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Drama --- Theatrical science --- English literature --- anno 1900-1999 --- United States --- Great Britain --- English drama (Tragicomedy) --- Tragi-comédie anglaise --- History and criticism --- Histoire et critique --- Tragicomedy --- History and criticism. --- Tragi-comédie anglaise --- United States of America

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Sociology of literature --- Drama --- 316.77 --- -Drama --- -Literature and society --- Tragedy --- -#SBIB:309H525 --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Drama, Modern --- Plays --- Stage --- Acting --- Dialogue --- Communicatiesociologie --- History and criticism --- -Theory, etc --- Sociologie van de audiovisuele boodschap --- Social aspects --- Philosophy --- Literature and society. --- Theory, etc. --- 316.77 Communicatiesociologie --- -Literature --- Theory, etc --- Literature and society --- History and criticism&delete& --- Dramas --- Dramatic works --- Playscripts

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"Hitchcock and twentieth-century cinema looks at the work, influences, legacy and style of one of cinema's most famous directors. Alfred Hitchcock worked in Britain and America, in silent and sound films, and through and beyond the studio system, all the time appealing to mass audiences while employing his own distinctive style. This book examines how he produced films that challenged key notions of acting, sexuality, mise-en-scene and narrative convention. It contends that Hitchcock can be seen as a matrix-figure who absorbed much of the first decades of cinema and in turn greatly influenced film noir, the French New Wave, and directors as innovative as David Lynch, Roman Polanski and Wong Kar-Wai, and whose legacy is still evident in the work of contemporary filmmakers all around the world."--Jacket.

Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Hitchcock, Alfred, --- Criticism and interpretation --- Producteurs et réalisateurs de cinéma --- CDL --- 791.471 HITCHCOCK --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک، الفرد، --- Criticism and interpretation. --- Literature (General) --- Specific types of movies --- Films of individuals --- Hitchcock, Alfred Joseph --- Hitchcock, Alfred --- Hitchcok, Alfred

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#SBIB:023.AANKOOP --- #SBIB:309H1320 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land)

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In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western cinema. Encompassing a broad selection of films, film-makers and debates, this book brings a fresh perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history. Covering the period between 1929 and the present, this book examines outstanding directors such as Alfred Hitchcock, David Lean, Carol Reed, Nicholas Roeg, Terence Davies and Bill Douglas, and articulates two genres vital to British cinema - the fugitive film and the trauma film - which bridge the gap between romantic and modern forms. Two detailed chapters also assess the powerful impact of major expatriate directors like Losey, Antonioni, Polanski, Kubrick and Skolimowski on modernism in the 1960s and 1970s. Detailed critical readings explore Blackmail, The Lady Vanishes, Black Narcissus, Odd Man Out, The Passionate Friends, The Innocents, Lawrence of Arabia, The Servant, Blow-Up, A Clockwork Orange, Don't Look Now, The Wicker Man, Moonlighting, the Bill Douglas trilogy and The Long Day Closes. The book concludes with an analysis of the persistence of romantic and modernist forms in the 21st century in two recent prize-winning features, Control and Hunger.

Motion pictures --- Art and motion pictures --- Romanticism --- Modernism (Aesthetics) --- Art and moving-pictures --- Motion pictures and art --- Aesthetics --- History. --- Aesthetics. --- film --- filmgeschiedenis --- Groot-Brittannië --- twintigste eeuw --- Hitchcock Alfred --- Reed Carol --- Lean David --- Losey Joseph --- Antonioni Michelangelo --- Kubrick Stanley --- Skolimowski Jerzy --- Davies Terence --- Douglas Bill --- 791.43