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How do memories circulate transnationally and to what effect? How to understand the enduring role of national memories and their simultaneous reconfiguration under globalization? Challenging the methodological nationalism that has until recently dominated the study of memory and heritage, this book charts the rich production of memory across and beyond national borders. Arguing for the fruitfulness of a transnational as distinct from a global approach, it places the issues of circulation, articulation and the scales of remembrance at the centre of its inquiry. In the process, it sheds new light on the ways in which mediation, post-coloniality, migration and regional integration affect both the way we remember and the role of memory in contemporary societies. In this interdisciplinary collection, humanities and social science scholars examine a rich sample of cases from the nineteenth century on, stretching across the globe from Vietnam to Europe and the Middle East, to the USA and the Pacific, and involving a wide range of cultural practices from quilting to films, from photography to heritage sites and monuments. In the process, the volume develops a new theoretical framework while proposing new methodological tools and resources for studying collective remembrance beyond the nation-state.

Collective memory --- Memorialization --- Memorialisation --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memorials --- Memory --- Social psychology --- Group identity --- National characteristics --- Memory and heritage. --- globalization and postcolonialism. --- methodological nationalism. --- transnationalism.

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This volume bears witness to the third edition of the Premio Querini Stampalia - FURLA per l'arte. The prize was conceived by Chiara Bertola, in consultation with Giacinto Di Pietrantonio and Angela Vettese, to document and honor emerging artists who live and work in Italy. After a meticulous examination of works by young contemporary artists, the national jury selected, as always, five finalists : Marcello Maloberti, Ottonella Mocellin, Adrian Paci, Daniele Puppi and Sissi. Following Kosuth and Kabakov, the "godfather" of this third edition of the prize is the German artist Lothar Baumgarten, who has invented a complex and unusual play on words, a proverb that invites us to reflect on the impossibility of judging an artist : "the horse would know, but the horse can't talk". Maloberti, Marcello ; Mocellin, Ottonella ; Paci, Adrian ; Puppi, Daniele ; Sissi ; A 12 ; Borghi, Enrica ; Canavacciuolo, Maurizio ; Levita, Mariangela ; Andrini, Alessandra ; Dafni & Papadatos ; Gennari, Francesco ; Pintaldi, Cristiano ; Sassi, Corrado ; Benassi, Elisabetta ; Caravaggio, Gianni ; Kinkaleri ; Pancrazzi, Luca ; Previti, Riccardo ; Cariello, Letizia ; Bello, Paola Di ; Giliberti, Eugenio ; Papa, Marco ; Sartori, Maria Teresa ; Benvenuto, Carlo ; Cecchini, Loris ; Matteo, Gabriele Di ; Miura, Yoko ; Tuttofuoco, Patrick ; Bramante, Davide ; Carlisi, Rocco ; Favelli, Flavio ; Galegati, Stefania ; Simeti, Francesco ; Berrettini, Marco ; Golia, Piero ; Motti, Gianni ; Vitali, Massimo ; GAHP (Genetic Art History and Promotion) ; Matto, Mario & C. ; OPU (Operazioni di Pubblica Utilità) ; Pellegatta, Leo ; Tessarollo, Silvano ; Mangano, Domenico ; Perrone, Diego ; Scotto di Luzio, Lorenza ; Losi, Claudia ; Pellegrini, Nicola ; Spranzi, Alessandra ; Vaglieri, Marco

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