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English literature --- Fiction --- General ethics --- anno 1900-1999 --- English fiction --- Ethics in literature. --- Experimental fiction, English --- History and criticism.
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Fiction --- Thematology --- Psychological study of literature --- English literature --- anno 1900-1999 --- anno 2000-2009
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Fiction --- Discourse analysis, Narrative. --- Narration (Rhetoric). --- Discours narratif --- Narration --- 82-3 --- #KVHA:Literaire theorie; Narratologie --- Proza. Fictie. Narratologie --- 82-3 Proza. Fictie. Narratologie --- Narration (Rhetoric) --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative
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This volume addresses the construction and artistic representation of traumatic memories in the contemporary Western world from a variety of inter- and trans-disciplinarity critical approaches and perspectives, ranging from the cultural, political, historical, and ideological to the ethical and aesthetic, and distinguishing between individual, collective, and cultural traumas. The chapters introduce complementary concepts from diverse thinkers including Cathy Caruth, Jacques Derrida, Judith Butler, Homi Bhabha, Abraham and Torok, and Joyce Carol Oates; they also draw from fields of study such as Memory Studies, Theory of Affects, Narrative and Genre Theory, and Cultural Studies. Traumatic Memory and the Political, Economic, and Transhistorical Functions of Literature addresses trauma as a culturally embedded phenomenon and deconstructs the idea of trauma as universal, transhistorical, and abstract.
Philosophy --- Cognitive psychology --- Linguistics --- Comparative literature --- Literature --- History as a science --- historiografie --- postkolonialisme --- geletterdheid --- filosofie --- literatuur --- geheugen (mensen) --- wereldliteratuur --- anno 1900-1999 --- Europe
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Through its take on ‘the humble’, this volume attempts to reveal the depth and philosophical relevance of literature, its ethical and political dimension as well as its connection to life. Because it can be associated with social class, religion, psychology or ethics, the notion of ‘the humble’ lends itself to diverse types of studies. The papers collected in this volume argue that in the course of the 19th, 20th and 21st centuries, artists and writers have revisited the term ‘humble’ and, far from treating it as a simple motif, have raised it to the status of an aesthetic category. This category can first foster a better understanding of fiction, poetry, painting, and their representation of precarious lives through various genres and modes. It may also draw attention to neglected or depreciated humble novels or art forms that developed from the Victorian to the contemporary period, through the Edwardian and the modernist eras. Finally, it helps revise assumptions about the literature and art of the period and signals to a poetics of the humble. The works of art examined here explore the humble as a possible capacity and ethical force, a way of being and acting.
Literature --- poetry --- aesthetics --- ethics --- politics --- fiction --- arts --- (post)modernism --- theatre
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Over the last few decades, in the wake of the ‘Ethical Turn’, contemporary literature has been examined through the prism of the ethics of alterity. Yet, this may not be consistently the case with Victorian and Modernist literature, since relatively few of the authors of those periods have elicited such critical and theoretical scrutiny. The articles in this volume set off to re-read Victorian and Modernist literature in the light of the ethics of alterity and investigate whether the post-Auschwitz, contemporary period breaks away from or favours lines of continuity with the productions of the earlier era. It also strives to address works which do not belong to the canon, focusing alternately on great authors and less known artists, on what has been termed ‘minor’ texts or genres that are less visible than the novel. Approaching literature by examining the relations between ethics and aesthetics, even while adopting an ethical approach, helps the authors in this volume contribute to revising the contemporary, Modernist and Victorian canon in English Literature.
Literature --- modernism --- ethics --- politics --- alterity --- British arts --- contemporary art
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