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This volume explores how knowledge was made in the early medieval book in the Latin West through two interrelated practices: collecting and concealing. The contributions present case studies across cultures and subject areas, including exegesis, glossography, history, lexicography, literature, poetry, vernacular and Latin learning. Collectio underpinned scholarly productions from miscellanies to vademecums. It was at the heart of major enterprises such as the creation of commentaries, encyclopaedic compendia, glosses, glossaries, glossae collectae, and word lists. As a scholarly practice, collectio accords with the construction of inventories of inherited materials, the ruminative imperative of early medieval exegesis, and a kind of reading that required concentration. Concealment likewise played a key role in early medieval book culture. Obscuration was in line with well-known interpretative practices aimed at rendering knowledge less than immediate. This volume explores the practices of obscuring that predate the twelfth-century predilection, long recognised by historians, for reading that penetrates beneath the "covering" (integumentum, involucrum) to reveal the hidden truth. Cumulatively, the papers spotlight the currency of two crucial practices in early medieval book culture and demonstrate that early medieval authors, artists, compilers, commentators, and scribes were conspicuous collectors and concealers of knowledge.
Writing --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Hieroglyphics --- History --- Europe --- History. --- Book collecting. --- Manuscripts, Medieval. --- Civilization, Medieval. --- Classification --- Books --- Culture. --- Transmission of texts. --- Savoir et érudition --- Diffusion de la culture --- Actes de congrès
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This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features - annotations, commentaries, corrections, glosses, images, prologues, rubrics, and titles - are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons and readers. This collection, which brings together scholars from the history of the book, law, science, medicine, literature, art, philosophy and music, interrogates the role played by paratexts in establishing authority, constructing bodies of knowledge, promoting education, shaping reader response, and preserving or subverting tradition in medieval manuscript culture.
091.14 --- 82.08 --- 091.14:655.26 --- Codicologie. Codices. Scriptoria-:-Typografie. Grafisch ontwerp en lay-out --- 82.08 Literaire activiteiten. Literaire technieken --- Literaire activiteiten. Literaire technieken --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria --- E-books --- Paratext --- Manuscripts, Medieval. --- History --- Geistesgeschichte. --- Intellectual History. --- Macht. --- Manuskript. --- Medieval Manuscripts. --- Mittelalter. --- Paratext. --- Power. --- LITERARY CRITICISM / Medieval. --- Paratext - History - To 1500. --- To 1500
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