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Television play --- Spanish-American literature --- Film --- Lexicology. Semantics --- Spanish language --- Spanish literature --- Spanish philology. --- Study and teaching. --- History and criticism --- History and criticism. --- Spanish philology --- Castilian language --- Romance languages --- Study and teaching
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Spanish literature --- Spanish American literature --- Littérature espagnole --- Littérature hispano-américaine --- Indians --- First contact with Europeans --- Sources. --- Littérature espagnole --- Littérature hispano-américaine --- Aborigines, American --- American aborigines --- American Indians --- Amerindians --- Amerinds --- Pre-Columbian Indians --- Precolumbian Indians --- Ethnology --- First contact with Europeans&delete& --- Sources --- Civilization --- America --- Americas --- New World --- Western Hemisphere --- Discovery and exploration --- Spanish --- Early accounts to 1600. --- Indigenous peoples
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Spanish literature --- Spanish American literature --- Literature, Modern --- Littérature espagnole --- Littérature hispano-américaine --- Littérature moderne --- History and criticism. --- Histoire et critique --- Littérature espagnole --- Littérature hispano-américaine --- Littérature moderne
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Vallejo, Cesar --- -Addresses, essays, lectures --- Vallejo, César, --- Vallejo Mendoza, César Abraham, --- Mendoza, César Abraham Vallejo, --- Vallejo, César Abraham, --- Valʹekho, Sesar, --- Valliecho, Kaisar, --- Vallejo, Cholo, --- Vallejo, César, --- LITTERATURE PERUVIENNE --- VALLEJO (CESAR)
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Fiction --- Spanish-American literature --- anno 1900-1999 --- Roman latino-américain --- Venezuelan fiction --- Roman latino-américain --- Postmodernism (Literature) --- Spanish American fiction --- History and criticism. --- Latin American fiction --- Postmodernisme (Littérature) --- History and criticism --- Histoire et critique
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Too often literary criticism is academic exercise rather than creative act. For the multifaceted Julio Ortega—respected poet, dramatist, and novelist in his own right—the act of criticism becomes profoundly creative, his incisive readings of the text far transcending the pedantry that may falsely pass for imagination, intelligence, and rigor. Nearly every Spanish-American writer of consequence, from Paz to Fuentes, Cortázar to Lezama Lima, has extolled Ortega’s criticism as not merely a reflection but an essential part of the renaissance that took place in Spanish-American letters during the late twentieth century. Poetics of Change brings together Ortega’s most penetrating and insightful analyses of the fiction of Borges, Fuentes, García Márquez, Carpentier, Rulfo, Cabrera Infante, and others responsible for great writing from Spanish America. Ortega concerns himself most with the semantic innovations of these masters of the modern narrative and their play with form, language, and the traditional boundaries of genre. Mapping their creative territory, he finds that the poetics of Spanish-American writing is that of a dynamically changing genre that has set exploration at its very heart.
Spanish American fiction --- History and criticism --- Fiction --- Spanish-American literature --- History and criticism.
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