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This book brings together empirical and theoretical case-study research on art and heritage crime. Drawn from a diverse group of researchers and professionals, the work presented explores contemporary conceptualisations of art crime within broader contexts. In this volume, we see ‘art’ in its usual forms for art crime scholarship: in paintings and antiquities. However, we also see art in fossils and in violins, chairs and jewellery, holes in the ground and even in the institutions meant to protect any, or all, of the above. And where there is art, there is crime. Chapters in this volume, alternatively, zoom in on specific objects, on specific locations, and on specific institutions, considering how each interact with the various conceptions of crime that exist in those contexts. This volume challenges the boundaries of what we understand as “art and heritage crimes” and displays that both art, and criminality related to art, is creative and unpredictable.

Private international law. --- Conflict of laws. --- International law. --- Comparative law. --- Criminal law. --- Criminology. --- Cultural property. --- Archaeology. --- Organized crime. --- Private International Law, International and Foreign Law, Comparative Law. --- Criminal Law and Criminal Procedure Law. --- Cultural Heritage. --- Illicit Trade and Treasure Hunting. --- Organized Crime. --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Crime --- Social sciences --- Criminals --- Crimes and misdemeanors --- Law, Criminal --- Penal codes --- Penal law --- Pleas of the crown --- Public law --- Criminal justice, Administration of --- Criminal procedure --- Comparative jurisprudence --- Comparative legislation --- Jurisprudence, Comparative --- Law, Comparative --- Legislation, Comparative --- Law of nations --- Nations, Law of --- Public international law --- Law --- Choice of law --- Conflict of laws --- Intermunicipal law --- International law, Private --- International private law --- Private international law --- Legal polycentricity --- Crime syndicates --- Organised crime --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Study and teaching --- Law and legislation --- Legal status, laws, etc. --- Civil law

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This book brings together empirical and theoretical case-study research on art and heritage crime. Drawn from a diverse group of researchers and professionals, the work presented explores contemporary conceptualisations of art crime within broader contexts. In this volume, we see 'art' in its usual forms for art crime scholarship: in paintings and antiquities. However, we also see art in fossils and in violins, chairs and jewellery, holes in the ground and even in the institutions meant to protect any, or all, of the above. And where there is art, there is crime. Chapters in this volume, alternatively, zoom in on specific objects, on specific locations, and on specific institutions, considering how each interact with the various conceptions of crime that exist in those contexts. This volume challenges the boundaries of what we understand as "art and heritage crimes" and displays that both art, and criminality related to art, is creative and unpredictable.

Social problems --- Sociology of cultural policy --- Comparative law --- International private law --- International law --- Criminology. Victimology --- Criminal law. Criminal procedure --- Archeology --- cultureel erfgoed --- georganiseerde misdaad --- rechtsvergelijking --- strafrecht --- criminologie --- criminaliteit --- internationaal recht --- internationaal privaatrecht --- archeologie

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Decolonization.