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Royal Love Stories : The Tales Behind the Real-Life Romances of Europe's Kings and Queens.
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ISBN: 1782401989 9781782401988 9781782401506 1782401504 Year: 2015 Publisher: Minneapolis : Ivy Press, The,

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Historically, many royal marriages have represented the unions of dynasties, with true engagements of the heart notable for their rarity. Yet royal couples could fall in love, and this book is full of surprises, from the undying love that the last Tsar of Russia, Nicholas II, felt for his Tsarina, to the unlikely love that flourished between Louis XVI and Marie Antoinette. Amongst them, too, are less happy loves of Crown Prince Rudolph for his 17-year-old lover, Countess Mary Vetsera, or, in the 1940s, of the Prince of Sweden, refused consent to marry the girl he loved she only became his princess over 30 years later. Bringing the reader right up to modern times, and touching, absorbing, and tragic by turns, these stories bring the glamour and the contradictions of royalty vividly to life.


Book
Le guide complet du Pilates : un manuel structuré pour un savoir-faire professionnel
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ISBN: 9782702911044 2702911048 Year: 2014 Publisher: Paris: Le courrier du livre,

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Sense of place : European landscape photography
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ISBN: 9783791347455 Year: 2012 Publisher: Munich ; London ; New York Brussels Prestel Centre for Fine Arts

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Madame Grès : sculptural fashion
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ISBN: 9789491376276 Year: 2012 Publisher: Antwerpen Uitgeverij Hannibal

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Accompanies an exhibition at the MoMu Fashion Museum, Province of Antwerp from September - February 2013. A remarkable couturier, with a career spanning half a century, Madame Alix Grès (1903-1993) was known for using delicate pleats which turned ordinary fabric into Grecian-style. This is the first monograph of her extraordinary work. Madame Grès launched her design house under the name Grès in Paris in 1942. Formally trained as a sculptress, she produced haute couture designs for an array of fashionable women, including the Duchess of Windsor, Marlene Dietrich, Greta Garbo, Jacqueline Kennedy, and Dolores del Rio. Her signature was cut-outs on gowns that made exposed skin part of the design, yet still had a classical, sophisticated feel. She was renowned for being the last of the haute couture houses to establish a ready-to-wear line.

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