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Comparative literature --- Thematology --- anno 1600-1699 --- French literature --- Imagination in literature. --- History and criticism. --- Imagination in literature --- CDL --- 82 --- History and criticism --- 17s --- Ancien --- Antique --- Classicisme --- Classique --- Francais --- Greco-Latin --- Greco-Romain --- Litterature --- French literature - 17th century - History and criticism.
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Fiction --- History and criticism. --- History and criticism
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Literature --- Fiction --- Semantics --- 82-3 --- Formal semantics --- Semasiology --- Semiology (Semantics) --- Comparative linguistics --- Information theory --- Language and languages --- Lexicology --- Meaning (Psychology) --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- Proza. Fictie. Narratologie --- Philosophy --- Fiction. --- Semantics. --- 82-3 Proza. Fictie. Narratologie --- Verbeelding (Letterkundige). --- Littérature d'imagination. --- Imagination littéraire. --- Verbeeldingsliteratuur. --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative
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Philosophy of science --- Structural linguistics --- Structuralism --- Humanities --- -Linguistics --- -Structural linguistics --- -Philosophy of science --- Linguistics
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Fiction --- Literary semiotics --- Corneille, Pierre --- Narration (Rhetoric) --- Tragedy --- French language --- Syntax --- Technique --- Tragedies --- -Narration (Rhetoric) --- Drama --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Langue d'oïl --- Romance languages --- -Corneille, Pierre --- -Technique --- Tragedy. --- Syntax. --- History --- Corneille, Pierre, --- Technique. --- Tragedies. --- Blessebois, Pierre Corneille --- French language - Early modern, 1500-1700 - Syntax --- Corneille, Pierre - Technique --- Corneille, Pierre - Tragedies
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Les auteurs de fiction exigent de leurs lecteurs qu'ils pénètrent dans des espaces étranges, dans le monde d'Antigone, de Don Quichotte ou de Sherlock Holmes. Ces univers factices évoquent – plus ou moins – le monde réel, mais ils s'en éloignent aussi par bien des aspects. Pourquoi et comment la fiction continue-t-elle cependant de nous attirer et de nous parler ? Thomas Pavel entreprend ici, dans un style plein de saveur et d'humour, de définir le mode d'existence des êtres imaginaires et de dégager la fonction culturelle des oeuvres de fiction. L'institution de la fiction ne cesse de changer au cours du temps sous l'effet d'une économie de l'imaginaire : selon les circonstances, un même territoire – un même texte – peut passer de la vérité à la fiction, et réciproquement, en endossant des fonctions hétéroclites. L'histoire de la culture, et de nos croyances, est faite de ces incessantes fluctuations.
Fiction --- Semantics --- Théorie de la fiction --- Fiction. --- Théorie de la fiction.
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Fiction --- Literature, Modern --- Roman --- Littérature --- History and criticism --- Histoire et critique
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English drama --- Plots (Drama, novel, etc.) --- English drama (Tragedy) --- Théâtre anglais --- Intrigues (Théâtre, roman, etc.) --- Tragédie anglaise --- History and criticism --- Histoire et critique
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Generative grammar. --- Linguistics --- Semiotics. --- Methodology.
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