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This book, the first to consider Gerard Manley Hopkins as an ecological writer, explores the dimension that social ecology offers to an ecocriticism hitherto dominated by romantic nature writing. The case for a ‘green Hopkins’ is made through a paradigm of ‘Victorian Ecology’ that expands the scope of existing studies in Victorian literature and science. Parham argues that Hopkins developed a two-fold understanding of ecology – as a scientific philosophy constructed around ecosystems theory; and as a corresponding theory of society organised around the sustainable use of energy – as well as a corresponding poetic practice. In a radical new reading of the poems, he suggests that Hopkins translated an innovative nature poetry, in which rhythm conveyed a nature characterised by dialectical energy exchange, into a social ‘ecopoetry’ that embodied the environmental impact of Victorian ‘risk’ society on its human population. Located within a ‘Victorian ecological imagination’ that fused romanticism and pragmatism, the book views Hopkins’ work as indicating the value of reconciling a deep ecological assertion of the intrinsic value of (nonhuman) nature with social ecology’s more pragmatic attempts to critique and re-conceptualise human life.
Hopkins, Gerard Manley, --- Hopkins, G. M. --- Hopkins, Manley, --- Criticism and interpretation. --- Hopkins, Gerard Manley
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Drawing upon the English literary tradition for new perspectives and paradigms, this collection presents a broad range of theoretical and historical approaches to ecocriticism. The first section of the volume offers different theoretical frameworks for ecocritical work, encompassing a range of socio-political, post-modern and multi-disciplinary approaches. In the second section, contributors explore the ways in which ecocriticism allows us to re-think literary history
Wilderness areas in literature --- Outdoor life in literature --- Landscapes in literature --- Ecology in literature --- Ecocriticism --- Environmentalism --- Forests in literature --- English literature --- Nature in literature --- Conservation of natural resources in literature --- Environmental protection in literature --- Philosophy of nature in literature --- Forests and forestry in literature --- Environmental movement --- Social movements --- Anti-environmentalism --- Sustainable living --- Ecological literary criticism --- Environmental literary criticism --- Criticism --- History and criticism --- Greenwashing
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The Anthropocene is a proposed geological epoch marking humanity's alteration of the Earth: its rock structure, environments, atmosphere. The Cambridge Companion to Literature and the Anthropocene offers the most comprehensive survey yet of how literature can address the social, cultural, and philosophical questions posed by the Anthropocene. This volume addresses the old and new literary forms - from novels, plays, poetry, and essays to exciting and evolving genres such as 'cli-fi', experimental poetry, interspecies design, gaming, weird, ecotopian and petro-fiction, and 'new' nature writing. Studies range from the United States to India, from Palestine to Scotland, while addressing numerous global signifiers or consequences of the Anthropocene: catastrophe, extinction, 'fossil capital', warming, politics, ethics, interspecies relations, deep time, and Earth. This unique Companion offers a compelling account of how to read literature through the Anthropocene and of how literature might yet help us imagine a better world.
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Popular culture - both radical and mainstream - has an important role to play in supporting environmental awareness and translating ecological values in ways that are meaningful to our everyday lives. This comprehensive survey of green media and popular culture introduces the reader to the key debates and theories surrounding green interpretations of popular film, television and journalism, as well as comedy, music, animation, and computer games. With stimulating and original case studies on U2, Bjork, the animated films of Disney, the computer game Journey, and more, the text reveals the complicated and often contradictory relationship between the media and environmentalism. Green Media and Popular Culture is a critical starting point for students of Media, Film and Cultural Studies, and anyone else researching and studying in the rapidly growing field of green media and cultural studies."
Environmentalism in mass media. --- Mass media and the environment. --- SCIENCE --- SOCIAL SCIENCE --- Environmental Science. --- Media Studies. --- Popular Culture.
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Essays exploring interrelated strands of material ecologies, past and present British politics, and the act of writing, through a rich variety of case studies.
Ecocriticism. --- Environmental literature --- History and criticism.
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In A Global History of Literature and the Environment, an international group of scholars illustrate the immense riches of environmental writing from the earliest literary periods down to the present. It addresses ancient writings about human/animal/plant relations from India, classical Greece, Chinese and Japanese literature, the Maya Popol Vuh, Islamic texts, medieval European works, eighteenth-century and Romantic ecologies, colonial/postcolonial environmental interrelations, responses to industrialization, and the emerging literatures of the world in the present Anthropocene moment. Essays range from Trinidad to New Zealand, Estonia to Brazil. Discussion of these texts indicates a variety of ways environmental criticism can fruitfully engage literary works and cultures from every continent and every historical period. This is a uniquely varied and rich international history of environmental writing from ancient Mesopotamian and Asian works to the present. It provides a compelling account of a topic that is crucial to twenty-first-century global literary studies.
Ecocriticism. --- Environmental literature --- Nature in literature. --- Ecology in literature. --- Nature in poetry --- Ecological literary criticism --- Environmental literary criticism --- Criticism --- History and criticism.
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"In A Global History of Literature and the Environment, an international group of scholars illustrate the immense riches of environmental writing from the earliest literary periods down to the present. It addresses ancient writings about human/animal/plant relations from India, classical Greece, Chinese and Japanese literature, the Maya Popol Vuh, Islamic texts, medieval European works, eighteenth-century and Romantic ecologies, colonial/postcolonial environmental interrelations, responses to industrialization, and the emerging literatures of the world in the present Anthropocene moment. Essays range from Trinidad to New Zealand, Estonia to Brazil. Discussion of these texts indicates a variety of ways environmental criticism can fruitfully engage literary works and cultures from every continent and every historical period. This is a uniquely varied and rich international history of environmental writing from ancient Mesopotamian and Asian works to the present. It provides a compelling account of a topic that is crucial to twenty-first century global literary studies"--
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Sustainability has become a key socio-political issue over recent years. However, whilst the literary-critical community has advanced enthusiastically on an exciting range of environmentally-based analyses (most obviously through the work of ecocriticism), its response specifically to sustainability—as an attempt to reconceptualise the way we live, as an idea with a particular history, and as a ubiquitous term driven through over-use to near meaninglessness—has been extremely limited. The basic idea of the volume is to make a start on filling this gap. Split into four sections: Historicising sustainability, Discourses of sustainability, The sustainability of literature, Sustainability in literature – it has some very good contributors, and starts off with an introduction about the history of the term, looks at its beginnings in the C19th, and goes onto show how contemporary authors are dealing with it including Jeanette Winterson, Michel Houellebecq, Margaret Atwood and Amitav Ghosh.
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