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This research offers an integral analysis of the aesthetic thought of the director, playwright and art theorist Nikolaj Nikolaevic Evreinov. The work focuses on the analysis of the treaty The revelation of art, written in Paris in the 1930s, which represents the greatest testimony of the author's research in the aesthetic field. Henceforth, a connection is offered between the known aspects of Evreinov's theatrical thought, relating to the period of the avant-garde in Russia, and others, of a broader nature, which have long been precluded from being known. Through insights on the Russian theatrical history of the early 20th century, reflections touching textual criticism, the history of aesthetic thought and Russian criticism, the complex figure of an artist emerges against the background of the culture expressed by post-revolutionary Russian emigration. An artist who, as an intellectual, begins a dialogue with the Western European cultural tradition. This book thus intends to restore the visibility, as well as an exegetical and historiographic completeness, of Evreinov's rich legacy as a writer, a philosopher and a critic.

Art and religion.

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This research offers an integral analysis of the aesthetic thought of the director, playwright and art theorist Nikolaj Nikolaevic Evreinov. The work focuses on the analysis of the treaty The revelation of art, written in Paris in the 1930s, which represents the greatest testimony of the author's research in the aesthetic field. Henceforth, a connection is offered between the known aspects of Evreinov's theatrical thought, relating to the period of the avant-garde in Russia, and others, of a broader nature, which have long been precluded from being known. Through insights on the Russian theatrical history of the early 20th century, reflections touching textual criticism, the history of aesthetic thought and Russian criticism, the complex figure of an artist emerges against the background of the culture expressed by post-revolutionary Russian emigration. An artist who, as an intellectual, begins a dialogue with the Western European cultural tradition. This book thus intends to restore the visibility, as well as an exegetical and historiographic completeness, of Evreinov’s rich legacy as a writer, a philosopher and a critic.

linguistics --- Literature: history & criticism

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The present book faces a wide range of problems concerning the history of Eastern slavic culture in its interation with cultural models, typical of Western Europe. This collective work is the final result of the french-italian congress “Fractures and Integrations between Russia, East Slavic world and the West. History and literary civilisation from the Middle Age to the Contemporary Era” (University of Florence, 16-17 april 2015): the complexity of cultural relations between Russia, Slavic East and European West is analysed enhancing the variety of points of view and benefiting of different methodological approaches as well as from perspectives, provided from different fields of study. Here we introduce new materials and new analytical methods, which are useful for studying the complex interactions between the western cultural tradition and the east oriental one, from Middle Age up to nowadays. The “fractures” and “integrations” are therefore highlighted throughout the reading or critical re-reading of textes, works and authors, who took part to the construction and the development of cultural interchange among the various european areas.

Literature, Modern --- Literature --- History and criticism.

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The present book faces a wide range of problems concerning the history of Eastern slavic culture in its interation with cultural models, typical of Western Europe. This collective work is the final result of the french-italian congress “Fractures and Integrations between Russia, East Slavic world and the West. History and literary civilisation from the Middle Age to the Contemporary Era” (University of Florence, 16-17 april 2015): the complexity of cultural relations between Russia, Slavic East and European West is analysed enhancing the variety of points of view and benefiting of different methodological approaches as well as from perspectives, provided from different fields of study. Here we introduce new materials and new analytical methods, which are useful for studying the complex interactions between the western cultural tradition and the east oriental one, from Middle Age up to nowadays. The “fractures” and “integrations” are therefore highlighted throughout the reading or critical re-reading of textes, works and authors, who took part to the construction and the development of cultural interchange among the various european areas.

Literature, Modern --- Literature --- History and criticism.