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Cézanne et Pissarro, 1865-1885 : [exposition], New York, the Museum of modern art, 26 juin 2005-12 septembre 2005, Los Angeles, Los Angeles county museum of art, 20 octobre 2005-16 janvier 2006, Paris, Musée d'Orsay, 27 février 2006-28 mai 2006
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ISBN: 2711850439 9782711850433 Year: 2006 Publisher: Paris Musée d'Orsay Réunion des musées nationaux

Pioneering Modern Painting : Cézanne & Pissarro 1865-1885 (exhibition New York, Museum of Modern Art, 26.06.-12.09.2005 ; Los Angeles County Museum of Art, 20.10.2005-16.01.2006 ; Paris, Musée d'Orsay 27.02.-28.05.2006)
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ISBN: 0870701843 0870701851 Year: 2005 Publisher: New York City Museum of Modern Art (New York)

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Camille Pissarro
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ISBN: 0810937247 Year: 1993 Publisher: New York, N.Y. Harry N. Abrams, inc., Publishers

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Book
Camille Pissarro
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ISBN: 2866651758 Year: 1995 Publisher: Paris Editions Hermé

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Book
Les cathédrales de Monet : Rouen 1892-1894
Authors: ---
ISBN: 2904420398 9782904420399 Year: 1990 Publisher: Arcueil Anthèse

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Book
Wild art.
Authors: ---
ISBN: 9780714865676 Year: 2013 Publisher: London Phaidon

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Wild Art is a visual exploration of everything and anything from outside the exclusive and rarefied spectrum of the ‘Art World’. It will present a highly illustrated account of the most exciting examples of the vast multitude of ‘other’ art worlds – mostly left unmentioned within the professional art literature – that proliferate outside the boundaries of the Art World. The art that most professionals – art critics, art historians, artists, auctioneers, collectors and dealers tend to ignore. At its heart, this book raises the question of what constitutes 'art' by celebrating the artists and art forms that are usually ignored by the art establishment. From pimped cars and graffiti to extreme body art, ice sculpture and flash mobs, this book has them all.


Book
Aesthetics of the Margins / The Margins of Aesthetics : Wild Art Explained
Authors: ---
ISBN: 0271082631 Year: 2021 Publisher: University Park, PA : Penn State University Press,

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"Wild Art" refers to work that exists outside the established, rarified world of art galleries and cultural channels. It encompasses uncatalogued, uncommodified art not often recognized as such, from graffiti to performance, self-adornment, and beyond. Picking up from their breakthrough book on the subject, Wild Art, David Carrier and Joachim Pissarro here delve into the ideas driving these forms of art, inquire how it came to be marginalized, and advocate for a definition of "taste," one in which each expression is acknowledged as being different while deserving equal merit.Arguing that both the "art world" and "wild art" have the same capacity to produce aesthetic joy, Carrier and Pissarro contend that watching skateboarders perform Christ Air, for example, produces the same sublime experience in one audience that another enjoys while taking in a ballet; therefore, both mediums deserve careful reconsideration. In making their case, the two provide a history of the institutionalization of "taste" in Western thought, point to missed opportunities for its democratization in the past, and demonstrate how the recognition and acceptance of "wild art" in the present will radically transform our understanding of contemporary visual art in the future.Provocative and optimistic, Aesthetics of the Margins / The Margins of Aesthetics rejects the concept of "kitsch" and the high/low art binary, ultimately challenging the art world to become a larger and more inclusive place.


Book
Marc Quinn: Allanah, Buck, Catman, Chelsea, Michael, Pamela and Thomas
Authors: ---
Year: 2010 Publisher: Londen White Cube

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Aesthetics of the Margins / The Margins of Aesthetics
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ISBN: 9780271082639 Year: 2020 Publisher: University Park, PA

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