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James, Geoffrey

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Composition (Photography) --- Staged photography --- 77.041 --- Antin Eleanor --- Barney Tina --- Bayard Hippolyte --- Blumenfeld Erwin --- Cahun Claude --- Cameron Julia Margaret --- Crewdson Gregory --- Day F. Holland --- Demand Thomas --- Doisneau Robert --- eenentwintigste eeuw --- enscenering --- Evans Frederick H --- Fenton Roger --- Ferran Anne --- fotografie --- Hanson Duane --- Kells Harold F --- Man Ray --- Meatyard Ralph Eugene --- Michals Duane --- Morimura Yasumasa --- Mortensen William --- negentiende eeuw --- Nes Adi --- Outerbridge Paul --- Prout Victor Albert --- Ray Man --- Rejlander Oscar Gustave --- Robinson Henry Peach --- Sherman Cindy --- Shonibare Yinka --- Talbot William Henry Fox --- Thompson Warren --- twintigste eeuw --- Viola Bill --- Wall Jeff --- Weems Carrie Mae --- Weston Edward --- Directorial photography --- Fabricated photography --- Photography, Artistic --- Photographic composition --- Photography --- History --- Composition --- Exhibitions --- theater [discipline] --- photography [process] --- theater

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Watkins, Margaret,

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A fascinating survey of the varied career of an inventive and influential 19th-century photographer, from allegorical montage to Darwin's catalogue of emotions. Oscar G. Rejlander (1813-1875) was a Swedish-born photographer who pioneered the genre of art photography. He is best known for combining negatives to form elaborate allegorical compositions and for his ability to communicate expression through his photographic studies and portraits. His influence shines in the works of other important photographers of the day. This catalogue accompanies the first major retrospective on this vital yet understudied figure and considers the whole range of his activities, including his work as a painter and printmaker. Lori Pauli introduces Rejlander with a comprehensive survey of his life and career. Three essays follow, from leading scholars in the field of 19th-century photography, with topics ranging from Rejlander's engagement with Victorian painting, to his studio and working methods, to his artistic circle and work with Charles Darwin. Engagingly written and beautifully illustrated, this publication fills a void in scholarship on Rejlander; it also sheds light more broadly on the intersection of art and science and the uses of photography in Victorian culture, as well as the history of photography and its impact on Victorian culture. Exhibition: National Gallery of Canada: Canadian Photography Institute Galleries, Ottawa, Canada (19.10.2018 - 03.02.2019) / The Getty Museum, Los Angeles, USA (12.03.-09.06.2019).

Rejlander, Oscar Gustav --- Photography --- Photography, Artistic --- Black-and-white photography --- Portrait photography --- Art and photography --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- History --- Aesthetics --- Rejlander, O. G. --- Rejlander, Oscar Gustave, --- Criticism and interpretation. --- Themes, motives. --- Exhibitions --- Photography and art --- Portraiture --- Portraits