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Issey Miyake : Fotografien von Irving Penn
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ISBN: 3723103839 Year: 1988 Publisher: Schaffhausen Stemmle

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Worlds in a small room
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ISBN: 0670790257 9780670790258 Year: 1980 Publisher: New York Viking

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Worlds in a small room.
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Year: 1980 Publisher: London Secker & Warburg

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Still life : Irving Penn photographs 1938-2000
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ISBN: 0821227025 Year: 2001 Publisher: Bulfinch press book,

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Issey Miyake: photographs by Irving Penn
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ISBN: 0821217208 Year: 1988 Publisher: New York, N.Y. N.Y.G.S.

A notebook at random : Irvin Penn
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ISBN: 9780821261927 0821261924 Year: 2004 Publisher: New York: Bulfinch,

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Irving Penn est né en 1917. Il a étudié avec Alexey Brodovitch à l'école d'art du Musée de Philadelphie et en 1943, il produit sa première photographie couleur, une nature morte, pour la couverture de Vogue. Pendant sa carrière de plus de soixante ans, il a créé un travail intense de portraits, de natures mortes, des modelages. Irving Penn est l'auteur de plusieurs livres , tels que Moments Preserved (1960), Worlds in a Small Room (1974), Flowers (1980), Passage (1991), Still Life (2001) et Earthly Bodies (2002)

Still life : photographs 1938-2000
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ISBN: 0500542481 Year: 2001 Publisher: London Thames & Hudson

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Irving Penn
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ISBN: 1878283871 Year: 1999 Publisher: New York, NY : Pace/MacGill Gallery,

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Irving Penn regards the work of Issey Miyake : photographs 1975-1998
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ISBN: 0224059661 Year: 1999 Publisher: London : J. Cape,

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Passage : a work record
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ISBN: 3927258083 Year: 1991 Publisher: New York, N.Y. Gingko/Callaway

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In 1941 Penn, then an associate in Vogue 's art department handling the magazine's layouts, was encouraged by Alexander Lieberman to pick up a camera and do the actual photography instead. Since then, he has been producing images at once penetrating and mysterious. While Penn's incisive portraits of both the famous and the unknown--particularly ethnic peoples he posed carefully in studios--capture the specifics even as he renders the sitters timeless, his graceful yet boldly inventive fashion photography has gone far beyond the standard expectations of that genre. In fact, perhaps the most remarkable aspect of this overview is its demonstration that, in the hands of a master, the line between fashion photography and art photography simply does not exist. Penn provides some rather brief commentary on the images displayed here, but the photographs themselves--thoughtfully laid out, beautifully reproduced--make the book. For all libraries that collect photography books seriously. &#13;*- Barbara Hoffert, "Library Journal"*&#13;&#13;

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