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091 <41 MARGAM> --- 091 <41 MARGAM> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--MARGAM --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--MARGAM --- Margam Abbey --- Manuscripts, Latin (Medieval and modern) --- Nobility --- Paleography, Latin --- Scriptoria --- Copying rooms --- Writing rooms --- Rooms --- Illumination of books and manuscripts --- Manuscripts --- Monasteries --- Monastic libraries --- Noble class --- Noble families --- Nobles (Social class) --- Peerage --- Upper class --- Aristocracy (Social class) --- Titles of honor and nobility --- Medieval and modern Latin manuscripts --- Manuscripts, Medieval --- History&delete& --- Sources --- Reproduction --- History --- Sources. --- Wales --- Cambria --- Cymric --- Gwalia --- Cymru --- England and Wales --- Paleography, Latin - Wales - Glamorgan --- Manuscripts, Latin (Medieval and modern) - Wales - Glamorgan --- Scriptoria - Wales - Glamorgan - History - Sources --- Nobility - Wales - Glamorgan - History - Sources --- Wales - History - 1063-1284 - Sources

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Despite rhythm and blues culture's undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism's increased codification in America's racial politics and policies since the 1970's. Robert J. Patterson provides a thorough analysis of four artists-Kenneth "Babyface" Edmonds, Adina Howard, Whitney Houston, and Toni Braxton-to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.

Rhythm and blues music --- African Americans --- Music, Rhythm and blues --- R & B (Music) --- R&B (Music) --- Rhythm 'n' blues music --- Popular music --- Blues (Music) --- Soul music --- Social aspects --- History. --- Political aspects --- History and criticism. --- Attitudes. --- r&b, rhythm and blues, blues, black culture, african american, inequality, kenneth edmonds, babyface, adina howard, whitney houston, whitney, toni braxton, music, black music, black inequality.

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By considering the competing and varied political interests of black communities, these writers reimagine the dominant models in a way that can empower communities to be self-sustaining in the absence of a messianic male leader.

Leadership in literature. --- Civil rights in literature. --- American literature --- African American authors --- History and criticism.

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Immortality. --- Plato.