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The last decade has seen the growing popularity and visibility of fashion as a cultural product, including its growing presence in museum exhibitions. This book explores the history of fashion curating and exhibitions, highlighting the continuity of past and present curatorial practices. Comparing and contrasting exhibitions from different museums and decades - from the Paris Exposition Universelle of 1900 to the Alexander McQueen Savage Beauty show at the Metropolitan Museum of Art in 2011 - it makes connections between museum fashion and the wider fashion industry. By critically analyzing trends in fashion exhibition practice over the twentieth and early twenty-first centuries, Julia Petrov defines and describes the varied representations of historical fashion within British and North American museum exhibitions.
Fashion design --- Costume museums. --- Social aspects. --- Costume --- Museums --- Clothing and dress --- Clothing design --- Dress design --- Design
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The last decade has seen the growing popularity and visibility of fashion as a cultural product, including its growing presence in museum exhibitions. This book explores the history of fashion curating and exhibitions, highlighting the continuity of past and present curatorial practices. Comparing and contrasting exhibitions from different museums and decades - from the Paris Exposition Universelle of 1900 to the Alexander McQueen Savage Beauty show at the Metropolitan Museum of Art in 2011 - it makes connections between museum fashion and the wider fashion industry. By critically analyzing trends in fashion exhibition practice over the twentieth and early twenty-first centuries, Julia Petrov defines and describes the varied representations of historical fashion within British and North American museum exhibitions.
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Languages, Modern --- Langues vivantes --- Study and teaching --- Bibliography --- Etude et enseignement --- Bibliographie
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From Jack the Ripper to Frankenstein, Halloween customs to Alexander McQueen collections, Fashioning Horror examines how terror is fashioned visually, symbolically, and materially through fashion and costume, in literature, film, and real life. With a series of case studies that range from sensationalist cinema and Slasher films to true crime and nineteenth-century literature, the volume investigates the central importance of clothing to the horror genre, and broadens our understanding of both material and popular culture. Arguing that dress is fundamental to our understanding of character and setting within horror, the chapters also reveal how the grotesque and horrific is at the center of fashion itself, with its potential for instability, disguise, and carnivalesque subversion. Packed with original research, and bringing together a range of international scholars, the book is the first to thoroughly examine the aesthetics of terror and the role of fashion in the construction of horror.
Fashion in motion pictures. --- Fashion in literature. --- Fashion on television. --- Horror films --- Horror television programs --- Horror in literature. --- Costume --- Clothing and dress --- History and criticism. --- Symbolic aspects.
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Fashion in motion pictures. --- Fashion in literature. --- Fashion on television. --- Horror films --- Horror television programs --- Horror in literature. --- Costume --- Clothing and dress --- History and criticism. --- History and criticism. --- Symbolic aspects. --- Symbolic aspects.
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Museology --- Ethnology. Cultural anthropology --- History as a science --- Archeology --- collections [object groupings] --- narratives [literary works]
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