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Named with a simple word meaning ‘cloth’, NUNO is one of Japan’s most important textile-design companies. Founded in 1984 by the legendary Junichi Arai and the company’s current director, Reiko Sudo, it is recognized as one of the world’s most innovative textile producers. Known for weaving together tradition and cutting-edge technology, NUNO designers are inspired by the past, present and future, integrating unexpected elements, such as paper or feathers or aluminium, with industrial methods, such as spatter-plating and chemical etching. All NUNO textiles – more than 2,500 have been created – are produced in Japan and are usually the handiwork of an individual craftsperson. Each bolt of cloth has a story to tell. Though their textiles appear regularly in books, textile exhibitions and museum collections, a comprehensive NUNO monograph has not existed - until now. Featuring the most outstanding, influential or experimental fabrics, the book is organized into seven chapters, each based on a theme deriving from the onomatopoeic coupling in Japanese that defines a family of fabrics. For example, ‘Shima Shima’, meaning ‘striped’, presents striped designs ranging from bold and contrasting like zebra to subtly variegated like a tabby cat. Based on interviews, archival research and factory visits, the texts are illustrated with specially commissioned photos and drawings. Interspersed are essays by a wide range of contributors, from writer Haruki Murakami and architect Toyo Ito to curator Anna Jackson. Bringing all the threads together in a beautifully designed package, NUNO is a document of exceptional beauty and a rare glimpse into the essence of Japanese design.
Manufacturing technologies --- Applied arts. Arts and crafts --- cloth --- fiber art --- textile materials --- textiel --- textieldesign --- textielindustrie --- Japan --- Sudo, Reiko --- NUNO
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Japan --- Architectuur --- 21e eeuw
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Quirky, surprising and entertaining - with more than 400 houses, Jutaku is architecture at the speed of Japan. Frenetic. Pulsating. Disorienting. Japan's contemporary culture is constantly in flux. In stark contrast to the centuries old imperial architecture of Kyoto, recent Japanese architectural practices have ushered in an era of continuous experimentation. With 500 houses, one house per page, one image per house, 'Jutaku: Japanese houses' is a fast-paced, 'quick hit' shock to the system that shines a Harajuku-bright neon light on the sheer volume, variety and novelty of contemporary Japanese residential architecture. Featuring the work of many of Japan's most famous architects including Shigeru Ban, Sou Fujimoto, Toyo Ito, Kengo Kuma, Jun Igarishi, Shuhei Endo and dozens of up and coming and completely unknown young architects, 'Jutaku' is organized geographically taking readers on a bullet train journey across Japan's architectural landscape. Essential reading for architects, designers and fans of contemporary Japanese culture.
Housing --- Architecture, Domestic --- Logement --- Architecture domestique --- 72.039(520) --- 728.3(520) --- Woningbouw ; Japan ; 21ste eeuw ; 2000-2015 --- Affordable housing --- Homes --- Houses --- Housing needs --- Residences --- Slum clearance --- Urban housing --- City planning --- Dwellings --- Human settlements --- Architectuurgeschiedenis ; 2000 - 2050 ; Japan --- Woningbouw ; eengezinshuizen ; Japan --- Social aspects
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Hitoshi Abe is widel considered to be one of the most interesting among the new generation of emerging Japanese architects. After graduating from the Southern California Institute of Architecture, he worked in the Los Angeles office of Coop Himmelb(l)au before obtaining his PhD from Tohoku University and setting up his own practice, Atelier Hitoshi Abe, in Sendai, Japan. Since the practice was established in 1992, Abe has won a wide variety of commissions across the country. He has also taught at several architecture schools, including the Tohoku Institute of Technology, the University of California Berkeley, and the University of California Los Angeles, where he is currently Chair of the Department of Architecture and Urban Design. This is the first monograph on Hitoshi Abe to be published in English. It features 26 projects realised in the last 15 years, covering a broad range of building types. Projects include Miyagi Stadium, Reihoku Community Hall, Kanno Museum, Yomiuri Media Miyagi Guest House and the F-town Building. Written by Naomi Pollock, an authority on Japanese design and architecture, this book is an essential reference work on this promising young architect.
Architecture contemporaine --- Architecture --- Architecte --- History --- Abe, Hitoshi --- Abe, Hitoshi, --- Japon --- 72.039 --- 72.07 --- 72(520) --- Architectuur ; 1994-2008 ; Hitoshi Abe --- Abe, Hitoshi °1962 (°Sendai, Miyagi, Japan) --- Architectuur ; vnl. Japan ; 21ste eeuw --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 2000 - 2050 --- Architectuur ; Japan --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architecture, Modern --- Design and construction --- 阿部仁史, --- Architecture, Primitive --- Architecture - Japan - History - 20th century --- Architecture - Japan - 21st century --- Abe, Hitoshi, - 1962 --- -Japon
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Occasionally an architect emerges whose vision is so fresh that it causes us to reconsider the very nature of architecture. Sou Fujimoto is one of those architects. Guided by instinct and keen observation, he casts convention aside. Instead he blurs boundaries and routinely rethinks basic building blocks. Both comfortably familiar and curiously enigmatic, Fujimoto's dynamic work grabs our attention then lingers on in our minds. Born and bred in Hokkaido, Fujimoto received his undergraduate degree in architecture from Tokyo University before embarking on an uncharted, solo exploration that probed the possibilities of architecture. Unfettered by the ideas and practices of others, Fujimoto's work has clarity of thought and purity of execution seldom seen. Fujimoto garnered significant international attention for his popular 2013 Serpentine Pavilion in London (Fujimoto was the youngest architect to receive the highly-regarded commission). In 2012, he was part of the Japanese team that won a Golden Lion award for Best National Participation at the Venice Architecture Biennale for their design of alternative housing concepts for the homes that were destroyed by the tsunami.
Architects --- Architectes --- Fujimoto, Sōsuke, --- Criticism and interpretation --- Critique et interprétation --- 72.07 --- 72.039 --- Architectuur ; 21ste eeuw ; 1997-2016 ; Sou Fujimoto --- Architecturale installaties --- Paviljoenen ; paviljoenachtige gebouwen --- Sou Fujimoto Architects --- Fujimoto, Sou °1971 (°Hokkaido, Japan) --- Professional employees --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 2000 - 2050 --- Fujimoto, Sōsuke, --- 藤本壮介, --- Fujimoto, Sou, --- Criticism and interpretation. --- Fujimoto, Sosuke, --- Architectuur ; toekomst. --- Fujimoto, Sōsuke --- 藤本壮介 --- Critique et interprétation --- Architects - Japan --- Fujimoto, Sōsuke, - 1971- - Criticism and interpretation --- Fujimoto, Sōsuke, - 1971- - Catalogs --- Fujimoto, Sōsuke, - 1971 --- -Fujimoto, Sōsuke, - 1971 --- -Architectuur ; toekomst.
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For the Japanese, the concept of design is not limited to functionality or materiality it is deeply connected with ancient culture and rituals. In this sense, a chair is much more than what you sit on, a cup more than what you drink from: these objects are to be reflected upon, to be touched and cherished. As mass manufacture became widespread in the post-war period, fascinating cross-cultural exchanges began to take place between Japan and the West. And in recent years, a new generation of designers has taken Japanese creativity into entirely new territory, reconceptualizing the very meaning of design. Showcasing over 80 designers, hundreds of objects, and contributions from both Japanese and Western designers inspired by Japan, this volume will remain the definitive work on the subject for many years to come.
Design --- Design --- Industrial design --- Industrial design --- Designers --- Designers --- Popular culture --- Popular culture --- Japan
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"A dedication to craft and the finest production quality have been an integral part of culture and day-to-day life in Japan for centuries. For the Japanese, the concept of design is not limited to functionality or materiality, but wholly connected with ancient culture and rituals. In this sense, a chair is much more than what you sit on, a cup more than what you drink from: these objects are to be reflected upon, to be touched and cherished. As mass manufacturing became widespread in the post-war period, fascinating cross-cultural exchanges began to take place between Japan and the West. These gave rise not only to timeless objects of great beauty and utility, but innovations in materials, form and technology. Far beyond the icons of Japanese design, the perfectly weighted Kikkoman soy sauce bottle, Yanagi's butterfly stool, the Sony Walkman, the products and objects that have emerged from the country over the past seven decades, few of which have been widely exported, serve to delight and draw admiration. In recent years, a new generation of designers, Nendo, Yoshioka, have taken Japanese creativity into entirely new territory, reconceptualizing the very meaning of design. No attempt has been made to present a complete overview of Japanese design, until now. Showcasing over eighty designers, hundreds of objects, and contributions from both Japanese and Western design experts, this volume will become the definitive work on the subject for many years to com"
Japan --- Social life and customs --- Design --- Industrial design --- Designers --- Popular culture --- History
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Le Japon est reconnu dans le monde entier pour sa créativité en matière d'architecture et d'aménagement intérieur. Maisons japonaises contemporaines dresse un panorama des maisons les plus novatrices construites récemment dans ce pays. Les vingt-cinq maisons présentées Ici ont été réalisées à la fois par des architectes de renom comme Shigeru Bon, Kazuyo Sejima, Jun Aoki, Hitoshi Abe et Shuhei Endo et par des concepteurs moins connus mais prometteurs comme Ryue Nishizawa ou Hitoshi Nakao. Les maisons étudiées sont réparties en cinq chapitres thématiques reflétant les problématiques actuelles de l'habitat japonais : le manque de place, notamment dans les villes ; le rapport entre l'intérieur et l'extérieur ; la réunion de différentes générations dans un même lieu ; la relation entre espace de vie et espace de travail ; et la résidence secondaire.
Architecture, Domestic --- Interior decoration --- Housing, Single family --- Architect-designed houses --- Architecture domestique --- Décoration intérieure --- Maisons individuelles --- Maisons conçues par des architectes --- History --- Histoire --- Décoration intérieure --- Maisons conçues par des architectes --- Maison individuelle --- Maison mitoyenne --- Années 1990 --- Années 2000 --- Résidence secondaire --- Rapport lumière-architecture --- Rapport intérieur-extérieur --- Espace de travail --- Petite construction --- Intégration au site --- Habitat --- Japon
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Imagine a terraced house whose courtyard separates the kitchen from the bedroom. Or a tiny, triangular tower of rooms stacked one above another. Quirky, experimental and utterly fascinating, the houses produced in Japan since the end of the Second World War are among the most exceptional in the world. The Japanese House Since 1945 is a cohesive chronology of the most compelling architect-designed Japanese homes, showing developments in form, material, architectural expression and family living over almost eight decades.
Architecture, Domestic --- Architecture, Modern --- Maison individuelle --- Japon --- Architecture domestique --- Architecture, Modern.
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