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Creative imitation (Gk., mimesis; Lt., imitatio) was the primary literary convention of the ancient world of the first century CE. In the first part of the book it is demonstrated that it was the principal means by which classical authors, for example, Virgil, Seneca, Plutarch, and Livy, composed their works. An examination of the use of sources in both Jewish and Christian Sacred Scriptures in the light of this convention provides a new and fruitful approach to scripture scholarship. The Book of Tobit and Paul's First Letter to the Corinthians (1 Cor 8-10) are examined to demonstrate this the

Matthew, --- Sources --- Bible --- Criticism, interpretation, etc --- Bible. N.T. Mark -- Criticism, interpretation, etc. --- Bible. N.T. Matthew -- Criticism, interpretation, etc. --- Matthew, the Apostle, Saint -- Sources. --- Religion --- Philosophy & Religion --- Christianity --- 226.2 --- 226.3 --- 225.08*7 --- Evangelie volgens Matteüs --- Evangelie volgens Marcus --- Theologie van het Nieuwe Testament: relatie met het jodendom --- 225.08*7 Theologie van het Nieuwe Testament: relatie met het jodendom --- Levi, --- Mateusz, --- Mattheos, --- Sources. --- Bible. --- Evangelie volgens Matteus --- Evangelie volgens Matthéüs --- Matʻae pogŭm --- Matai den --- Matai ni yoru fukuinsho --- Matius (Book of the New Testament) --- Mattá --- Matteo (Book of the New Testament) --- Matteus --- Matthäusevangelium --- Matthéüs --- Matthew (Book of the New Testament) --- Matthieu (Book of the New Testament) --- Marco (Book of the New Testament) --- Mark (Book of the New Testament) --- Markus (Book of the New Testament) --- Markusevangelium --- Vangelo di Marco --- Criticism, interpretation, etc. --- Book of Mark --- Matthieu, --- Matthew, - the Apostle, Saint - Sources --- Matthew, - the Apostle, Saint