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The complex, enigmatic work of Meret Oppenheim (1913–85) has lost nothing of its allure in the present day. Much has been written about her career and her art. Yet very little is known about the real person, who always remained secretive about herself and banned publication of any personal documents until twenty years after her death.In 1958, Oppenheim put together an album that she titled Von der Kindheit bis 1943 (From Childhood to 1943). It has a dual identity of a diary and a work of art. It assembles photos, objects, notes, and brief texts, as well as ideas and concepts for artworks, and offers very personal insights into Oppenheim’s private life and thoughts. This book features the entire album in true-size color reproductions and, for the first time ever, translates the full text into English. The album is supplemented with a previously unpublished autobiographical text by Oppenheim, which she compiled in 1970–71. Rounded out with an introduction by editors Lisa Wenger and Martina Corgnati, this beautiful book offers entirely new perspectives on one of the most distinguished woman artists.

autobiography [genre] --- albums [books] --- diaries --- schetsboek --- Oppenheim, Meret --- Artistieke fotografie; fotomontage --- Beeldende kunst ; 1ste helft 20ste eeuw ; dadaïsme en surrealisme --- Beeldhouwkunst ; surreële objecten --- Kunst; Duitsland; Meret Elisabeth Oppenheim (1913-1985) --- Beeldhouwkunst ; Duitsland ; 20ste eeuw --- Surrealisme --- Dadaïsme --- Beeldende kunst ; Duitsland ; 20ste eeuw --- Oppenheim, Meret 1913-1985 (°Berlijn, Duitsland) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z

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Oppenheim, Meret Elisabeth,

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Iconography --- Art --- Sculpture --- outdoor sculpture --- art [discipline] --- public art --- fountains --- public spaces --- sculpting --- beeldhouwkunst, ontwerpen --- Oppenheim, Meret --- Germany

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Duitse letterkunde --- German literature --- Authors, Swiss. --- Mehr, Mariella, --- Italy --- Switzerland.

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Meret Oppenheim (1913, Berlin - 1985, Paris) a marqué l’art du XXe siècle de manière aussi importante que secrète. Alors qu’elle n’est âgée que d’une vingtaine d’années, son assemblage. Le Déjeuner en fourrure (1936) la fit passer du statut de muse scandaleuse du surréalisme à celui d’artiste majeure du mouvement. En 2013, Meret Oppenheim aurait eu 100 ans. À cette occasion, le LaM accueille une rétrospective de près de 200 œuvres de cette artiste inclassable, qui n’a pas été montrée en France depuis 1984.

Exposition --- Art contemporain --- Femme artiste --- Surréalisme --- Surrealist artists --- Surréalistes --- Oppenheim, Meret, --- Surréalistes --- Surrealism --- Surréalisme --- Exhibitions --- Social networks --- Attitudes --- Expositions --- Réseaux sociaux --- Exhibitions.