Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

kunst --- kunst en architectuur --- 7.071 PUYAN --- installaties --- Iran --- Pouyan Shahpour --- eenentwintigste eeuw --- Exhibitions --- Art --- drawings [visual works] --- sculpture [visual works] --- installations [visual works] --- grain [seed] --- Pouyan, Shahpour --- 7.07 --- 73.07 --- 7.039(55) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst--beeldhouwers A - Z --- Kunstgeschiedenis ; 2000 - 2050 ; Iran

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The publication 'Prix de Rome 2017' presents the work of the four talented young artists that an international jury shortlisted for the Prix de Rome Visual Arts 2017. The nominees are Melanie Bonajo, Rana Hamadeh, Saskia Noor van Imhoff and Katarina Zdjelar. The jury was impressed by the selected artists' innovative attitude, their reflection on the present era and the layered structure of their work. This publication highlights the oeuvres and the new work of the four shortlisted artists. One of the authors, the winner of the stimulation award connected to the Award for the Young Art Critic 2016, is Julia Mullié. With this commission the Prix de Rome also underlines the importance of encouraging a new generation of art critics. The Prix de Rome is the oldest prize for visual artists and architects below the age of 40 in the Netherlands. The purpose of the award is to identify talented artists and to encourage them to further develop and increase their visibility. The winning artist will receive 40.000 euros and a residency in Rome. The Prix de Rome is organized by the Mondriaan Fund.

Art --- Competitions --- Bonajo, Melanie, --- Hamadeh, Rana, --- Zdjelar, Katarina, --- van Imhoff, Saskia Noor, --- Prix de Rome (Netherlands)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Beerts, Jonas ; Boerman, Doris ; Cleutjens, Caszimir ; Denil, David ; Heuninck, Elias ; Lignou-Tsamantani, Kyveli ; Manovich, Lev ; Mercuriali, Giacomo ; Mitchell, William J. ; Smith, Alvy Ray

kunst --- fotografie --- digitale kunst --- digitale fotografie --- eenentwintigste eeuw --- twintigste eeuw --- nieuwe media --- pixels --- kunsttheorie --- fotografietheorie --- film --- 7.01

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Investigating the economic value of one of the Democratic Republic of the Congo?s most lucrative exports (namely, poverty), Renzo Martens? provocative film 'Episode III: Enjoy Poverty' (2008) remains a landmark intervention into debates about contemporary art?s relationship to exploitative economies. The contributors to this publication explore the film?s legacy and how it relates to the politics of representation, uses of the documentary form, art criticism, the deployment of humanitarian aid, the impact of extractive forms of globalized capital, and the neoliberal politics of decolonization. The unconventional representation of acute immiseration throughout 'Enjoy Poverty' generated far-from-resolved disputes about how deprivation is portrayed in Western mainstream media and global cultural institutions. Using a range of approaches, this volume reconsiders that portrayal and how the film?s reception led Martens to found a long-term program, the Institute for Human Activities.

#SBIB:39A5 --- #SBIB:39A73 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Social stratification --- poverty --- value [economic concept] --- criticism --- artists' films --- documentary films --- Martens, Renzo --- Congo --- #breakthecanon --- Rezeption. --- Poverty --- Poverty. --- Martens, Renzo, --- Martens, Renzo. --- Bibel --- Congo (Democratic Republic). --- Pauvreté --- Poverty - Congo (Democratic Republic) --- Martens, Renzo. - Enjoy poverty --- documentary film --- samenlevingsopbouw