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850 "19" PIRANDELLO, LUIGI --- 850 "19" PIRANDELLO, LUIGI Italiaanse literatuur--20e eeuw. Periode 1900-1999--PIRANDELLO, LUIGI --- Italiaanse literatuur--20e eeuw. Periode 1900-1999--PIRANDELLO, LUIGI --- Pirandello, Luigi, --- Bīrāndallū, Luwījī, --- Пиранделло, Луиджи, --- Pirandello, Luidzhi, --- Pirandélo, Luwiji, --- פיראנדלו, לואיג׳י, --- פירנדלו, לואיג׳י --- פירנדלו, לואיג׳י, --- بيراندللو، لويجي، --- Pīrāndillū, Lūʼījī, --- پىراندللو، لوئيجى --- Criticism and interpretation. --- Pirandello, Luigi
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Developmental psychology --- Christian religion --- Sociology of culture --- Sociology of the family. Sociology of sexuality --- Film --- Fiction --- Movies --- Religious texts --- Literature --- Mythology --- Stereotypes --- Images of women --- Féminité --- Book --- Christianity --- Mata-Hari
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These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.
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Although it has only been in the last decade that the planet’s population balance tipped from a predominantly rural makeup towards an urban one, the field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural cinema-going. Rural Cinema Exhibition and Audiences in A Global Context is the first volume to consider rural cinema-going from a global perspective. It aims to provide a rich and wide-ranging introduction to this growing field, and to further develop some of its key questions. It brings together eighteen international scholars or teams, all representatives of a dynamic, new field. Moving beyond a Western focus is essential for thinking through questions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers’ lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ruralities into dialogue with contributions on Kenya, Brazil, China, Thailand, South Africa and Australia.
Motion pictures --- History. --- History and criticism --- Motion pictures. --- Motion pictures-European influen. --- Motion pictures, American. --- Africa. --- Australasia. --- Motion pictures-United States. --- Global Cinema and TV. --- European Cinema and TV. --- Latin American Cinema and TV. --- African Cinema and TV. --- Australasian Cinema and TV. --- American Cinema and TV. --- American motion pictures --- Moving-pictures, American --- Foreign films --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Motion pictures—European influences. --- Motion pictures—United States.
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Although it has only been in the last decade that the planet’s population balance tipped from a predominantly rural makeup towards an urban one, the field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural cinema-going. Rural Cinema Exhibition and Audiences in A Global Context is the first volume to consider rural cinema-going from a global perspective. It aims to provide a rich and wide-ranging introduction to this growing field, and to further develop some of its key questions. It brings together eighteen international scholars or teams, all representatives of a dynamic, new field. Moving beyond a Western focus is essential for thinking through questions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers’ lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ruralities into dialogue with contributions on Kenya, Brazil, China, Thailand, South Africa and Australia.
Telecommunication services --- Film --- TV (televisie) --- film --- Europese cultuur --- Europe --- Asia --- Africa --- United States of America --- America --- Latin America --- Oceania with Australia
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"Investigates the importance of cinema-going to social life in post-war Italy, and unpacks the complex relations between film texts and their consumption, individual and collective memory, and national, regional, and gendered identities"--
Motion picture audiences --- Motion picture audiences. --- Motion pictures --- Motion pictures. --- World War, 1939-1945 --- History --- Political aspects --- Social aspects --- Social aspects. --- Motion pictures and the war. --- 1900-1999. --- Italy --- Italy. --- Social life and customs
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