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Architecture and society. --- Architecture and state --- Architecture --- Borderlands --- Architecture et société --- Architecture --- Architecture --- Régions frontalières --- Political aspects. --- Social aspects. --- Politique gouvernementale --- Aspect politique --- Aspect social
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Indigenous Cultural Centers and Museums: An Illustrated International Survey documents a rich legacy of collaboration across the spatial disciplines combining creative art practice, architecture, construction, landscape design, and urban design in the production of unique and culturally significant social institutions. This book covers a wide range of cultural programs where talented architectural practices have consulted with diverse Indigenous client groups to design for intercultural engagement. It documents the creation stories of these projects from conception to reception.
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In this global and comparative study of Pacific War incarceration environments we explore the arc of the Pacific Basin as an archipelagic network of militarized penal sites. Grounded in spatial, physical and material analyses focused on experiences of civilian internees, minority citizens, and enemy prisoners of war, the book offers an architectural and urban understanding of the unfolding history and aftermath of World War II in the Pacific. Examples are drawn from Australia, New Zealand, Singapore, Japan, and North America. The Architecture of Confinement highlights the contrasting physical facilities, urban formations and material character of various camps and the ways in which these uncover different interpretations of wartime sovereignty. The exclusion and material deprivation of selective populations within these camp environments extends the practices by which land, labor and capital are expropriated in settler-colonial societies; practices critical to identity formation and endemic to their legacies of liberal democracy.
World War, 1939-1945 --- Japanese Americans --- Prisoners of war --- Architecture and war --- Internment camps --- Prisoner-of-war camps --- Concentration camps --- History. --- Forced removal and internment, 1942-1945. --- History --- P.O.W. camps --- POW camps --- Military camps --- Prisons --- Incarceration camps --- Detention of persons --- War and architecture --- War --- Buildings --- Military architecture --- Exchange of prisoners of war --- POWs (Prisoners of war) --- War prisoners --- Prisoners --- Forced removal of Japanese Americans, 1942-1945 --- Internment of Japanese Americans, 1942-1945 --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Housing --- War damage --- Evacuation and relocation, 1942-1945 --- Forced removal of civilians --- Prisoners of war. --- Prisoner-of-war camps. --- Concentration camps. --- Prisoners and prisons
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Architecture --- anno 1940-1949 --- Pacific Islands --- North America
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This book is a detailed study of the architecture of Valentine Gunasekara (1931-2017). It provides an innovative lens to understand the formation of a Ceylonese middle-class, which was inspired by the post-independence desire for modernity. Their experiments, values and dynamic social history are the framework for this research.Although neglected by his peers and marginalized by the prevalent discourse on vernacular regionalism, Gunasekara's work poses important questions regarding the utopian ideals of the modernist project and its successes and its failures in Asia. More significantly, his work reveals the European and American influences that shaped the first generation of Ceylonese architects and their efforts at adapting new materials and technologies to a very different climate and culture.This book documents a wide range of Gunasekara's projects including residential, religious and commercial buildings arguing that they represented a nascent cosmopolitanism from below that proved to be quite antithetical to regionalist trends in architecture.This e-book is a re-publication of an earlier edition published by Stamford Lake in 2007.
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South Asia holds a unique place among the many regions of the world where modern architecture was understood as both a tool for social progress and a global lingua franca in the second half of the 20th century. Following the end of British rule in 1947-48, architects in the newly formed nations of India, Pakistan, Bangladesh (East Pakistan until 1971) and Ceylon (now Sri Lanka) proposed a novel understanding of modernity, disrupting the colonial hierarchy of center and periphery by challenging modernism's universalist claims. Architecture offered multiple ways to break with the colonial past. Through the establishment of institutions that embodied the societal aspirations of the period, and the creation of new cities and spaces for political representation, South Asian architects produced a body of work in dialogue with global developments while advancing the theory and practice of low-cost, climatically and socially responsive design. Anchored by a newly commissioned portfolio of images from architectural photographer Randhir Singh, this catalog features essays by the curators and scholars in the field on subjects such as the politics of concrete, institution-building, higher education, housing, infrastructure and industry, landscape and design, as well as presentations of 17 projects from around the subcontinent. While several of the architects appearing in these pages have in recent years received monographic exhibitions, The Project of Independence marks the first attempt to consider their work within the ideological frameworks of its creation and the political context of the region as a whole.--Dust jacket.
Architecture --- Decolonization --- Architecture --- History --- Philosophy
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The essays in this volume explore crucial intellectual and cultural exchanges between Asia and Europe in the first half of the twentieth century. Examining the increased mobility of people and information, scientific advances, global crises, and the unravelling of empires, Eurasian Encounters demonstrates that this time period saw an unprecedented increase in a transnational flow of politically and socially influential ideas. Together, the contributors show how the two ends of Eurasia interacted in artistic, academic, and religious spheres using new international and cosmopolitan approaches.
POLITICAL SCIENCE / General. --- Eurasia --- Asia --- Europe --- History --- Relations --- Asian and Pacific Council countries --- Eastern Hemisphere --- Council of Europe countries --- Intellectual life --- POLITICAL SCIENCE / World / Asian. --- Transnational History, History of Art, Museums, Heritage, Decolonization.
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