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Maya --- Sculpture --- sculpture [visual work] --- Ethnology. Cultural anthropology --- Honduras --- Mexico --- Belize --- El Salvador --- Guatemala --- Maya art --- Maya mythology --- Maya sculpture --- Maya pottery --- Marine animals in art --- Sea in art --- Art maya --- Mythologie maya --- Sculpture maya --- Céramique maya --- Animaux marins dans l'art --- Mer dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- Peabody Essex Museum --- Kimbell Art Museum --- St. Louis Art Museum --- Central America --- Mexico, Gulf of --- Caribbean Area. --- Mexique --- Amérique centrale --- Mexique, Golfe du --- Caraïbes (Région) --- Antiquities --- Antiquités --- sculpture [visual works] --- Céramique maya --- Amérique centrale --- Caraïbes (Région) --- Antiquités --- Ocean in art --- Mayas --- Sculpture, Maya --- Sculpture, Central American --- Sculpture, Mexican --- Pottery, Maya --- Pottery, Central American --- Pottery, Mexican --- Mythology, Maya --- Pottery --- Saint Louis (Mo.). --- Saint Louis Art Museum --- City Art Museum of St. Louis --- Kimbell Museum --- Kimball Art Museum --- Mexico, Gulf of. --- Gulf of Mexico --- Mercado Común Centroamericano countries --- Caribbean Free Trade Association countries --- Caribbean Region --- Caribbean Sea Region --- West Indies Region --- Maya [style] --- Peabody & Essex Museum --- SLAM --- Maya [culture or style]
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painting [image-making] --- seascapes --- marines [visual works] --- Turner, Joseph Mallord William
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Painting --- Mol van Otterloo, de, Eijk --- anno 1600-1699 --- verzameling Rose-Marie en Eijk van Otterloo --- Otterloo, Rose-Marie van --- Otterloo, Eijk van --- 17de eeuw --- Noordelijke Nederlanden --- Zuidelijke Nederlanden --- 75 <492> --- Schilderkunst--Nederland --- 75 <492> Schilderkunst--Nederland --- Art --- Furniture --- Painting, Dutch --- Painting, Flemish --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Wood furniture --- Wooden furniture --- Decoration and ornament --- Decorative arts --- House furnishings --- Cabinetwork --- Interior decoration --- Upholstery --- Private collections --- History --- Van Otterloo, Rose-Marie --- Van Otterloo, Eijk --- Art collections --- collecting --- art collections --- Art, Primitive --- Otterloo, van,, Rose-Marie --- Nederlandse school --- verzameling Rose-Marie en Eijk van Otterloo. --- Otterloo, Rose-Marie van. --- Otterloo, Eijk van. --- 17de eeuw. --- Noordelijke Nederlanden. --- Zuidelijke Nederlanden.
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heads [representations] --- hands [animal components] --- sexuality --- studios [work spaces] --- marble [rock] --- sculpture [visual works] --- gypsum --- Sculpture --- socles --- life masks --- nudes [representations] --- bronze [metal] --- drawings [visual works] --- Rodin, Auguste --- bronsgieters --- Hanako (Mevr.) --- Druet, Eugène --- techniek --- fotografie --- Beeldhouwkunst --- tekeningen --- beeldhouwwerken [beeldmateriaal] --- maskers [beeldhouwwerk] --- seksualiteit --- sokkels --- naakten --- ateliers [werkruimten] --- koppen [figuurvoorstellingen] --- handen [dierlijke of menselijke lichaamsdelen] --- brons --- gips --- sirenen --- marmer --- sirens [imaginary beings] --- techniek. --- bronsgieters. --- Rodin, Auguste. --- Hanako (Mevr.). --- Druet, Eugène. --- lichaam (van de mens)
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Metamorphoses: in Rodin's studio reveals the work of Auguste Rodin (1840-1917) and the materials he used to accomplish it, along with his collaborators, models, studio assistants and founders, as observed by eyewitnesses, photographers and writers. The theme of metamorphosis plunges us directly into the secrets of the studio to unveil the constantly shifting creative process of this revolutionary sculptor. Rodin is a pivotal figure not only because of his expression, of a rare emotional and psychological complexity, but also because of his profound renewal of the language of sculptural practice. One of the most striking aspects of his vision lies in his ascribing greater value to the act of creation, which he placed in the forefront, than to the imperious dogma of a necessarily completed work: no sculpture was ever immutably final in Rodin's mind.
Rodin, Auguste, --- preparatory studies --- Sculpture --- sculpture [visual works] --- nudes [representations] --- drawings [visual works] --- sexuality --- studios [work spaces] --- Rodin, Auguste --- lichaam (van de mens)
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Commissioned in the 1470s most likely by Afonso V, king of Portugal, the Pastrana Tapestries are a group of four towering (12 by 36 feet each) tapestries memorializing his conquest of the Moroccan cities of Asilah and Tangier, near the entrance to the Strait of Gibraltar. An impressive rendition in wool and silk woven by Flemish weavers, the tapestries display multicolored scenes of the day: military, royalty and maritime life. The images are an anomaly in that they portray current experiences and not ancient or Biblical events. Since the seventeenth century, the Pastrana tapestries have been the property of the Collegiate Church of Our Lady of the Assumption in Pastrana, Spain. The tapestries recently underwent total conservation in Belgium after deterioration and damage. Now entirely restored, they are an outstanding discovery for both scholars and the general public. Exhibition: National Gallery of Art, Washington and Meadows Museum, Dallas September/May 2011/12.
tapestries --- Applied arts. Arts and crafts --- Alfonso V [King of Portugal]
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Aesthetics of art --- Painting --- Morse, Samuel Finley Breeze
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