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English literature --- Psychological study of literature --- anno 1800-1999
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Applications of a Horneyan approach -- Horney's mature theory -- A doll's house and Hedda Gabler -- The end of the road -- "The clerk's tale"--The merchant of Venice -- Antigone -- Great expectations -- Jane Eyre -- The mayor of Casterbridge -- Madame Bovary -- The awakening -- Wuthering heights.
Characters and characteristics in literature. --- Literature --- Motivation (Psychology) in literature. --- Psychoanalysis and literature. --- Psychology in literature. --- Psychology. --- Caractères litteraires --- Caractères littéraires --- Character sketches--History and criticism --- Characterization (Literature) --- Characters [Literary ] --- Characters and characteristics in literature --- Karakterisering (Literatuur) --- Karakters [Literaire ] --- Karakters in de literatuur --- Karakterschetsen in de literatuur --- Literaire karakters --- Literaire portretten --- Literary characters --- Literary portraits --- Literature and psychoanalysis --- Literatuur en psychoanalyse --- Littérature et psychanalyse --- Littérature--Personnages --- Motivatie (Psychologie) in de literature --- Motivation (Psychologie) dans la litérature --- Motivation (Psychology) in literature --- Personages in de literatuur --- Personnages (littérature) --- Personnages littéraires --- Portraits [Literary ] --- Portraits littéraires --- Portretten [Literaire ] --- Psychanalyse et littérature --- Psychoanalyse en literatuur --- Psychoanalysis and literature --- Psychologie als thema in de literatuur --- Psychologie comme thème dans la littérature --- Psychologie dans la littérature --- Psychologie in de literatuur --- Psychology as a theme in literature --- Psychology in literature --- Types littéraires --- Character sketches --- Portraits, Literary --- Psychoanalytic literary criticism --- Aesthetics --- Psychology and literature --- History and criticism --- Psychological aspects
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In a probing analysis that has broad implications for theories of reading, Bernard J. Paris explores how personal needs and changes in his own psychology have affected his responses to George Eliot over the years. Having lost his earlier enthusiasm for her "Religion of Humanity," he now appreciates the psychological intuitions that are embodied in her brilliant portraits of characters and relationships. Concentrating on Eliot's most impressive psychological novels, Middlemarch and Daniel Deronda, Paris focuses on her detailed portrayals of major characters in an effort to recover her intuitions and appreciate her mimetic achievement. He argues that although she intended for her characters to provide confirmation of her views, she was instead led to deeper, more enduring truths, although she did not consciously comprehend the discoveries she had made. Like her characters, Paris argues, these truths must be disengaged from her rhetoric in order to be perceived.
Psychology in literature. --- Psychoanalysis and literature --- Psychological fiction, English --- Psychology as a theme in literature --- History and criticism. --- Eliot, George, --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Characters. --- Knowledge --- Psychology. --- History --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Literature
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Fiction --- Psychological study of literature --- Conrad, Joseph --- Stendhal --- Dostoyevsky, Fyodor M. --- Thackeray, William Makepeace --- Eliot, George
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Drama --- Psychological study of literature --- English literature --- Shakespeare, William
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