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Shirley Hazzard: New Critical Essays is the first collection of scholarly essays on the work of the acclaimed Australian-born, New York-based author. In the course of the last half century, Hazzard's writing has crossed and re-crossed the terrain of love, war, beauty, politics and ethics. Hazzard's oeuvre effortlessly reflects and represents the author's life and times, encapsulating the prominent feelings, anxieties and questions of the second half of the 20th century. It is these qualities, along with Hazzard's lyrical style that place her among the most noteworthy Australian writers of the 20th century.
Electronic books. --- Hazzard, Shirley, --- Criticism and interpretation.
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Remembering Patrick White presents the first major study of the full range of White’s work in over twenty-five years, and aims to bring this important author up to date for new generations of readers and scholars. Patrick White is a writer of moods and perspectives and the essays collected here range in their focus over his public presentations, his formal challenges, his spiritual leanings and dramatic gestures. They examine the breadth and significance of White’s intellectual contribution and consider the ongoing legacy of his thought and his art within national and international frames. As a collection, they focus our attention on what Patrick White means at the juncture of the present, reading his work through contemporary critical perspectives that further underscore the dynamism and substance of his writing. “Remembering Patrick White is an essential shot in the arm. It reminds us we do need actively to remember Patrick White, to fetch him back centre-stage in Australian literary scholarship. And yet the essays in this book also look forward, remembering in order to re-energise scholarship on White’s novels, plays, and life. Indeed, if this timely book reminds us of the vitality – and the resolute contemporaneousness – of White’s intellectual engagement with Australia and the world, it is to show us how much we still have to gain from bringing new perspectives to bear upon his body of work, which is no less astounding in the twenty-first century than it was during his lifetime.” — Ian Henderson, King’s College London.
White, Patrick (1912-1990) --- Littérature australienne --- 20e siècle --- Histoire et ctitique
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Spanning the 1960s to the 2000s, these nonfiction writings showcase Shirley Hazzard's extensive thinking on global politics, international relations, the history and fraught present of Western literary culture, and postwar life in Europe and Asia. They add essential clarity to the themes that dominate her award-winning fiction and expand the intellectual registers in which her writings work.Hazzard writes about her employment at the United Nations and the institution's manifold failings. She shares her personal experience with the aftermath of the Hiroshima atomic bombing and the nature of life in late-1940s Hong Kong. She speaks to the decline of the hero as a public figure in Western literature and affirms the ongoing power of fiction to console, inspire, and direct human life, despite-or maybe because of-the world's disheartening realities. Cementing Hazzard's place as one of the twentieth century's sharpest and most versatile thinkers, this collection also encapsulates for readers the critical events defining postwar letters, thought, and politics.
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Antigone Kefala is one of the most significant of the Australian writers who have come from elsewhere; it would be difficult to overstate the significance of her life and work in the culture of this nation. Over the last half-century, her poetry and prose have reshaped and expanded Australian literature and prompted us to re-examine its premises and capacities. From the force of her poetic imagery and the cadences of her phrases and her sentences to the large philosophical and historical questions she poses and to which she responds, Kefala has generated in her writing new ways of living in time, place and language. Across six collections of poetry and five prose works, themselves comprising fiction, non-fiction, essays and diaries, she has mapped the experience of exile and alienation alongside the creativity of a relentless reconstitution of self. Kefala is also a cultural visionary. From her rapturous account of Sydney as the place of her arrival in 1959, to her role in developing diverse writing cultures at the Australia Council, to the account of her own writing life amongst a community of friends and artists in Sydney Journals (2008), she has reimagined the ways we live and write in Australia.
Women poets, Greek --- Greeks --- Social conditions. --- Kefala, Antigone. --- Australia.
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Remembering Patrick White presents the first major study of the full range of White’s work in over twenty-five years, and aims to bring this important author up to date for new generations of readers and scholars. Patrick White is a writer of moods and perspectives and the essays collected here range in their focus over his public presentations, his formal challenges, his spiritual leanings and dramatic gestures. They examine the breadth and significance of White’s intellectual contribution and consider the ongoing legacy of his thought and his art within national and international frames. As a collection, they focus our attention on what Patrick White means at the juncture of the present, reading his work through contemporary critical perspectives that further underscore the dynamism and substance of his writing. Contributors: Bill Ashcroft; Veronica Brady; Bernadette Brennan; Lorraine Burdett; Greg Graham-Smith; John McCallum; Lyn McCredden; Elizabeth McMahon; Brigitta Olubas; Brigid Rooney; Jennifer Rutherford; Anthony Uhlmann.
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Spanning the 1960s to the 2000s, these nonfiction writings showcase Shirley Hazzard's extensive thinking on global politics, international relations, the history and fraught present of Western literary culture, and postwar life in Europe and Asia. They add essential clarity to the themes that dominate her award-winning fiction and expand the intellectual registers in which her writings work.Hazzard writes about her employment at the United Nations and the institution's manifold failings. She shares her personal experience with the aftermath of the Hiroshima atomic bombing and the nature of life in late-1940s Hong Kong. She speaks to the decline of the hero as a public figure in Western literature and affirms the ongoing power of fiction to console, inspire, and direct human life, despite—or maybe because of—the world's disheartening realities. Cementing Hazzard's place as one of the twentieth century's sharpest and most versatile thinkers, this collection also encapsulates for readers the critical events defining postwar letters, thought, and politics.
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