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Pissarro, Camille Jacob --- Cézanne, Paul --- Painting, French --- Modernism (Art) --- Impressionism (Art) --- Peinture française --- Modernisme (Art) --- Impressionnisme (Art) --- Cézanne, Paul, --- Pissarro, Camille, --- CDL --- 75.071 PISSARRO --- 75.071 CEZANNE --- Cézanne, Paul,
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Pissarro, Camille Jacob --- Cézanne, Paul --- moderne kunst --- Pissarro, Camille --- 1865 - 1885 --- 19de eeuw --- moderne kunst. --- Cézanne, Paul. --- Pissarro, Camille. --- 1865 - 1885. --- 19de eeuw.
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Artistic collaboration --- Artistieke samenwerking --- Collaboration artistique --- Intersubjectiviteit --- Intersubjectivity --- Intersubjectivité --- Modernism (Art) --- Modernisme (Art) --- Modernisme (Kunst) --- Résonance intersubjective --- Artistic collaboration. --- Cézanne, Paul, --- Pissarro, Camille, --- Johns, Jasper, --- Rauschenberg, Robert, --- Friends and associates. --- Cézanne, Paul --- Friends and associates --- Pissarro, Camille --- Johns, Jasper --- Rauschenberg, Robert --- Cézanne, Paul, - 1839-1906 - Friends and associates. --- Pissarro, Camille, - 1830-1903 - Friends and associates. --- Johns, Jasper, - 1930- - Friends and associates. --- Rauschenberg, Robert, - 1925- - Friends and associates. --- Cézanne, Paul, - 1839-1906 --- Pissarro, Camille, - 1830-1903 --- Johns, Jasper, - 1930 --- -Rauschenberg, Robert, - 1925 --- -Modernism (Art)
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Drawing --- Painting --- drawings [visual works] --- easel paintings [paintings by form] --- Pissarro, Camille Jacob --- France
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Cathédrale --- Couleur --- Impressionnisme --- Lumière --- Peintre --- Monet, Claude --- Rouen --- 75 MONET, CLAUDE --- Schilderkunst--MONET, CLAUDE --- 75 MONET, CLAUDE Schilderkunst--MONET, CLAUDE
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Wild Art is a visual exploration of everything and anything from outside the exclusive and rarefied spectrum of the ‘Art World’. It will present a highly illustrated account of the most exciting examples of the vast multitude of ‘other’ art worlds – mostly left unmentioned within the professional art literature – that proliferate outside the boundaries of the Art World. The art that most professionals – art critics, art historians, artists, auctioneers, collectors and dealers tend to ignore. At its heart, this book raises the question of what constitutes 'art' by celebrating the artists and art forms that are usually ignored by the art establishment. From pimped cars and graffiti to extreme body art, ice sculpture and flash mobs, this book has them all.
Art --- architecture [discipline] --- painting [image-making] --- street art --- eroticism --- food --- public spaces --- sculpting --- Contemporary [style of art] --- fauna --- human figures [visual works] --- hedendaagse kunst --- anno 1900-1999 --- anno 2000-2099 --- 705.9 --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Art, Modern --- Public art. --- kunst in de openbare ruimte
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"Wild Art" refers to work that exists outside the established, rarified world of art galleries and cultural channels. It encompasses uncatalogued, uncommodified art not often recognized as such, from graffiti to performance, self-adornment, and beyond. Picking up from their breakthrough book on the subject, Wild Art, David Carrier and Joachim Pissarro here delve into the ideas driving these forms of art, inquire how it came to be marginalized, and advocate for a definition of "taste," one in which each expression is acknowledged as being different while deserving equal merit.Arguing that both the "art world" and "wild art" have the same capacity to produce aesthetic joy, Carrier and Pissarro contend that watching skateboarders perform Christ Air, for example, produces the same sublime experience in one audience that another enjoys while taking in a ballet; therefore, both mediums deserve careful reconsideration. In making their case, the two provide a history of the institutionalization of "taste" in Western thought, point to missed opportunities for its democratization in the past, and demonstrate how the recognition and acceptance of "wild art" in the present will radically transform our understanding of contemporary visual art in the future.Provocative and optimistic, Aesthetics of the Margins / The Margins of Aesthetics rejects the concept of "kitsch" and the high/low art binary, ultimately challenging the art world to become a larger and more inclusive place.
ART / Criticism. --- Aesthetics. --- Art World. --- Art museum. --- Critique of the Art Establishment. --- Folk Art. --- Graffiti. --- Hegel. --- History of Aesthetics. --- Institutional Critique. --- Kant. --- Museum History. --- Outsider Art. --- Public Art. --- Wild art.
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Iconography --- Sculpture --- Painting --- painting [image-making] --- nudes [representations] --- eroticism --- sculpting --- human figures [visual works] --- Jackson, Michael --- Quinn, Marc --- Great Britain
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