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Film --- Argentina --- Motion picture industry --- Motion pictures --- Economic conditions --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Argentinië --- Motion picture industry - Argentina --- Motion pictures - Argentina --- Argentina - Economic conditions - 1983 --- -Motion picture industry
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It has become something of a critical commonplace to claim that science fiction does not actually exist in Argentina. This book puts that claim to rest by identifying and analyzing a rich body of work that fits squarely in the genre. Joanna Page explores a range of texts stretching from 1875 to the present day and across a variety of media-literature, cinema, theatre, and comics-and studies the particular inflection many common discourses of science fiction (e.g., abuse of technology by authoritarian regimes, apocalyptic visions of environmental catastrophe) receive in the Argentine context. A central aim is to historicize these texts, showing how they register and rework the contexts of their production, particularly the hallmarks of modernity as a social and cultural force in Argentina. Another aim, held in tension with the first, is to respond to an important critique of historicism that unfolds in these texts. They frequently unpick the chronology of modernity, challenging the linear, universalizing models of development that underpin historicist accounts. They therefore demand a more nuanced set of readings that work to supplement, revise, and enrich the historicist perspective.
Science fiction, Argentine --- Literature and technology --- Fantasy fiction, Argentine --- History and criticism. --- Argentine fantasy fiction --- Fantastic fiction, Argentine --- Argentine fiction --- Industry and literature --- Technology and literature --- Technology --- Argentine science fiction
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With a burgeoning academic interest in Latin American science fiction and cyberfiction and in representations of science and technology in Latin American literature and cinema, this book adds new understanding to the growing body of interdisciplinary work on the relationship between literature and science in postmodern culture.Joanna Page examines how contemporary fiction and literary theory in Argentina consistently employ theories and models from mathematics and science to probe the nature of innovation and evolution in literature. Theories of incompleteness, uncertainty, and chaos are often mobilized in European and North American literary and philosophical texts as metaphors for the inadequacy of our epistemological tools to probe the world's complexity. However, in recent Argentine fiction, these generalizations are put to very different uses: to map out the potential for artistic creativity and regeneration in times of crisis. Page focuses on texts by contemporary Argentine writers Ricardo Piglia, Guillermo Marti´nez and Marcelo Cohen, which draw on theories of formal systems, chaos, emergence, and complexity to counter proclamations of the end of philosophy or the exhaustion of literature in the postmodern era.This book makes a significant contribution to our understanding of how newness and creativity have been theorized, tracing often unexpected relationships between thinkers such as Nietzsche, Deleuze, and the Russian Formalists. It is also the first time that a major study in English has been published on the work of Martínez, Piglia, or Cohen.
Argentine literature --- Science in literature. --- Technology in literature. --- Mathematics in literature. --- Creative ability in literature. --- Romanticism --- Formalism (Literature) --- Themes, motives --- History and criticism. --- Martínez, Guillermo, --- Piglia, Ricardo --- Cohen, Marcelo --- Criticism and interpretation. --- Creation (Literary, artistic, etc.)
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Art, Latin American. --- Art, Spanish American --- Latin American art
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In Decolonial Ecologies: The Reinvention of Natural History in Latin American Art, Joanna Page illuminates the ways in which contemporary artists in Latin America are reinventing historical methods of collecting, organizing, and displaying nature in order to develop new aesthetic and political perspectives on the past and the present. Page brings together an entirely new corpus of artistic projects from Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, and Peru that engage critically and creatively with forms as diverse as the medieval bestiary, baroque cabinets of curiosities, atlases created by European travellers to the New World, the floras and herbaria composed by eighteenth- and nineteenth-century naturalists, and the dioramas designed for natural history museums. She explores how artists develop decolonial and post-anthropocentric perspectives on the collections and expeditions that were central to the evolution of European natural history. Their works forge a critique of the rationalizing approach to nature taken by modern Western science, reconnecting it with forms of popular, indigenous and spiritual knowledge and experience that it has systematically excluded since the Enlightenment. Drawing on photography, video, illustration, sculpture, and installation, this vividly illustrated and lucidly written book explores how these artworks might also deconstruct the apocalyptic visions of environmental change that often dominate Western thought, developing a renewed understanding of alternative ways in which humans might co-inhabit the natural world. It is valuable reading for scholars, students and anyone interested in Latin American art, transdisciplinary studies in art and science, or the environmental humanities.
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Decolonizing Science in Latin American Art explores art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists' kitchens.
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Mathematics in literature. --- Science in literature. --- Technology in literature. --- Piglia, Ricardo. --- Martínez, Guillermo, --- Argentina --- Romanticism. --- Formalism.
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Mathematics in literature. --- Science in literature. --- Technology in literature. --- Piglia, Ricardo. --- Martínez, Guillermo, --- Argentina --- Romanticism. --- Formalism.
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