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Social ethics --- History of civilization --- 130.15 --- Vrijheid antropologisch --- 130.15 Vrijheid antropologisch
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Antislavery --- Esclavage --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slavernij --- Slavery --- Slaves --- Slaveholders --- Psychology --- #SBIB:39A6 --- #SBIB:93H3 --- Etniciteit / Migratiebeleid en -problemen --- Thematische geschiedenis --- Slavery. --- Psychology. --- Enslaved persons --- Persons --- Abolition of slavery --- Enslavement --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slave holders --- Slave masters --- Slave owners --- Slavemasters --- Slaveowners --- Plantation owners --- Slaves - Psychology. --- Slaveholders - Psychology. --- Slaves - Psychology --- Slaveholders - Psychology --- Enslavers
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The Cultural Matrix seeks to unravel a uniquely American paradox: the socioeconomic crisis, segregation, and social isolation of disadvantaged black youth, on the one hand, and their extraordinary integration and prominence in popular culture on the other. Despite school dropout rates over 40 percent, a third spending time in prison, chronic unemployment, and endemic violence, black youth are among the most vibrant creators of popular culture in the world. They also espouse several deeply-held American values. To understand this conundrum, the authors bring culture back to the forefront of explanation, while avoiding the theoretical errors of earlier culture-of-poverty approaches and the causal timidity and special pleading of more recent ones. There is no single black youth culture, but a complex matrix of cultures—adapted mainstream, African-American vernacular, street culture, and hip-hop—that support and undermine, enrich and impoverish young lives. Hip-hop, for example, has had an enormous influence, not always to the advantage of its creators. However, its muscular message of primal honor and sensual indulgence is not motivated by a desire for separatism but by an insistence on sharing in the mainstream culture of consumption, power, and wealth. This interdisciplinary work draws on all the social sciences, as well as social philosophy and ethnomusicology, in a concerted effort to explain how culture, interacting with structural and environmental forces, influences the performance and control of violence, aesthetic productions, educational and work outcomes, familial, gender, and sexual relations, and the complex moral life of black youth.
African American youth --- Afro-American youth --- Negro youth --- Youth, African American --- Youth --- Social conditions. --- Social life and customs.
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Orlando Patterson returns to Jamaica, his birthplace, to reckon with its history and culture. Locals claim to be some of the world's happiest people, and their successes in music and athletics are legendary. Yet the country remains violent and poor. In Jamaica the dilemmas of globalization and postcolonial politics are thrown into stark relief.
Nationalism and sports --- Postcolonialism --- Reggae music --- Urban poor --- City dwellers --- Poor --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Sports and nationalism --- Sports --- Jamaica --- Economic conditions. --- Social conditions.
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Orlando Patterson’s classic study of slavery in Jamaica reveals slavery for what it was: a highly repressive and destructive system of human exploitation, which disregarded and distorted almost all of the basic prerequisites of normal social life. What distinguishes Patterson's account is his detailed description of the lives and culture of slaves under this repressive regime. He analyses the conditions of slave life and work on the plantations, the psychological life of slaves and the patterns and meanings of life and death. He shows that the real-life situation of slaves and enslavers involved a complete breakdown of all major social institutions, including the family, gender relations, religion, trust and morality. And yet, despite the repressiveness and protracted genocide of the regime, slaves maintained some space of their own, and their forced adjustment to white norms did not mean that they accepted them. Slave culture was characterized by a persistent sense of resentment and injustice, which underpinned the day-to-day resistance and large-scale rebellions that were a constant feature of slave society, the last and greatest of which partly accounts for its abolition.This second edition includes a new introduction by Orlando Patterson, which explains the origins of the book, appraises subsequent works on Jamaican slavery, and reflects on its enduring relevance. Widely recognized as a foundational work on the social institution of slavery, this book is an essential text for anyone interested in the role of slavery in shaping the modern world.
Slavery --- Slavery. --- Social conditions. --- History. --- Jamaica --- Jamaïque --- Jamaica. --- Conditions sociales.
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