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The Twentieth Century Russian Short Story: A Critical Companion is a collection of the most informative critical articles on some of the best twentieth-century Russian short stories from Chekhov and Bunin to Tolstaya and Pelevin. While each article focuses on a particular short story, collectively they elucidate the developments in each author's oeuvre and in the subjects, structure, and themes of the twentieth-century Russian short story. American, European and Russian scholars discuss the recurrent themes of language's power and limits, of childhood and old age, of art and sexuality, and of cultural, individual and artistic memory. The book opens with a discussion of the short story genre and its socio-cultural function. This book will be of value to all scholars of Russian literature, the short story, and genre theory.
Russian fiction -- 20th century -- History and criticism. --- Short stories, Russian -- History and criticism. --- Short stories, Russian --- Russian fiction --- Languages & Literatures --- Slavic, Baltic and Albanian Languages & Literatures --- Russian short stories --- History and criticism
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This book examines the provincial theme in post-Soviet literature, film, and journalism as a cultural representation of Russian nationalism. Its focus is on "the provinces" of cultural myth: the imagined domain of authentic Russianness, and collective contemplation of the recurring questions concerning Russia's past and future, what it means to be "Russian," and where "true" Russians reside. Cultural production today locates true Russianness outside the newly prosperous, multiethnic, and westernized Moscow. In mass culture, the traditional privileging of the center, over the backward provinces, yields to a view of the provinces as the repository of national tradition and moral strength. Conversely, high literature and art-house cinema provide an alternative, harshly critical image of the provinces. Differing perspectives notwithstanding, both are negotiating a particular concept of Russianness, in which the provinces play a central role and, ultimately, function to both redirect nationalist discourse away from the deeply unsatisfying model of Russia versus the West, and put forth a hermetic national identity, based on the opposition of "us versus us," rather than "us versus them."
Mass media and nationalism --- Nationalism and literature --- National characteristics, Russian, in motion pictures. --- National characteristics, Russian, in literature. --- Russian literature --- Motion pictures --- Literature and nationalism --- Literature --- Nationalism and mass media --- Nationalism --- History and criticism.
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Russian literature --- History and criticism. --- Chekhov, Anton Pavlovich, --- Criticism and interpretation. --- Influence. --- Russia (Federation) --- Civilization --- Intellectual life
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Russian literature --- History and criticism. --- Chekhov, Anton Pavlovich, --- Criticism and interpretation. --- Influence. --- Russia (Federation) --- Civilization --- Intellectual life
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Goncharov in theTwenty-First Century brings Ivan Goncharov's work into atwenty-first-century critical framework, engaging with approachesfrom post-colonial and queer studies, theories of genre andthe novel, desire, laughter, technology, philosophy, and mobility andtravel.
Russian prose literature. --- Russian prose literature --- History and criticism. --- Goncharov, Ivan Aleksandrovich, --- A Common Story. --- Derrida. --- Frigate Pallada. --- Goncharov. --- Hegel. --- Oblomov. --- Obyknovennaia istoriia. --- Plato. --- Russian literature. --- Schopenhauer. --- The Precipice. --- censorship. --- civil service. --- desire. --- gothic. --- laughter. --- modernity. --- queer studies. --- realism. --- travelogue.
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