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Leopold’s Legacy is a reflection on both the visible representations of colonialism in present-day Belgium, and the hidden traces of its gruesome past. Oliver Leu (DE) presents an eclectic collection of visual research, focusing on various topics from colonial monuments and prestigious architecture to antique postcards and collaged sculptures for alternative monuments. All these remnants of a once glorious past paint a wry story of decades of structural exploitation and genocide, and demonstrate how in Europe our collective perception of these events is gradually changing. At the Berlin Conference in 1885, King Leopold II of Belgium was proclaimed the founder and sole owner of the Congo Free State, by convincing the colonial nations of Europe to commit to common trade and improving the lives of the native inhabitants. But in reality he extracted a fortune from the territory. Initially by the collection of ivory, but since the invention of the rubber wheel by Dunlop in 1888, mostly by exploiting the Congolese people to harvest and process rubber. His administration of the Congo was characterised by forced labour, torture and murder, causing the deaths of millions of Congolese people. A large part of the monetary gains from this exploitation was spent on public and private construction projects in Belgium that are often still part of our urban space. With Leopold’s Legacy, Leu paints the portrait of an ambitious ruler with delusions of grandeur, and the influence the exploitation of his private colony still has on his home country today. Including an introductory text by Professor of History, Matthew G. Stanard, and an extensive essay by Bambi Ceuppens, researcher at the Royal Museum for Central Africa in Tervuren.

Regional documentation --- History of Belgium and Luxembourg --- History of Congo --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- colonization --- public art --- historic monuments --- Leopold II [King of the Belgians] --- Colonization in art --- Colonization --- Moral and ethical aspects --- Léopold --- Congo (Democratic republic) --- Belgium --- Colonies. --- Moral and ethical aspects. --- Congo (Democratic Republic) --- Colonization. --- Colonization in art. --- kunst --- 94 --- 77.044 --- 7.035/036 --- racisme --- postkolonialisme --- kolonialisme --- Leopold II --- fotografie --- Congo --- België --- geschiedenis --- eenentwintigste eeuw --- twintigste eeuw --- negentiende eeuw --- postcolonialism --- Postkolonialisme --- Koloniale geschiedenis ; België --- Thema's in de fotografie ; Belgisch Congo --- Fotografie ; reportage-opnamen --- BPB9999 --- colonialisme --- BPB2111 --- Κονγκό --- Kongo --- Конго --- Kongó --- Kongas --- Congo-Brazzaville --- il-Kongo --- Republikken Congo --- Kongo Respublika --- Congo Brazzaville --- ir-Repubblika tal-Kongo --- Δημοκρατία του Κονγκό --- Kongo Francez --- Конго-Бразавил --- République du Congo --- Kongo Republika --- Kongo Brazavilë --- Република Конго --- Brazzavillen Kongo --- French Congo --- Republika e Kongos --- Repubblica del Congo --- Republica Congo --- Republiken Kongo --- Republika Kongo --- Konžská republika --- Kongo (Brazaville) --- Republika Konga --- República do Congo --- Kongon tasavalta --- Konžská lidová republika --- Republiek Congo --- die Republik Kongo --- Kongo Vabariik --- Kongo-Brazzaville --- República del Congo --- Republic of the Congo --- Kongói Köztársaság --- kolonializmus --- колониализъм --- kolonijalizam --- Kolonialismus --- kolonializmas --- kolonialism --- kolonjaliżmu --- kolonialismi --- колонијализам --- colonialismo --- kolonializm --- colonialism --- kolonializem --- αποικιοκρατία --- kolonialismus --- koloniālisms --- kolonializëm --- neocolonialism --- neokolonialisme --- uuskolonialism --- neokolonialismus --- neokolonializmus --- neocolonialismo --- uuskolonialismi --- неоколонијализам --- neo-colonialism --- neokoloniālisms --- nykolonialism --- néocolonialisme --- kolonizace --- gyarmatosítás --- gyarmati uralom --- koloniální závislost --- gyarmatosító politika --- колонијална зависност --- колонијална доминација --- νεοαποικιοκρατία --- neokolonializmas --- Neokolonialismus --- koloniální nadvláda --- neokolonijalizam --- колонизација --- neokolonializëm --- gyarmati rendszer --- coilíneachas --- An Congó

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oor dit bijzondere boek ging fotograaf Servaas Van Belle in alle uithoeken van België op zoek naar de meest tot de verbeelding sprekende stalletjes, om ze daarna consequent onder dezelfde ideale lichtomstandigheden te fotograferen. En ideaal betekent voor Van Belle: in dichte mist. Schuilplaatsen voor vee in weiden en velden zijn in die mate een evidentie in onze omgeving en cultuur dat ze zelden worden opgemerkt. Nochtans staan er in het Belgische landschap architecturale pareltjes. Deze stallen en barakken zijn een groepswerk van man en natuur, en kunnen ontroerend mooi zijn. Talrijke vormen en formaten, opgetrokken uit diverse (afbraak)materialen en met een uiteenlopend kleurenpalet, sieren het landschap. Met de tand des tijds duidelijk zichtbaar ademen ze verhalen uit, die Servaas Van Belle als geen ander weet te capteren.

Photography --- stalls [stable spaces] --- photobooks --- Belle, Van, Servaas --- Fotografie --- Stallen --- België --- Tentoonstellingen --- landschapsfotografie

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Unique glimpse behind the scenes of the KMSKA: an eleven-year renovation project presented in words and pictures. The Royal Museum of Fine Arts Antwerp (KMSKA) has undergone an eleven-year renovation period resulting in a total makeover. The museum as it stands today is in all respects new: there is an entirely new museum volume, the monumental museum building has been restored to its historic magnificence, the exterior has been conserved and the garden newly landscaped. KMSKA – The Finest Museum showcases this enormous renovation and also highlights a second innovation of equally massive scale: the entire operation of the museum has been brought up to date. In this book you can find the answers to questions such as, how did the collection reach its current incarnation? And, how does the KMSKA make its decisions about what to display? How do you appeal to as diverse an audience as possible? How does the museum present itself to the world? What expectations are museums faced with in our 21st century? Discover the vibrant history of this modern and perpetually evolving museum. With images by photographer Karin Borghouts.

Museology --- Conservation. Restoration --- Public buildings --- restoration [process] --- art [discipline] --- museology --- museums [institutions] --- Royal Museum of Fine Arts [Antwerp]