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Vases, Red-figured --- Vase-painting, Greek --- Vases à figures rouges --- Peinture de vases grecque --- Catalogs --- Catalogues --- Phiale Painter, --- Themes, motives. --- -Red-figure vases --- Red-figured vases --- Vases, Red-figure --- Vases, Ancient --- Themes, motives --- Phiale Painter --- -Criticism and interpretation --- -Themes, motives --- Vases à figures rouges --- Catalogs. --- Red-figure vases --- Criticism and interpretation. --- Vases, Red-figured - Greece - Themes, motives.

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Pottery, Greek --- Dinners and dining --- History. --- Agora (Athens, Greece) --- Athens (Greece) --- Antiquities. --- Antiquities --- Agora (Athens, Greece). --- Greek pottery --- Classical antiquities --- Pottery, Classical --- Banquets --- Dining --- Eating --- Meals --- Caterers and catering --- Entertaining --- Etiquette --- Cooking --- Gastronomy --- Menus --- Table --- History --- Aḟiny (Greece) --- Atene (Greece) --- Atʻēnkʻ (Greece) --- Ateny (Greece) --- Athen (Greece) --- Athēna (Greece) --- Athēnai (Greece) --- Athènes (Greece) --- Athinai (Greece) --- Athīnā (Greece) --- Greece --- Αθήνα (Greece) --- Pottery, Greek - Greece - Athens. --- Pottery, Greek - Greece - Athens - Catalogs. --- Dinners and dining - Greece - Athens - History.

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The second volume presents the proceedings of the second Athenian Potters and Painters conference, which was held at the American School of Classical Studies, Athens 2007. Together with the 1994 conference (Volume I, Oxbow 1997), these are the first of their kind - focusing purely on Athenian pottery and addressing key aspects of its study. The thirty-two papers contained here are the result not only of a large amount of new material but also the dynamic appearance of a younger generation of scholars dealing with the subject. Subject areas range from the study of the potters and painters themselves, to shape, subject matter, chronology, export, excavation pottery, context, and the influence of Athenian vases on pottery from other regions of the Mediterranean and vice versa. Three papers in Greek. Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops - Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms - plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters' names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers - chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virg

Vase-painting, Greek -- Congresses. --- Vases, Greek -- Congresses. --- Visual Arts --- Art, Architecture & Applied Arts --- Decorative Arts --- Vases, Greek --- Vase-painting, Greek --- Vases grecs --- Peinture de vases grecque --- Congresses. --- Congresses --- Congres --- Festschrift - Libri Amicorum --- Conferences - Meetings --- Greek vases --- Greek vase-painting --- Congrès

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This volume consists consists of forty contributions written by an internationally renowned selection of scholars. The authors adopt an interdisciplinary methodology, examining both literary and archaeological sources, and a comparative perspective that transgresses national, chronological, and cultural boundaries, in order to investigate the nature of the links between text and image. This multifaceted approach to the study of ancient artifacts enables the authors to treat art and artistic production as activities that do not merely mirror social or cultural relationships but rather, and more significantly, as activities that create social and cultural relationships. The essays in this book are motivated by their authors' belief that there is no simple direct link between art and myths, art and text, or art and ritual, and that art should not be delegated to the role of a by-product of a literate culture. Instead, the contextual and symbolic analyses of artifacts and representations offered in this volume elucidate how art actively shaped myth, how it changed texts, how it transformed ritual, and how it altered the course of local, regional, and Mediterranean histories.

Art and mythology. --- Art and society. --- Pottery, Greek --- Pottery, Roman --- Classical antiquities --- Art et mythologie --- Art et société --- Céramique grecque --- Céramique romaine --- Antiquités gréco-romaines --- Mythology and art --- Mythology in art --- Art and anthropology. --- Art and literature. --- Antiquities. --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Material culture --- Archaeology --- Art --- Art and sociology --- Society and art --- Sociology and art --- Mythology --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Anthropology and art --- Anthropology --- Social aspects --- Classical art. --- Greek religion. --- gender. --- iconography.