאיל, א. קאנאן, --- דאיל, קאנאן, א. --- דויל, א. קונן --- דויל, ארתור קונן --- -דויל, ארתור קונן, --- アーサー·コナン·ドイル, --- コナンドイル, --- 柯南道尔, --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Holmes, Sherlock. --- Adaptations. --- Film adaptations. --- Television adaptations. --- 2000-2099 --- Great Britain. --- Holmes, Shirl --- Holms, Sherlo --- Doyle, Arturo Conan, --- ドイル, アーサー・コナン --- Doyle, Arthur Conan --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales
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Neo-Victorian Villains is the first edited collection to examine the afterlives of such Victorian villains as Dracula, Svengali, Dorian Gray and Jekyll and Hyde, exploring their representation in neo-Victorian drama and fiction. In addition, Neo-Victorian Villains examines a number of supposedly villainous types, from the spirit medium and the femme fatale to the imperial ‘native’ and the ventriloquist, and traces their development from Victorian times today. Chapters analyse recent theatre, films and television – from Ripper Street to Marvel superhero movies – as well as classic Hollywood depictions of Victorian villains. In a wide-ranging opening chapter, Benjamin Poore assesses the legacy of nineteenth-century ideas of villains and villainy in the twentieth and twenty-first centuries. Contributors are: Sarah Artt, Guy Barefoot, Jonathan Buckmaster, David Bullen, Helen Davies, Robert Dean, Marion Gibson, Richard Hand, Emma James, Mark Jones, Emma V. Miller, Claire O’Callaghan, Christina Parker-Flynn, Frances Pheasant-Kelly, Natalie Russell, Gillian Piggott, Benjamin Poore and Rob Welch.
Villains in literature. --- Villains in motion pictures. --- Characters and characteristics in literature. --- Characters and characteristics in motion pictures. --- English literature --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Characters and characteristics in moving-pictures --- Motion picture characters --- Motion pictures --- Character sketches --- Characterization (Literature) --- Literary characters --- Literary portraits --- Portraits, Literary --- Adaptations --- History and criticism. --- Influence. --- History and criticism
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This book investigates the development of Sherlock Holmes adaptations in British theatre since the turn of the millennium. Sherlock Holmes has become a cultural phenomenon all over again in the twenty-first century, as a result of the television series Sherlock and Elementary, and films like Mr Holmes and the Guy Ritchie franchise starring Robert Downey Jr. In the light of these new interpretations, British theatre has produced timely and topical responses to developments in the screen Sherlocks’ stories. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. This study traces the recent history of Sherlock Holmes in the theatre, about which very little has been written for an academic readership. It argues that the world of Sherlock Holmes is conveyed in theatre by a variety of games that activate new modes of audience engagement.
Theatrical science --- theater --- Sherlock Holmes [Fictieve figuur] --- anno 2000-2009 --- anno 2010-2019
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Poore --- Benjamin Perley --- 1820-1887
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Poore --- Benjamin Perley --- 1820-1887
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