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Ch'u, Ch'iu-pai --- -Criticism and interpretation --- Chinese literature --- Marxist criticism --- History and criticism. --- Criticism, Marxist --- Marxian criticism --- Marxist literary criticism --- Communism and literature --- Communist aesthetics --- Criticism --- History and criticism --- Chʻü, Chʻiu-pai, --- Qu, Qiu Bai, --- T︠S︡i︠u︡ĭ, T︠S︡i︠u︡-bo, --- Ku, Shūhaku, --- 瞿秋白, --- Yue, Wen, --- Yüeh, Wen, --- 乐雯, --- He, Ning, --- 何凝, --- T︠S︡i︠u︡ĭ T︠S︡i︠u︡bo Strakhov, --- Strakhov, T︠S︡i︠u︡ĭ T︠S︡i︠u︡bo, --- Criticism and interpretation. --- Qu, Maomiao, --- 瞿懋淼, --- Qu, Xiongbo, --- 瞿熊伯,

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China --- In motion pictures. --- Motion picture industry --- Motion pictures --- History --- Political aspects --- Social aspects

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Should modern Chinese history be approached from the center looking out or from the margins looking in? The contributors to this book have explored a variety of relationships between the center (or centers) and the margins in China under the Qing dynasty, the Republic, and the People's Republic.

Borderlands --- History. --- China --- Civilization --- History

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Film --- China --- Experimental films --- Documentary films --- Films expérimentaux --- Documentaires --- History and criticism. --- Histoire et critique --- S17/2000 --- China: Art and archaeology--Film --- Films expérimentaux --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- History and criticism

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China --- History