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Anselmo, Giovanni ; Arakawa ; Artschwager, Richard ; Baselitz, Georg ; Blume, Bernhard Johannes ; Brus, Günter ; Byars, James Lee ; Chia, Sandro ; Christiansen, Henning ; Clemente, Francesco ; Cragg, Tony ; Hamilton, Richard ; Richter, Gerhard ; Serra, Richard ; Vedova, Emilio ; etc.

Beuys, Joseph --- Joseph Beuys 1921-1986 (° Krefeld, Duitsland) --- Conceptuele kunst ; Fluxus ; Joseph Beuys ; + leerlingen --- Kunst en maatschappij --- Intermedia ; Environments ; Happenings --- Actionisme --- Intermedia ; assemblages ; installaties --- 7.07 --- 7.038 --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Art, Modern --- Exhibitions --- Beuys, J. --- Boĭs, Iosef --- Bojs, Jozef --- Bois, Yozef --- בויס, יוזף --- Boisu, Yōzefu. --- ボイス・ヨーゼフ. --- Exhibitions.

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Superheroes have been the major genre to emerge from comics and graphic novels, saturating popular culture with images of muscular men and sexy women. A major aspect of this genre is identity in the roles played by individuals, the development of identities through extended stories and in the ways the characters inspire audiences. This collection analyses stories from popular comics franchises such as Batman, Captain America, Ms Marvel and X-Men, alongside less well known comics such as Kabuki and Flex Mentallo. It explores what superhero narratives can reveal about our attitudes towards femininity, race, maternity, masculinity and queer culture. Using this approach, the volume asks questions such as why there are no black supervillains in mainstream comics, how second wave feminism and feminist film theory may help us to understand female comic book characters, the ways in which Flex Mentallo transcends the boundaries of straightness and gayness and how both fans and industry appropriate the sexual identity of superheroes. The book was originally published in a special issue of the Journal of Graphic Novels and Comics.

Comic books, strips, etc. --- Superheroes --- Archetype (Psychology). --- Myth. --- Popular culture. --- History and criticism. --- Psychological aspects. --- Moral and ethical aspects. --- Comic books, strips, etc

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Art --- Stuck, Franz von, --- Museum Villa Stuck

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Wayne Thiebaud’s (1920–21) iconic still lifes of pies, cakes, gumball machines and lipsticks critically reflect on the promise of the American dream: a society of plenty where supply exceeds demand. Thiebaud depicted these objects as mass-produced commodities rather than idealized entities, updating the still life genre for the modern age. He achieved this effect through serial repetition and synthetic colors and by applying his paint impasto-style; Thiebaud quite literally spread the frosting effects onto his famous cakes. This catalog, published in tandem with the exhibition at Foundation Beyeler in Switzerland, presents all aspects of the legendary American artist’s oeuvre, including his still lifes and portraits, as well as his deserted, multiperspectival cityscapes and river landscapes. All his paintings, rendered in luminous pastels, exude a peculiar flavor of summertime sadness.

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