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Mit 'Parrot Problems' liegt der Katalog zur ersten institutionellen Einzelausstellung der britischen Künstlerin in Deutschland vor. Gleich einem Künstlerbuch, hat Helen Marten vierzig Seiten des Katalogs mit Collagen gestaltet. In klugen wie präzisen Essays widmen sich Diedrich Diederichsen und Johanna Burton dem Werk der "Künstlerin der Stunde", die mittels Manipulation, Abstraktion und Verrückung erkennbare Dinge neu zusammensetzt und auf diese Weise den Schleier aus Gewohnheit, der sich über die Dichte und Komplexität unseres materiellen Alltags legt, durchbricht. Der Katalog enthält zahlreiche Abbildungen.
Art --- printouts --- sculpture [visual works] --- found objects --- installations [visual works] --- language [general communication] --- easel paintings [paintings by form] --- Marten, Helen --- Installations (Art) --- Art, British --- kunst --- 7.071 MARTEN --- Marten Helen --- eenentwintigste eeuw --- installaties --- collages --- keramiek --- collage --- kunstenaarsboeken --- artists' books --- tekenkunst --- Groot-Brittannië --- British art --- Installation art --- Art, Modern --- Environment (Art) --- Marten, Helen, --- Exhibitions --- paintings [visual works]
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This catalogue presents a generation of young artists who respond to "anonymous" materials of the 21st century, such as 3D-printed objects, body scans and stock photos. Participating artists include Michele Abeles, Ed Atkins, Sachin Kaeley, Oliver Laric, Pamela Rosenkranz, Avery Singer and Ryan Trecartin.
Art --- installations [visual works] --- multimedia works --- technology [general associated concept] --- Nature --- virtual reality --- ecological art --- materials [substances] --- bodies [animal components] --- Aranda, Julieta --- Brätsch, Kerstin --- Braun, Björn --- Canell, Nina --- Denny, Simon --- Laric, Oliver --- Madison, Tobias --- Richards, James --- Rosenkranz, Pamela --- Schultz, Nora --- Trecartin, Ryan --- Winterling, Susanne M. --- Atkins, Ed --- Okiishi, Ken --- Baga, Trisha --- Yang, Lu --- Reus, Magali --- Domanović, Aleksandra --- Rafman, Jon --- Channer, Alice --- Si-Qin, Timur --- Kline, Josh --- Yi, Anicka --- Baremboym, Alisa --- Novitskova, Katja --- Balema, Olga --- Evans, Cécile B. --- Eilers, Debo --- Singer, Avery --- Abeles, Michele --- Stead, Jessie --- Catala, Antoine --- Holen, Yngve --- Kaeley, Sachin --- Keller, Daniel --- Okiishi, Ken --- Bonneviot, Juliette --- Kurian, Ajay --- Lewitt, Sam --- Loebs, Jason --- Mul, Marlie --- Gilligan, Melanie --- Raether, Johannes Paul --- Uoo, Stewart --- Euler, Jana --- Deshayes, Nicolas --- Crespo, Andrea --- Budor, Nora --- Douard, Cécile --- GCC
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Art --- art [discipline] --- Broodthaers, Marcel
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Kunstpreis der Schering Stiftung --- Public spaces in art --- Site-specific installations (Art) --- Lucas, Renata, --- Lucas, Renata, --- Awards.
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Film installations (Art) --- Experimental films --- Experimental films. --- Film installations (Art). --- Sharits, Paul --- Sharits, Paul --- Sharits, Paul.
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The contributions are based on 'A New Fascism', a symposium held at Fridericianum in conjunction with the exhibition 'Two A.M.' by Loretta Fahrenholz. Fahrenholz's social fiction film reveals a frightening similarity to the present day of surveillance capitalism and re-emerging fascism. And that led us to the symposium we are doing today, where we are asking the following questions: Is there a new fascism emerging? Has fascism reinvented itself? Is the experience and/or fear of disintegration the reason for discriminatory attitudes towards minorities, such as migrants, asylum seekers, Muslims, homosexual people and the homeless? And how can we form a counter-acting power?
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